Search Results

Rhizome Announces its 2013-2014 Commission Winners

Thursday, July 25th, 2013

New York – Trevor Shimizu: “New Work” at 47 Canal Through July 30th, 2016

Tuesday, July 5th, 2016

AO Auction Preview – New York: Old Masters’ Week, January 28th-29th, 2015

Wednesday, January 28th, 2015

London – Zhang Huan: “Spring Poppy Fields” at Pace London Through May 31st, 2014

Monday, May 26th, 2014

AO on Site – New York: The Bruce High Quality Foundation's 'Field of Dreams' Saturday, July 24th, 2010 in Prospect Park, Brooklyn

Monday, July 26th, 2010

AO Auction Results: Old Master’s Week at Christie’s and Sotheby’s New York – the majority of works sell above estimate, with many works reaching record-breaking prices

Saturday, January 30th, 2010

Go See – London: Anish Kapoor at London's Royal Academy through December 11, 2009

Tuesday, October 6th, 2009

Go See: Hiroshi Sugimoto '7 Days / 7 Nights,' at Gagosian Gallery, New York and Retrospective at Lucerne Museum of Art, Switzerland

Monday, December 8th, 2008

Update: Damien Hirst goes to Auction at Sotheby’s, September 15-16, 2008

Tuesday, July 29th, 2008

T.J. Wilcox at Metro Pictures

Thursday, October 4th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jean-Michel Basquiat Work at TEFAF 2017 Revealed as Fake by André Heller

November 3rd, 2022

Musician and artist André Heller fabricated a falsely attributed Jean-Michel Basquiat for sale at TEFAF in 2017, Art News reports. “In retrospect, the whole thing is, firstly, a childish prank. Secondly, it is naturally showing off. And thirdly, it is a stupid mixture of fiction and truth,” he says. “Just a private fairy tale.”
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Monica Bonvicini “Pauses” Representation with König Galerie After Allegations Against Founder

November 3rd, 2022

Monica Bonvicini has “paused” her relationship with König Galerie after sexual harassment allegations broke against its founder, Johann König.
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Oscar yi Hou Profiled in NYT

October 25th, 2022

Artist Oscar yi Hou gets the profile treatment in the New York Times this week, as he opens a show at the Brooklyn Museum. “I think by creating symbolic densities, you’re able to invite the viewer to pay more attention to the works,” he says. “I try to honor the opacity of the subject.”
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