Subodh Gupta, What does the vessel contain, that the river does not (2012) (Installation View), via Hauser & Wirth

Following its success at the Kochi-Muziris Biennale, New Delhi-based artist Subodh Gupta’s sculpture What does the vessel contain, that the river does not is on view for the first time outside of India at Hauser & Wirth, Savile Row, London through July 27^th.

Subodh Gupta, What does the vessel contain, that the river does not (2012) (Installation View), via Hauser & Wirth (more…)

In response to the massive public response drawn by its current Rain Room installation, the Museum of Modern Art will keep the work by Random International open until midnight this Sunday, July 28th, its closing day.  The work has attracted over 65,000 visitors since it opened in May, and has seen wait times of up to nine hours during busy days to stand inside the stream of pouring water. (more…)

Thomas Houseago, Roman Masks III, (2013) Courtesy Gagosian Gallery

Currently on display at Gagosian Gallery in London is an exhibition of new sculpture by British contemporary sculptor Thomas Houseago entitled Roman Figures.  Showcasing a continuation of the artist’s signature, rugged forms and unique approach to figuration, the exhibition is a strong continuation of Houseago’s celebrated practice.

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A light installation by James Turrell has been uncovered in a Malibu Beach House, the Wall Street Journal reports.  The work had sat dormant in the guest house of late art collector Sydney Goldfarb’s Malibu home, and was uncovered when resident Tobey Cotsen visited Turrell’s current show at LACMA, where she realized that she had a Turrell of her own.  The work has since been confirmed by the artist’s studio.  “Where have I seen that before?” She said to herself during the exhibition. “I’ve seen it in my house.” (more…)

MOCA Director Jeffrey Deitch has officially announced his resignation, leaving the museum three years into his five year contract.  The museum has already formed a search party to locate his replacement, but Deitch will remain on board until a new director is found, helping to smoothen the transition, as well as to aid in the completion of MOCA’s ambitious $100 million endowment fundraising campaign, expected to conclude this fall.  “As colleagues, friends and great admirers of Jeffrey Deitch’s talent, we respect his decision and thank him for his tremendous dedication,” said MOCA Board co-chair David Johnson. “His efforts have helped to solidify MOCA’s financial stability while changing the way Angelenos, and those around the world, engage with contemporary art.” (more…)

Per Kirkeby, Untitled (2012), via Michael Werner

A tangible sense of degradation runs through the canvases of artist Per Kirkeby, currently on view at Michael Werner in London.  Walking a fine line between impressionist figuration and pure abstraction, his works seem balanced on a pin, teetering between a fully realized environment and complete structural breakdown, a process the artist acknowledges as “an ongoing process of sedimentation.”  The first exhibition of new work since his 2009 retrospective at Tate Modern, Kirkeby’s new exhibition sees him returning to the same interrogations and explorations of the natural environment, as well as his own interpretation of it.

Per Kirkeby, Recent Paintings (Installation View), via Michael Werner (more…)

Rhizome has announced its list of 2013 Commission Award Winners, including its first round of award recipients for the Tumblr Internet Art Award.  Projects run the spectrum of internet and performance based works, including an online television show by Colin Self and American Medium, an app design by Aaron Meyers and Lauren McCarthy titled God’s Eyes (where one user at a time is granted omniscient access to all other user’s camera phones), a new visualization system for net art collective The Jogging, and even a one-week national tour by performance art/musical duo Extreme Animals. (more…)

The FIAC art fair, occurring late this October, will also serve as the ground for the first major exhibitions of work from the collection of François Pinault.  Titled Triple Locked: Works from the Pinault Collection, the exhibition will feature over 50 works from artists Michelangelo Pistoletto, Diana Thater, Bill Viola, Damien Hirst, Julie Mehretu and Chen Zhen, among many more.   (more…)

Painter Eric Fischl sat down with the LA Times this past weekend to discuss his career, the communication of art, his recent memoir, Bad Boy, and his self-described “search for normal.”  “I think the process of aging and using art as a life process for learning, understanding, evolving, etc. … it seemed like I had reached a point where I could take a lot of what I accomplished and I could let go of a lot of things, so maybe it would be recent.”  He says. (more…)

Today The New York Times profiled Maria Baibakova, the strategic director for ArtsSpace, among other positions. Ms Baibakova recently reemerged onto the art scene following a two year break in which she received an M.B.A from Harvard Business School. The 27 year old Russian heiress is perhaps best known for Red October, a temporary, nonprofit art space she opened in an old Moscow chocolate factory in December 2008 through her company, Baibakov Art Projects. Read more at The New York Times.         

A selection of ancient Japanese erotic paintings, titled “shunga” or “spring pictures” are currently on view at Sotheby’s Hong Kong location.  Considered somewhat taboo in Japan, the exhibition of works from the collection of Uragami Mitsuru struggled to find a home for its exhibition before Sotheby’s offered its location.  “The Tokyo National Museum hesitated to show it and so far I haven’t been able to get the Mori Museum to agree apart from a few works. In bookshops you can see these images but why can’t the real exhibit show? It’s nonsense,” Uragami said at the exhibition. (more…)

The Artist Pension Trust, cited as the largest collection of contemporary art in the world, is currently looking to sell off 5,000 works from its collection, the Telegraph reports.  The sale of works will cut the fund’s collection nearly in half, and will go to benefit both the artists in the trust, as well as the operating costs of the trust. “We are hoping to place works privately with institutions through our team of curators,” say Moti Shniberg, a trust co-founder. “Otherwise, interested buyers can contact us. The works are all listed on the Trust’s website.” (more…)

Paul and Damon McCarthy, Rebel Dabble Babble (Installation View), via Hauser and Wirth

Hauser and Wirth, continuing its ongoing focus on California artist Paul McCarthy, is currently presenting a new video and sculptural installation by the artist, titled Rebel Dabble Babble.  Taking the real life relationships between Nick Ray, James Dean (played by James Franco) and Natalie Wood during the making of Rebel Without a Cause as the inspiration for the work, McCarthy and his son Damon have created an immersive, savagely warped exploration into the film, its creation, and the decaying image of Americana that it sought to depict, while challenging the interplay between a cultural artifact and its production.

Paul and Damon McCarthy, Rebel Dabble Babble (Installation View), via Hauser and Wirth

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James Turrell, Prado, Red (1968), Courtesy of Almine Rech

James Turrell is a pioneer in perceptual art using light as his medium, and Almine Rech Paris, capitalizing on the artist’s current nationwide exhibition in his native United States, is currently presenting  his seventh exhibition in its gallery. Shown across three rooms, this collection offers insight into Turrell’s celestial inspiration for his abstract pieces.

James Turrell (Installation View), Courtesy of Almine Rech (more…)

In an effort to increase attendance and community engagement, the recently opened Maxxi Museum (National Museum for the Art of the 21st Century) in Rome is branching out, hosting lectures and classes on a variety of subjects in design, art, fashion, and music. “We need the public to animate this space,” said Giovanna Melandri, president of the foundation that runs the Museum. (more…)

Berggruen Museum head Olivier Berggruen is featured in the Wall Street Journal this week, after the reopening of his institution after a two year renovation.  Focusing on both 20th century masters like Picasso, Matisse, Paul Cézanne and Paul Klee, the museum also focuses on evolution of the art market itself, and consists of 165 works sold by Olivier’s father Heinz to the city of Berlin in 2000 for around $100 million. “He thought of paintings and works of art as illustrations for stories,” says Olivier of his father. (more…)

The impressive wealth of Qatar, the small Persian Gulf nation, is fundamentally affecting the current art market, the New York Times reports.  Collectors from the oil-rich state have spent astronomical sums on works in the past years, including $70 million for a Mark Rothko canvas, and $20 million for a Damien Hirst pill case.  At the center of this buying glut is Sheika al Mayassa bint Hamad bin Khalifa al-Thani, the head of the Qatar Museums Authority and sister to the nation’s emir. “They’re the most important buyers of art in the market today,” said Patricia G. Hambrecht of Phillips. “The amount of money being spent is mind-boggling.” (more…)

Jeffrey Deitch, via LA Weekly

MOCA Director Jeffrey Deitch may step down from his position at the Los Angeles institution, the LA Weekly reports.  Sources close to the museum have released information that Deitch will announce his departure on Wednesday, and that he is currently shopping for apartments in New York City. (more…)

Babyshambles, a British band led by Pete Doherty, have revealed the artwork for their new album ‘Sequel To The Prequel’ designed by Damien Hirst. The image uses a photograph by the infamous rock photographer Pennie Smith, who shot iconic photographs of The Clash and The Slits, among others. The album, which is the Babyshambles’ third studio album, will be released on  September 2, 2013.

Read more at NME

Ronnie Cutrone, Photo by Timothy Greenfield-Sanders, (1998), via Huffington Post

Artist Ronnie Cutrone passed away this past Sunday, at the age of 65. Perhaps best known for his time as pop artist Andy Warhol’s assistant from 1972 to 1982, Cutrone had been a regular at Warhol’s Factory since 1965, when he was still in high school. At the age of 15, Cutrone became a go-go dancer with the Velvet Underground as part of the band’s Exploding Plastic Inevitable show, and befriended many of the artists associated with the West Village arts scene of the 70s and 80s, including Lou Reed and Jim Morrison.

Ronnie Cutrone, Quick Change Artist (2004), via Galerie Gmurzynska, Art Basel Miami 2011

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The Russian government has refused to reunite the collections Ivan Morozov and Sergei Shchukin, which has stood as a point of contention between the Pushkin Museum in Moscow and the State Hermitage in St. Petersburg over the past months. Both institutions currently own parts of the collection, which was divided in half after Stalin shuttered the Museum of New Western Art in 1948.  Former director of the Pushkin Museum Irina Antonova spoke out on the decision last week on Moscow television, stating a hope that the works would be reunited.  “I believe that in the end common sense must triumph,” she said. “We will have a state that will understand what it is to have the kind of museum that we don’t have in Moscow, a top museum of world art in the capital.” (more…)

British artists Gilbert and George have been announced as the next commission for the High Line’s popular Billboard exhibition series.  Opening September 3rd, the artists will exhibit a version of their 1984 piece Waking, featuring the pair surrounded by attractive young men.  “With all the talk today about urban life and gay marriage,” Said High Line Art director Cecelia Alemani, “it seems even more appropriate now.” (more…)

Gerhard Richter, Abdu (2009),  © Gerhard Richter 2013

Currently on display at Gagosian Gallery’s London space on Davies Street are a series of 4 tapestries, created in 2009 by prominent artist Gerhard Richter, entitled Abdu, Iblan, Musa and Yusuf.  Combining the artist’s signature style with bold new aesthetic forms, the works are based on the artist’s 1990 work, Abstract Painting (724-4).

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The Museum of Modern Art has announced an expansive retrospective for artist Sigmar Polke, set to open on April 19th, 2014.  Pulling from the artist’s broad explorations in painting, film and performance, the exhibition will feature some of Polke’s largest paintings and digitally rendered works, requiring their exhibition on the second floor of the museum, which is generally reserved for special exhibitions.  “Some of the paintings are so big, they can only fit on the second floor,” says MoMA Associate Director Kathy Halbreich. “This is one of the largest shows MoMA has ever done.” (more…)