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Pierre Huyghe Profiled in New York Times

Sunday, September 7th, 2014

Bettina Korek Discusses FYA and L.A.’s Art World

Tuesday, August 12th, 2014

Paris – Pierre Huyghe at Centre Pompidou Through January 6th, 2014

Wednesday, January 8th, 2014

MOCA Reaches Endowment Goal

Wednesday, January 8th, 2014

New York – Rene Magritte: “The Mystery of the Ordinary” at Museum of Modern Art, Through January 12th, 2014

Monday, January 6th, 2014

Berlin – John Baldessari: “Storyboard (in 4 Parts)” at Sprüth Magers Through November 2nd 2013

Saturday, September 21st, 2013

Buffalo – Robert Therrien at the Albright-Knox Museum Through October 27th, 2013

Wednesday, September 4th, 2013

Houston – James Turrell: “The Light Inside” at The Museum of Fine Arts, Houston Through September 22nd, 2013

Saturday, August 10th, 2013

New York – James Turrell at The Guggenheim Museum Through September 25th, 2013

Friday, August 9th, 2013

Hidden Turrell Discovered in Malibu Beach House

Thursday, July 25th, 2013

Jeffrey Deitch to Leave MOCA

Tuesday, July 23rd, 2013

Museums Embrace “Visible Storage”

Sunday, July 21st, 2013

New York – “Renzo Piano Building Workshop: Fragments” at Gagosian Gallery Through August 2nd, 2013

Saturday, July 20th, 2013

Los Angeles – James Turrell: “Sooner Than Later, Roden Crater” at Kayne Corcoran Griffin Gallery Through July 20th, 2013

Friday, July 19th, 2013

James Turrell Interviewed on Charlie Rose

Wednesday, July 10th, 2013

Baldessari Takes a Conceptual Spin on Art F City’s “STUFF” Series

Thursday, June 20th, 2013

James Turrell Prepares to Open His Three Museum Retrospective

Monday, June 17th, 2013

Takashi Murakami Interviewed by Nowness

Friday, June 14th, 2013

New York Dealer Accused of Smuggling over $100 Million in Art and Antiques

Tuesday, June 11th, 2013

San Francisco – SFMoMA Closing Celebration and Screening of “The Clock” by Christian Marclay, June 2nd, 2013

Thursday, June 6th, 2013

James Turrell Prepares for Country-wide Retrospective

Sunday, May 26th, 2013

James Turrell Prepares for Nation-wide Retrospective

Saturday, May 11th, 2013

Los Angeles – Takashi Murakami: “Arhat” at Blum and Poe Gallery Through May 25th, 2013

Saturday, May 11th, 2013

Baldessari’s Human Cadaver Piece Gets Closer to Fruition

Wednesday, April 17th, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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