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New York – James Turrell at The Guggenheim Museum Through September 25th, 2013

Friday, August 9th, 2013

Hidden Turrell Discovered in Malibu Beach House

Thursday, July 25th, 2013

Jeffrey Deitch to Leave MOCA

Tuesday, July 23rd, 2013

Museums Embrace “Visible Storage”

Sunday, July 21st, 2013

New York – “Renzo Piano Building Workshop: Fragments” at Gagosian Gallery Through August 2nd, 2013

Saturday, July 20th, 2013

Los Angeles – James Turrell: “Sooner Than Later, Roden Crater” at Kayne Corcoran Griffin Gallery Through July 20th, 2013

Friday, July 19th, 2013

James Turrell Interviewed on Charlie Rose

Wednesday, July 10th, 2013

Baldessari Takes a Conceptual Spin on Art F City’s “STUFF” Series

Thursday, June 20th, 2013

James Turrell Prepares to Open His Three Museum Retrospective

Monday, June 17th, 2013

Takashi Murakami Interviewed by Nowness

Friday, June 14th, 2013

New York Dealer Accused of Smuggling over $100 Million in Art and Antiques

Tuesday, June 11th, 2013

San Francisco – SFMoMA Closing Celebration and Screening of “The Clock” by Christian Marclay, June 2nd, 2013

Thursday, June 6th, 2013

James Turrell Prepares for Country-wide Retrospective

Sunday, May 26th, 2013

James Turrell Prepares for Nation-wide Retrospective

Saturday, May 11th, 2013

Los Angeles – Takashi Murakami: “Arhat” at Blum and Poe Gallery Through May 25th, 2013

Saturday, May 11th, 2013

Baldessari’s Human Cadaver Piece Gets Closer to Fruition

Wednesday, April 17th, 2013

MOCA Adds Three New Board Members

Thursday, April 11th, 2013

MOCA Announces Record-Setting Donations

Wednesday, March 27th, 2013

London – Jim Shaw at Simon Lee Gallery Through March 26th, 2013

Tuesday, March 26th, 2013

MOCA In Talks to Partner with National Gallery

Thursday, March 14th, 2013

Large Collection of Steichen Photographs Donated to U.S. Museums

Monday, February 18th, 2013

Paris – Kehinde Wiley: “The World Stage: France, 1880 – 1960″ at Galerie Daniel Templon Through December 24th, 2012

Friday, December 21st, 2012

Effects of the Soaring Prices on Public Sphere and State of Art Market as 2012 Comes to a Close

Sunday, December 16th, 2012

AO Newslink

Friday, November 2nd, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

American Collectors Rarely Sell Prized Works Once Purchased

December 13th, 2017

Christie's, via NY postA new study finds that few American art collectors sell their works once they have purchased them, the New York Post reports. “Collectors don’t apply the same principles to buying art that they would to a typical investment portfolio of stocks and bonds,” says John Mathews, head of private wealth management and ultra-high net worth at UBS Americas. “It is important, however, to institute management structures to ensure their legacy remains protected, correctly valued and insured.”
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Getty Museum Survives Brutal California Wildfires

December 13th, 2017

Getty, via ReutersThe Getty has survived a week of chaotic wildfires, keeping its collection intact while flames raged around the museum by wetting the surrounding hills with water and closing off all air intake valves. “By putting all these bells and whistles in, we are able to wet down our hillsides, close intake valves and keep smoke and debris out,” says Linda Somerville, assistant director of insurance and risk management for the J. Paul Getty Trust.
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The Frick Collection Acquires First Work in 30 Years

December 13th, 2017

François-Pascal-Simon Gérard, via ArtforumThe Frick Collection has acquired its first work since 1991, a 7-feet-tall portrait of Prince Camillo Borghese by François-Pascal-Simon Gérard, Artforum reports. “The last opportunity the Frick had to purchase a major French School painting was nearly thirty years ago, with the acquisition of [Jean-Antoine] Watteau’s Portal of Valenciennes,” director Ian Wardropper says. “Today, it is deeply rewarding to have the rare opportunity to bring to the museum such an important work as this one, a historic portrait we feel would have compelled Henry Clay Frick. While the portrait has been shown in Rome, it has never been seen publicly in America.”


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