Richard Prince, Untitled (Cowboy) (2016), via LACMA

What makes an artwork truly original? What does intellectual property ownership look like? For over four decades, celebrated American multimedia artist Richard Prince has been investigating these questions through his unflinching conceptual works, most notably through collections of photography highlighting the myth of the cowboy and the American West through repurposed, rephotographed, and cropped Marlboro ads from the 1980’s and 1990’s. Currently, the Los Angeles County Museum of Art (LACMA) is exhibiting Richard Prince: Untitled (Cowboy) featuring not one, but two previously unseen photography projects of this nature from the 2010s. (more…)

Richard Prince, Untitled (#109) (2016-2017) all images Copyright Richard Prince Courtesy the artist and Gladstone Gallery, New York and Brussels.

Richard Prince returns to Gladstone Gallery after a prolonged absence with his new body of work, Ripple Paintings, a series of large scale inkjet prints that riffs on the painted medium with both its title and process. An avid collector of vintage Playboy imagery, Prince uses Whitney Darrow Jr. watercolor drawings published by the magazine between 1967 and 1970 to create his swirling collages. Pages from different issues he acquired on eBay provides Prince new surfaces to paint onto, while the caricatures’ sexist and vulgar language gets blanketed by watercolor paint in bright hues and fluid forms. Placing pages he torn out of various issues flat onto floor, Prince loosely pours watercolor paint and lets the liquid meander on each page. After an overnight drying process, each work gives a unique and uninterrupted silhouette of paint with traces of the cartoon behind. (more…)

Richard Prince is being sued again over his Instagram portraits, this time by makeup artist and model Ashley Salazar, whose decorated selfie appears in a new series of Prince’s work.  “I think the facts will show that people perceive Richard Prince’s work to be different—the audience is different, the purpose is different,” says Prince’s lawyer Joshua Schiller. (more…)

Richard Prince has reportedly broken ties with Gagosian Gallery, Artnet reports.  The split was suspected as the result of issues “over representation.”   (more…)

Robert Rauschenberg, Tablet Series (1974)

Currently on view at Luxembourg and Dayan, the group exhibition In The Making seeks to shed light on the often overlooked, yet crucial creative dialogue between the artist and their assistant or assistants in the studio.  Organized by Tamar Margalit, the exhibition, which runs through April 16th, unfolds in a manner similar to a family tree, connecting infamous or remote dots in New York art scene after the 1950’s through shared studio spaces, practices, and the informal education process that often occurs in the relationship between artist and their hired team. (more…)

Richard Prince is once again the subject of a copyright infringement lawsuit, after photographer Donald Graham filed suit on December 30th, alleging that the artist reproduced his image Rastafarian Smoking a Joint without notification or compensation.  The lawsuit comes mere months after Prince won his last lawsuit over infringement. (more…)

Former Walt Disney President Michael Ovitz has filed a $2.5 Million bad faith breach of contract lawsuit against insurance company American International Group (AIG) and Chartis Property Casualty Co. for allegedly failing to reimburse Ovitz for a lost Richard Prince work.  “While Defendants ultimately acknowledged coverage and full insurance benefits for another loss under almost identical circumstances, Defendants steadfastly, unreasonably, and without probable cause, refused to provide coverage for the loss at issue herein,” and thus represented bad faith, the suit says. (more…)

The recently opened Collier Schorr exhibition at 303 Gallery suggests a fresh dialogue on appropriation, a trend in art that has been associated with photographic work more often than any other medium since the 80s, and is here taken up again by a long-time photographer. Instead of Richard Prince’s infamous rephotographing of Marlboro ads or Jeff Koons’ re-sculpting of the kitsch, though, Schorr’s practice stands closer to the likes of Sherrie Levine or Barbara Kruger, presenting new discussions on feminism, the female body and its place in the contemporary aesthetic discourse.

Collier Schorr, The Bricks (2013), Courtesy of Collier Schorr and 303 Gallery, New York (more…)

A week after Richard Prince’s court case on fair use was decided in his favor, the artist has announced the release of a new print series, featuring a composite rendering of Jerry Seinfeld’s 57 girlfriends from his hit television show Seinfeld.  Titled Jerry’s Girl, the prints are available from Two Palms Press in a fitting edition of 57. (more…)

Cindy Sherman, Untitled #138 (1984), via Skarstedt Gallery

Skarstedt Gallery is currently presenting the retrospective 1980’s Revisited, revisiting the works, theories and artists that helped to define the dynamic decade in contemporary art.  Fetauring works by Carroll Dunham, Jenny Holzer, Mike Kelley, Jeff Koons, Richard Prince, David Salle and Cindy Sherman, the show highlights the varied and often conflicting artistic styles of the time, particularly in the newly developing approaches of Appropriation, Neo-Expressionism, and Graffiti.  The 1980’s were a controversial decade for the art world, a period of active boundary breaking by artists looking to challenge contemporary society.

Jeff Koons, One Ball Total Equilibrium (1985), via Skarstedt Gallery

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Richard Prince, Untitled, (2012), via Sadie Coles

This winter, Sadie Coles presents a shifting, multifarious collection of works courtesy of Richard Prince, exploring notions of the human form, consumption, and value through the depiction and obfuscation of explicit content.

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Richard Prince, Anyone Can Find Me (1990), courtesy Skarstedt Gallery

Skarstedt Gallery’s uptown exhibition space in Manhattan recently exhibited a series of multi-media works by American painter and photographer Richard Prince.  Blending hand-drawn landscape and mass media imagery, his “White Paintings” create an complex interplay between image and language. (more…)

Sean Kelly Gallery, Los Carpinteros, Kosmaj Toy (2012).

All images by A.M. Ekstrand for ArtObserved, on location at Art Basel Miami Beach Fair.

Art Basel returned once again in Miami Beach this past week for the 11th annual Art Basel Miami Beach Fair. Featuring over 300 galleries representing 36 countries around the world, the show has exhibited marked growth from last year’s event, with well over 2,000 artists flocking to exhibit at what has become the internationally-renowned closing party for the world art market each year.  It is of course always an irony that tens of thousands will fly down for the events and parties, with many of them never visiting the vast aggregation of what it said to be roughly $1.5 billion worth of art in one (large) room, a collection that few museums in the world could compete with.   Below is a selection of some of the works we thought to be notable from the fair.

Helly Nahmad Gallery, Mark Rothko No. 1 (1957) and Alexander Calder, installation view

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Los Carpinteros  Güiro – Pop up bar on the Beach – All photos in this post by Art Observed

The events surrounding Art Basel Miami Beach have grown noticeably in the past few years, thankfully so has the pixel count in the latest issue cell phone cameras of our Art Observed staff on site (though some photos below seem to belie this capability). Below is a selection of some of the people, art, cars-as-art, parties and events we tweeted and instagrammed live during the week @ArtObserved, in case you missed it.

Azealia Banks at the Standard Hotel for Terrywood on Friday Night

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The Republican Study Committee published a memo last week on how to fix copyright law, but on Saturday afternoon the group pulled the memo, stating that it did not have “all facts and viewpoints in hand.” Copyright protections now extend 70 years past the life of the author; for a corporation, 95 years after publication. Critics of the law say that coupled with punitive laws on copyright violation, this policy hinders creativity and innovation. One such copyright lawsuit involved Richard Prince’s appropriation of photos by Patrick Cariou.  (more…)

Nate Lowman

All photos by E. Damenia for ArtObserved

This past Sunday, The Brant Foundation Art Study Center held the opening party and preview for Nate Lowman: I wanted to be an artist but all I got was this lousy career. The exhibition features recent and new work including paintings, collage and sculpture. Also on view on the foundation lawn was the actual White Ford Bronco from OJ Simpson’s June 17, 1994 car chase, and Gang Gang Dance performed. Artists such as Scott Campbell, Adam McEwen, Richard Prince, Kalup Linzy, Kaws and Aaron Young were in attendance, as well as dealers, collectors and museum directors such as Eli Broad, Jeffrey Deitch, Larry Gagosian and the Mugrabi family.

Gang Gang Dance performing

The OJ Simpson White Bronco brought in for the event from Los Angeles

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Richard Prince, Installation View, 2012 courtesy Gagosian Gallery

Richard Prince’s Four Saturdays offers blackened, collaged six pack rings and text paintings that recall movie openings. The solid black of the text paintings on the simplistic white backdrop echoes the more simplistic atmosphere, contradicting his earlier, more colorful works that paradoxically seem to emphasize the glamour and allure of Hollywood.

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Maria Gutierrez and Gabriel Orozco

All photos by C. Daleli for ArtObserved

The 2012 Guggenheim International Gala took place Thursday, November 8th in celebration of Picasso: Black and White organized by Carmen Giménez. Guests were able to view artworks for the upcoming benefit auction at Sotheby’s on November 13-14th with lots by Gabriel Orozco, Georg Baselitz, Roy Lichtenstein, Richard Prince, and James Turrell, among others. Funds raised at the gala and auction are in support of the Solomon R. Guggenheim Foundation.

Atmosphere

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Richard Prince will design a can for the AriZona beverage company’s Arnold Palmer line, called “Lemon Fizz”. Prince proposed the project to the company with the idea of re-appropriating commercial imagery that depicts American masculinity. The drink will be on sale beginning at this year’s Art Basel Miami Beach in December. (more…)

Peter Brant is recapitalizing his newsprint business, according to state regulatory filings, by pledging 56 artworks to the lending arm of Sotheby’s (BID), including pieces by Warhol, Richard Prince and Jean-Michel Basquiat. Other filings show a pledge by Brandt of pieces to a unit of Deutsche Bank AG, including a 1963 Warhol that could be worth as much as $35 million. (more…)

Image: Warhol’s Cow Wallpaper and Silver Pillows, The New York Times

“Regarding Warhol: Sixty Artists, Fifty Years” is a group show at the Metropolitan Museum of Art that juxtaposes fifty Warhol works with one hundred of those by his peers and successors. The show attempts to capture the scope and breadth of Warhol’s impact on contemporary art history. Presented 25 years after his death at the age of 58 in 1987, the exhibition showcases the works of both artists who have risen to fame after Warhol’s death as well that of his contemporaries. Some of the artists included are Maurizio Cattelan, Damien Hirst, Jeff Koons, Robert Gober, Takashi Murakami, Cindy Sherman, Ed Ruscha, Alex Katz, Anselm Kiefer and Gerhard Richter.

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‪‬Collectors Michael Hort and wife Susan discuss with Forbes their collecting style, which includes works by Richard Prince, Marlene Dumas, Lisa Yuskavage, Cindy Sherman, Kehinde Wiley, and John Currin, as well as their Rema Hort Mann Foundation

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‪‬New Oslo museum Astrup Fearnley Museum of Modern Art damaged by fire today, staff and artwork by artists including Warhol, Hirst, Prince, Sherman, and Koons remain safe. Scheduled to open in September this year, the extent and cause of fire is unclear at this point

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Jean-Michel Basquiat’s, Untitled (1981). Image courtesy of Phillips de Pury.

The Contemporary Art Evening Sale at Phillips de Pury marked the last auction of the May season in New York. At the start, the salesroom was filled with lively energy among the crowd, with collectors mingling, including a Mugrabi brother. This show came after a record breaking fortnight of auctions and fairs within the art world. Coming down to the final sale, it was apparent that the buying was beginning to slow. Still, Phillips de Pury achieved a solid total sale of $86.8 million, which fell within their anticipated estimate of $75–110 million.

Before the Contemporary Evening Sale begins. Photo By Aubrey Roemer for Art Observed.

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