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London Releases Shortlist for New Fourth Plinth Installation

Tuesday, September 24th, 2013

Six Artists on the Shortlist for Empty Fourth Plinth

Thursday, September 5th, 2013

Turner Prize Shortlist Announced

Thursday, April 25th, 2013

Ryan McGinley Unveils New Highline Billboard

Tuesday, April 2nd, 2013

AO On Site – New York: Maurizio Cattelan & Pierpaolo Ferrari at the Highline through June 29, 2012

Thursday, June 28th, 2012

AO On Site – Art 43 Basel Final Photoset and AO News Wrapup

Monday, June 18th, 2012

AO On Site Photoset – Art 43 Basel Vernissage and VIP Preview

Wednesday, June 13th, 2012

AO On Site – NYC: “Salad days” at The Journal Gallery Through December 15th, 2010 (with Video Interview and Editorial by Patrick Meagher)

Tuesday, December 14th, 2010

AO on Site – London: Frieze Art Fair 2010; final image set and newslink summary

Monday, October 18th, 2010

AO On Site – London (with newslink summary): Frieze Art Fair 2010 opens to relatively brisk buying from still measured collectors

Thursday, October 14th, 2010

Go See: Dave Eggers’ “Lots of things like this” at Apexart, New York, through May 10

Wednesday, April 9th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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