AO Art Observed™

Rudolf Stingel, Untitled (2011)

Luxembourg & Dayan‘s Grisaille explores the use of a generally monochromatic color palette in works spanning multiple centuries. The exhibition is divided between the gallery’s new space in London and the 77th Street location in New York; the show began in London in October, overlapping with the New York show throughout November and December. Both shows feature a variety of artists including Albrecht Durer, Alberto Giacometti, Pablo Picasso, and Andy Warhol. The New York gallery also shows new work by Richard Prince and John Currin.

Gerhard Richter, Grau (1974)

(more…)

Paul McCarthy, Cultural Gothic (1992). All photos on site for Art Observed by Caroline Claisse.

Art Observed was on site for the private Tuesday evening preview of the Rubell Family Collection/Contemporary Arts Foundation show American Exuberance. Throughout 28 gallery spaces in a 45,000 sq ft museum, 190 works by 64 artists explore the American condition today through art, dissecting the paradoxical arenas of culture, economics, and politics. A 244-page catalog includes written commentaries by 13 of the artists from the notable roster, as follows: Thomas Houseago, Richard Jackson, Rashid Johnson, Nate Lowman, Richard Prince, Sterling Ruby, Haim Steinbach, Ryan Trecartin, and to name a few. About a quarter of the works were made in 2011 specifically for the show.  Also, Art Observed returned the next morning on Wednesday for Jennifer Rubell’s 11th annual breakfast, which is presented every morning throughout the week, treats visitors to a small jar of fresh yogurt, to be ‘anointed’ with honey dripping from the ceiling.

Collecting dripping honey at Jennifer Rubell’s Incubation yogurt and honey breakfast.

(more…)

‪‬Richard Prince shares his “unrivaled” contemporary American book collection; stating, “I like the gnarlier stuff” [AO Newslink]

(more…)

Rirkrit Tiravanija cooks thai green curry in new version of ‘Untilted (Free/Still)’, Debuting this week in MoMA  [AO Newslink]

(more…)

Richard Prince, Untitled (Covering Pollock) (2009-10). All images via art info

Richard Prince is currently showcased at Guild Hall of East Hampton, New York, with “Covering Pollock,” a series in which photographs of former local resident and renowned Abstract Expressionist Jackson Pollock (1912-1956) are covered with miscellaneous porn and punk paraphernalia. The relevance of the exhibition is as geographical as it is artistic: Prince received Lifetime Achievement Award in the Visual Arts from the Guildhall in 2009, and is a student of Long Island’s East End, while Pollock lived from 1945 until his early death just outside East Hampton in a house purchased with a loan from art dealer and collector Peggy Guggenheim.

More images and story after the jump…

(more…)

Dasha Zhukova launches Garage magazine with fashion/art collaborations from Jeff Koons, Damien Hirst, John Baldessari, Raymond Pettibon, Jake & Dinos Chapman, Paul McCarthy and Richard Prince [AO Newslink]

(more…)

Andy Warhol, Liz #5, 1963 (est. unpublished, realized $26.9 million). All images via Phillipsdepury.com.

The week’s Contemporary art sales ended Thursday night with a fifty lot auction at Phillips de Pury & Co. The sale just missed its low presale estimate of $84.5 million before fees were added. Thirty-eight lots sold for a total of $82.7 million, or $94.8 million with fees. For the third time this week a Warhol canvas was the top lot. Liz #5, rumored to be sold by hedge-fund manager Steven Cohen, sold for $26.9 million against an unpublished presale estimate of $20-30 million. Unlike Warhol’s photo-booth self portrait on offer Wednesday night at Christie’s, Liz #5‘s trip to the auction block was brief. Bidding opened at $18 million and rose to $24 million before contenders called it quits.

Andy Warhol and Jean Michel Basquiat, Third Eye, 1985 (est. $2-3 million, realized $7 million)

More text and images after the jump…

(more…)

Untitled (de kooning) (2008) by Richard Prince, via Gagosian Gallery

Currently on view at Gagosian Gallery in Paris is “Richard Prince: De Kooning” an exhibition of paintings and works on paper  by American artist Richard Prince which pays homage to the late abstract expressionist. The show takes places at the same time as “Richard Prince: American Prayer” at the Bibliothèque nationale de France.  Prince’s “De Kooning” series references iconic images from the work of the renowned American-Dutch Abstract Expressionist Willem de Kooning.  Also, relevant to this show’s continuation of Prince’s appropriative artistic dialog, is the artist and the Gagosian Gallery’s recent loss of a lawsuit (which will likely be appealed) against Patrick Cariou regarding Prince’s “Canal Zone” exhibition at Gagosian in 2008.

Untitled (de kooning) (2009) by Richard Prince, via Gagosian Gallery

More images and text after the jump….

(more…)

The artist, Richard Prince. All pictures by Caroline Claisse for Art Observed.

Art Observed was on site for the opening “American Prayer” featuring works by American artist Richard Prince at the Bibliothèque Nationale de France in Paris. A book enthusiast and collector of American pop culture and counter culture ephemera, on view are works by the artist relating to American literature books, a consistent source of inspiration and a material he often incorporates into his oeuvre. The exhibit includes two examples of his famous “Nurse” paintings from his personal collection presented to the public for the first time.

Vitrine 16: Sex & Drug & Rock & Roll. Untitled (Jimi Hendrix), 1992-93 by Richard Prince, T-shirt and oil on canvas © Richard Prince, Courtesy Gagosian Gallery

More text and images after the jump… (more…)

Prince, Richard. Inquisition (2008). Via Gagosian Gallery

On Friday in Manhattan, federal Judge Deborah A. Batts ruled against Richard Prince, Gagosian Gallery and Rizzoli Books on behalf of French photographer Patrick Cariou. The case regarded allegations of Richard Prince’s copyright infringement and unlawful image appropriation of 41 Cariou photographs for commercial gain, as used in Prince’s “Canal Zone” exhibition at the West 24th Street Gagosian in 2008. As a result of the ruling, all unsold works from “Canal Zone” are being impounded, and anyone currently in possession of one of 22 paintings will be notified of the legal violation.

Prince, Richard. The Blue Cowboys (1999). Via Gagosian Gallery

more stories and images after the jump… (more…)

Tansey, Mark. The Innocent Eye Test (1981). Via the Metropolitan Museum of Art

British collector Robert Wylde filed federal suit against Gagosian Gallery on Thursday over a Mark Tansey painting, “The Innocent Eye Test.” Wylde alleges that the Manhattan gallery concealed the Metropolitan Museum of Art’s 31 percent partial ownership of the work, and the fact that the museum planned to eventually reclaim the painting altogether.

more story, images and links after the jump…

(more…)

Marcel Broodthaers, Les Portes, 1969. Vacuum-formed plastic, hand painted, 192 x 178 cm. All images courtesy of Michael Werner Gallery.

Currently on view at Michael Werner Gallery is Marcel Broodthaers “Major Works.” The exhibition marks the second this fall of Belgian conceptual artist Broodthaers, who began his career as a poet before turning to visual art at age 40. Stemming from his roots in poetry, Broodthaers’ visual practice involved playful, provocative juxtapositions of word and image, poetry and object, language and art. His work is varied, dabbling in appropriations, film, image and text combinations, and mixed media installations he called decors.

The artist found inspiration in the Surrealists and American Pop artists, citing influence from Oldenburg, Segal, Mallarmé, and Magritte. Unfortunately, the artist’s career was tragically cut short when, a mere twelve years later, he succumbed to liver disease on his 52nd birthday. However, he leaves behind an astounding number of works, many of which have had a profound impact on future artists, including Richard Prince, Rachel Harrison, Philippe Parreno and Tino Sehgal.

Marcel Broodthaers, Dites Partout Que Je L’Ai Dit (Say Everywhere That I Have Said It), 1974. Parrot under bell jar, audiotape, 2 framed works. Variable dimensions.

More text and images after the jump… (more…)

Picture Industry (Goodbye to All That), Installation view, Regen Projects II, Los Angeles. All images courtesy of Regen Projects.

Currently on view at Regen Projects, Los Angeles, is the group show Picture Industry (Goodbye to All That), curated by artist Walead Beshty. ‘Picture Industry’ refers both to the physical setting and the conceptual pretext within which the show is presented, with Los Angeles as the focus in terms of both place and content. Included in the exhibition are works by Tauba Auerbach, Thomas Barrow, Carol Bove, Troy Brauntuch, Tony Conrad, Abraham Cruzvillegas, De Rijke / De Rooij, Liz Deschenes, Isa Genzken, Wade Guyton, Robert Heinecken, Karen Kilimnik, Imi Knoebel, Michael Krebber, Glenn Ligon, Erlea Maneros Zabala, Albert Oehlen, Manfred Pernice, Seth Price, Richard Prince, Josephine Pryde, R.H. Quaytman, Eileen Quinlan, Miljohn Ruperto, Michael Snow, Cosey Fanni Tutti, Charline Von Heyl, Kelley Walker, James Welling, Christopher Williams & Christopher Wool.

(more…)

Yves Klein, Re 49, 1961 via Sothebys.com

Expectations are high for this week’s Contemporary Art auctions at Sotheby’s and Christie’s in London.  The auctions, which will take place between June 28^th and July 1st, will feature sought after works by several important artists, including Yves Klein, Gerhard Richter, Andy Warhol, Jeff Koons, Richard Prince, Lucio Fontana, and Jean-Michel Basquiat.  The strength of the works being sold is the result of buoyed seller confidence following a recent series of record-breaking auction results, such as the sale of a Picasso for $106.5 million in May at Christie’s in New York and 43.2 million euros for a Modigliani sculpture this month at Christie’s in Paris.  Sotheby’s evening auction carries a low estimate of £38.3 million for 53 works, while the Christie’s Post War and Contemporary evening sale carries a low estimate of £40.9 million for 63 lots.  Last summer’s Contemporary Art sale at Sotheby’s, which was expected to bring between £19.8-27.4 million, brought in £25.5 million for 40 lots. The comparable Christie’s auction last year brought just over £19 million for 40 lots with a low estimate of £17.4 million.

At Sotheby’s, all eyes will be on an Yves Klein sponge painting from 1961 titled Re 49 and dedicated to the artist Charles Wilp.  This large-scale work comes from the collection of the Munich-based HypoVereinsbank and is estimated to bring £4.5-6.5 million.

More text and images after the jump…

(more…)

Quilt by Alexandre da Cunha, and Six Billboards by Angus Fairhust, Art Basel.  Image via Art Daily, AP Photo/Keystone/Georgios Kefalas.

Yesterday marked the end of the most highly-attended Art Basel to date. The 41st annual contemporary art fair boasted 306 galleries from 36 countries, and AO was on site to peruse the work of some 2,5000 artists.  62,500 dealers, collectors, curators, high-profile shoppers, artists, and art appreciators navigated installations, browsed gallery booths, mingled, and enjoyed the city of Basel.  Artists, established and newcomers both, showcased works ranging from Polaroids to performance pieces, paintings to videos, sculptures to large-scale installations.  A social and teeming affair with an obvious commercial edge, Basel’s sales were optimistic.  Picasso, Warhol, Prince, Hirst, de Kooning, Pollock, and other similarly established artists reigned supreme as the focus of this year’s event.  Franck Giraud, a New York dealer, spoke to the New York Times about the lack of prominently featured up-and-comers: “Is it because that’s what the market wants, or is it because dealers didn’t want to take risks? I think it was a bit of both.” Nonetheless, certain galleries used Basel as a platform to introduce new artists and show off their latest signings.

More text, images and related links after the jump…
(more…)

Richard Prince, Nurse in Hollywood #4 (2004)

Fueled by 22 choice works from the collection of the embattled CNET founder Halsey Minor, which sold for $21.1 million, Phillips de Pury & Company’s evening sale last night wrapped-up a hugely successful week of contemporary art auctions in New York. Overall, the boutique-sized auction house sold 58 of the 74 lots on offer for a grand total of $37.9 million. Unlike its uptown rivals, Phillips saw no lots make over $5 million with only seven exceeding the $1 million mark. Nevertheless, the result is superior to the auction house’s last Contemporary evening sale in New York in November 2009, when they managed to bring in only $7,099,250. While a few familiar faces featured in the crowd, including Miami collector Donald Rubell and the fashion mogul Marc Jacobs, most of the action was dominated by anonymous telephone bidders – with the majority of winning bids being taken by Michaela de Pury and Michael McGinnis, head of Phillips’s contemporary art department worldwide.

In March this year Halsey Minor was instructed by a court order to give up dozens of artworks to satisfy a $21.6 million delinquent loan to ML Private Finance L.L.C., an affiliate of Bank of America’s Merrill Lynch. While last night’s sales may cover the majority of this payment, Minor is also under a court order to pay Sotheby’s a further $6.64 million in a dispute over three artworks he had purchased at auction and later refused to pay for. Meanwhile, in the state of California, a trial is underway on issues between him and Christie’s auction house. More works from Minor’s collection are coming on the block at Phillips today and on June 9.

More images, related links and a full round-up of the sale after the jump….
(more…)

Moon (2007) by Richard Prince, via Gagosian Gallery

Currently on view at Gagosian’s Madison Avenue Gallery in New York is “Tiffany Paintings” by Richard Prince. The exhibition includes recent large-scale paintings and newsprint collages which reflect the artist’s continual interest in the recurring patterns of advertising. These large monochrome abstract paintings recall the Tiffany’s advertisement which was run daily for many years in the upper right hand corner of the same page of the New York Times.

More text and related links after the jump….

(more…)

Masters of the Universe, Tim Noble & Sue Webster (1998-2000). All photographs by Oskar Proctor for ArtObserved.

“Skin Fruit,” the much-anticipated, Jeff Koons­-curated exhibition featuring million-dollar works by the biggest names in contemporary art continues at the New Museum through June 6, 2010. The New Museum’s questionable decision to exhibit works from the collection of one of its trustees, Greek billionaire Dakis Joannou, resulted in an art world controversy that threatened to upstage the show itself from the very beginning. When a large mix of celebrities and art-world-insiders flooded the Museum for the opening reception – attendees included Cyndi Lauper, U2’s the Edge, and collectors Don and Mera Rubell – the irony of placing the ritzy collection in a museum that was once championed for its promotion of the underdog was only exaggerated. And the critics responded accordingly. Christian Viveros-Fauné lambasted that the show is totally wrong for our times “in just about every possible way.” According to the exhibition press release, the featured works by Franz West, Charles Ray, Matthew Barney, Richard Prince, Robert Gober, Mike Kelley, Paul McCarthy, Tim Noble and Sue Webster, Kiki Smith, Kara Walker, Maurizio Cattelan, Tauba Auerbach, Chris Ofili, Dan Colen and Terence Koh, amongst others, aim to “evoke the tensions between exterior and interior, between what we see and what we consume” – a curatorial spin critics say was invented in an effort to disguise a “rudderless display of art as trophy hunting” as an art exhibition. While this may be true, Skin Fruit essentially offers the common man an opportunity to view important works from one of the finest and most original collections of contemporary art in the world that have rarely, or never been seen in New York.

Revolution Counter-Revolution, Charles Ray (1990/2010)

Photo-essay and full round-up of links after the jump….
(more…)

L: Barbara Kruger, Untitled (He entered shop after shop…), 2008 R: Eric Fischl, Rebirth I: (The Last View of Camiliano Cien Fuegos), 1986. All images courtesy of Haunch of Venison, New York.

On view at Haunch of Venison New York, until May 1, 2010, is “Your History Is Not Our History.” Organized by artists David Salle and Richard Phillips, this group show presents works produced in 1980s New York City.

Including works by Donald Baechler, Jean-Michel Basquiat, Ross Bleckner, Francesco Clemente, Carroll Dunham, Eric Fischl, Robert Gober, Jeff Koons, Barbara Kruger,Louise Lawler, Sherrie Levine, Malcolm Morley, Richard Prince, David Salle, Julian Schnabel, Cindy Sherman, Laurie Simmons, Jenny Holzer, Phillip Taaffe, Terry Winters and Christopher Wool, this exhibition seeks to convey “a more accurate portrayal of the energy and experimentation that was permeating the city during that time,” says Phillips.

L: Christopher Wool, Untitled, 1988   C: Jeff Koons, Buster Keaton, 1988 R: Eric Fischl, The Old Man’s Boat & The Old Man’s Dog, 1981.

More text and images after the jump…

(more…)

Installation View  All photographs are via Gagosian Gallery unless otherwise noted

Currently on view at Gagosian Gallery, 6-24 Britannia street, London is the exhibition titled “Crash, Homage to J.G. Ballard” , a group show dedicated, as the name suggests, to the oeuvre of J.D. Ballard, a prominent British novelist and short-story writer, a representative of the New Wave movement in science fiction.  The exhibition was put together to pay tribute to the enormous cultural influence of J.D. Ballard’s fiction on many visual artists. The impressive selection of works by  such prominent artists as Ed Ruscha, Richard Hamilton, AndyWarhol and Helmut Newton illustrates profound engagement of the writer with the works of visual artists of his generation and their mutual influence.

More images and related links after the jump….
(more…)

Polaroid Wall, Dash Snow (2005) all images via Phillips de Pury

This week we have been reporting on the Post-War and Contemporary evening sales in New York and last night Art Observed was on site at the final auction of the week – a smaller, more boutique event at Phillips de Pury in the meatpacking district of the city overlooking the celebrated Highline railway and Hudson River that was overseen by Simon de Pury himself.  Unlike the multi-million totals achieved at Sotheby’s and Christie’s Contemporary evening sales, Phillip’s modest sale brought in a grand total of $7,099,250, within the pre-sale estimate of $5.8 – $8.4million.

Ice Bucket, Jeff Koons (1986) sold under estimate $230,500

More text, images and related after the jump…..
(more…)

Brill Box, Andy Warhol (1964) via Phillips de Pury

Last week ArtObserved was on site for the Modern and Impressionist auctions at Christie‘s and Sotheby‘s in New York. Tonight, November 10, ArtObserved is set to attend Christie’s for the first auction of the fall ‘Contemporary Week’ in the city. After their record-breaking sale on November 4, Sotheby’s Emmanuel Di-Donna stated that “when you have the right property…you get fireworks.” In light of this, much is to be expected this week with Phillips de Pury, Christie’s and Sotheby‘s all stating that they are offering the most important and rare works by artists such as Andy Warhol, Jasper Johns, Willem De Kooning, Ed Ruscha and Jean-Michel Basquiat.

Ilona on Top (Rosa Background), Jeff Koons (1990) via Sotheby’s

More text, images and related links after the jump…..
(more…)

Futura, Jules de Balincourt, Dustin Yellin, Eric White, Tom Sachs, Shepard Fairey, Jeffrey Deitch, Lance Armstrong, Mark Parker, Geoff McFetridge, José Parlá, Dzine posing in front of a painting by Cai Guo Qiang; photo courtesy of Black Frame

A day before seven bicycles with frames designed by contemporary artists, and used by Lance Armstrong in his comeback season for July’s Tour de France, raised $1.3 million, an exhibition of artwork commissioned to benefit the legendary cyclist’s cancer foundation opened at Deitch Projects.  Launched in Paris at Galerie Emmanuel Perrotin, STAGES- the exhibit comprised of commissioned works created by over twenty established contemporary artists, is currently on view at New York’s Deitch Projects. Artists involved include Cai Guo-Qiang, Rosson Crow, Shepard Fairey, KAWS, Yoshitomo Nara, Catherine Opie, Os Gemeos, Raymond Pettibon, Andreas Gursky, Richard Prince, Ed Ruscha and Tom Sachs. STAGES will run through November 21, 2009.  AO interviews some of the artists to find out their personal connection to the cause of STAGES, their view on creating commissioned work and the story of their involvement with the project powered by Lance Armstrong Foundation and Nike and its goal of raising awareness of cancer.

Rosson Crow in front of her piece “Texas Cycle Show”

Works presented in STAGES manifest not merely a vast array of mediums and stylistic approaches, they also speak of a multitude of equally appropriate paths the artists have taken in building the show.

Rosson Crow about STAGES: “This whole thing is incredible and overwhelming, it is a really awesome show with a great cause. Charity work is something that I love doing so this was a really cool opportunity. This painting that I did for the show is called ‘Texas Cycle Show’ and is based on an 1800′ cycle exposition. I made it Texas because both Lance and I are from Texas… kind of bringing the historical Texas vibe… and of course the bicycles I thought were perfect for a Lance Armstrong show [laughs]” When asked about any personal connections that the artist has with the cause, Rosson Crow comments that “it is hard to find anybody whose life has not been affected by cancer, so I think that everybody has a personal relationship to it in some way.”

Yoshitomo Nara, “Fire” via STAGES

More text, images and interviews after the jump… (more…)

Jeff Koons’s giant rabbit at the Covent Garden in London via Hypebeast

A giant helium-filled Jeff Koons balloon made its UK debut on October 8th, the inflatable rabbit floated above central London, it will be displayed in Covent garden [The Independent]
Coinciding with the Frieze fair, the 10th Turbine Hall commission launches, Baldessari’s retrospective opening the same day, Hayward Gallery presents Ed Ruscha, Turner Prize coming up and many other shows and openings, turn London into the center of attention [Guardian UK]
Frieze art fair excites not merely the International art scene, but also the social diaries of those who like to mingle with the rich and famous [Guardian UK] the contemporary art event even has installations to turn its visitors into the subjects of the artwork. [The Independent] Only displaying works by contemporary living artists, Frieze has been considered 1-dimensional in the past. Frieze helps London take over the art world in October [The Independent]- but not without competition, as FIAC, the Parisian fair, is to begin next week and may steal the battle as art collectors in today’s economic climate are forced to pick which fairs they will be attending [The Wall Street Journal]

Unrecognized work by Leonardo Da Vinci via Antiques Trade Gazette

A drawing sold at auction for $19,000 in the late 1990s is now attracting attention for its authorship, if by Leonardo Da Vinci, a theory that recent research strongly suggests, the work could be worth as much as $147 million [Bloomberg]
The Wapping Project in London, often compared to Tate Modern, is expanding with the opening of the Wapping Project Bankside- a new gallery reminiscent of a New York loft to feature film, video and photography almost “a stone’s throw” from Tate [The Moment]
The Whitney Museum of American Art’s plans for a second Renzo Piana location have advanced [The New York Times]

To stay apprised of most of the relevant art news for this past week … (more…)