Christopher Wool, Riot (1990), via Sotheby’s

Another night come and gone in New York, and another impressive evening auction in the books as Sotheby’s concludes its Contemporary and Post-War Evening Sale this Tuesday night with a final tally of $379,676,000, failing to top Christie’s impressive auction from one night prior despite some impressive sales records of its own.  The 65-lot sale saw 8 of the works go unsold, for a final sell-through rate of 87.7%, a hard figure considering last evening’s single unsold lot out of 35. (more…)

Bloomberg takes a look at the vast number of fairs and auctions taking place this month, and the growing move by these sellers to diversify as the art fair model matures.  “The best collectors don’t just buy contemporary art,” said Michael Plummer, whose New York-based consultancy Artvest Partners owns the Spring Masters fair. “They might have Renaissance painting and antiquities and modern art.” (more…)

The endlessly prolific Hans Ulrich Obrist has a new book out this week, titled Lives of the Artists, Lives of the Architects, tracing a series of the artist’s ongoing conversations with artists and designers over the course of his career, including pieces with David Hockney and Marina Abramovic. (more…)

An article in The Guardian looks at the current art community in Los Angeles, and asks if perhaps the Californian metropolis now offers better opportunities for artists than New York City’s vaunted art scene.  There’s a lot of people helping each other out here,” says artist David Flores. “And there’s a lot more room to play with, more elbow room.”  (more…)

French art dealer Olivier Thomas is under investigation after Catherine Hutin-Blay, the step-daughter of Pablo Picasso, filed charges accusing him of allegedly stealing artworks he was meant to be transporting and storing for her.   (more…)

Leo Fitzpatrick, the former star of Larry Clark’s film Kids, and longtime director of the Nate Lowman project space Home Alone 2, will join Marlborough Chelsea as a gallery director.  “I’m very proud of what I was able to accomplish with Home Alone over those three years, but generally it was me taking art on the subway, trying to put on these shows,” Fitzpatrick says. “I’m really excited about having help, and people to bounce ideas off of. We can really do big things. If I was able to do so much with so little, imagine what I can do here.” (more…)

London’s Royal Academy of Art has unveiled a £50 million expansion plan that will link the institution’s two buildings in the British capital’s Mayfair district.  “You will be able to go from an exhibition in Burlington House to a lecture in Burlington Gardens through the vaults of the building,” says Sir David Chipperfield, who designed the project.  “You will see the cast corridors, you will see where the schools have been all this time. It’s a small amount of architecture for a profound result.” (more…)

Richard Tuttle, Aspect XII (2015), via Pace

As the New York art world returns home following the Biennale previews last week, the first days of the Frieze Art Fair are set to get underway.  Opening its doors to VIPs this Wednesday, May 13th, the fair brings a number of events, openings and exhibitions along with it, marking the last major fair week in the U.S. for several months, and penultimate major fair week internationally before the slow summer months. (more…)

Pablo Picasso, Les Femmes D’Alger (1955), via Art Observed

The crown for the most expensive artwork at auction has returned to the master, as Pablo Picasso’s Les Femmes D’Alger lived up to its lofty expectations at auction this evening, as Christie’s “Looking Forward to the Past” exhibition kicked off Frieze Week (and a week of Contemporary Sales in New York) in grand style, tallying a massive $705,858,000 for a 35-lot offering that saw numerous records fall by the wayside, and only one lot going unsold, on the way to Picasso’s triumphant evening. (more…)

Cecily Brown is profiled in New York Magazine this week, as the artist opens an exhibition of new work at Maccarone Gallery in the West Village, smaller works that mark a shift in her career after ending her relationship with Gagosian Gallery.  “People would see them and say, ‘Are they studies for the big ones?’” Brown says.  “I joked that the big ones had become studies for the small ones. The big ones seemed very fast and loose, and the small ones were very neurotic. There was a while I called them ‘The Neurotic Paintings.’ They were so intense, very painterly, the paint got thicker. You have to believe the viewer has a more intimate relationship because you have to get up close.” (more…)

David Hockney is the subject of an interview in The Guardian this week, revisiting his life among movie stars and artists during the 1960’s, contrasted with his intense work ethic.  “I thought I was a hedonist at the time, but when I look back I was always working,” he says.  “I am always working. I work every day. I never give parties; I never gave them.” (more…)

Adding an additional facet to his collaboration with Barney’s, Alex Katz has created a 60-foot mural of Yvonne Force Villareal, Doreen Remen and Casey Fremont of the Art Production Fund, his wife, Ada, and longtime muse Elizabeth McAvoy for exhibition in the store’s front windows.  “I’ve been involved in fashion for quite some time and it seems natural to me,” Katz says.  “Art is supposed to be eternal and fashion is always moving, but I’ve learned that art moves just like fashion.” (more…)

The Renzo Piano Workshop has unveiled a handbag design collaboration with fashion designer Max Mara, taking the facade of the Whitney Museum as its inspiration.  Proceeds from the bag’s sale will go to benefit the Renzo Piano Foundation.  “We tried to maintain a simple, pure design,” says the architect, “working only on the details by applying a creative use of technology and placing the accent on respect for the materials.” (more…)

A number of artists are voicing their concern over the Frick’s proposed expansion plan, which would eliminate a garden by the British designer Russell Page.  “As professionals working in the art world,” says an open letter signed by Chuck Close, Rachel Feinstein, Lisa Yuskavage, and Frank Stella, among others, “we strongly believe that the Frick’s effectiveness as a display space lies in its intimacy.  Replacing the hall and garden with an institutional 106-foot tower will indeed destroy the famed Frick experience for artists and art lovers around the world.” (more…)

Chris Burden, via NY Times

Chris Burden, the Californian performance art pioneer and sculptor, who consistently pushed the envelope of physical endurance and human capacities, passed away at home this weekend from a malignant melanoma.  He was 69. (more…)

The New York Times takes a look at the work of Chuck Close this week, as the artist prepares to open a major retrospective at the Parrish Art Museum, examining his use of exacting photographic techniques and his approach to painting.  “I approach all subjects the same,” Close says. “Of course I can’t collaborate with a flower the same way I can with a human, but there is an inherent sensuality in a flower that relates to the nudes, and the close-up details of the flowers are equally revelatory.” (more…)

The Iranian government has adopted a new policy using billboards in Tehran to exhibit classic works of art rather than the usual consumer products and political slogans.  “It’s pretty exciting. It’s wonderful to see billboard ads of laundry machines or big corporate banks being replaced by a Rembrandt or a Cézanne or a Picasso, what better than that?” says journalist Sadra Mohaqeq. “For 10 days, people have time off from the usual billboard ads just promoting consumerism. It is going to affect people’s visual taste in a positive manner.” (more…)

Bloomberg is reporting that Wang Zhongjun, the Chinese movie executive of Huayi Brothers Media Corp. is the buyer of Picasso’s Femme au Chignon dans un Fauteuili, which sold for $29.9 million at Sotheby’s this week.  The purchase is somewhat ironic, given that the sellers were members of Hollywood’s film production dynasty, the Goldwyn family.  “I first fell in love with the painting and then I fell in love with its story,” Wang said after the sale. “I can see not only Pablo Picasso’s genius, but also Samuel Goldwyn Sr.’s creative vision.” (more…)

Adrian Piper, Everything #21 (2010-2013)

The awards for the 56th Venice Biennale have been announced, with the Armenian National Pavilion taking home the Golden Lion for best exhibition, Adrian Piper winning the Golden Lion for best artist in the main exhibition, and El Anatsui winning the Lifetime Achievement award.  A full list of awards is included below: (more…)

New York Magazine has an article charting the friendship between Andy Warhol and Jean-Michel Basquiat, through the lens of a soon to open play depicting their famous collaborations.  “Andy fulfilled a father figure role for Jean. Jean was very bright and very childlike at the same time. He was a big kid in a way,”  says playwright Calvin Levels. (more…)

At the entrance to the Biennale’s Central Pavilion, via Sophie Kitching for Art Observed

The Central Pavilion in Venice’s Giardini is the second site for All the World’s Futures, the main curatorial project around which the Biennale centers itself.  Featuring another series of artists spread out inside the exhibition space’s remarkable white facade, the exhibition continues its investigation of debris and late capitalism through a more playful, yet equally critical set of works from its counterpart at the Arsenale. (more…)

Peter Doig, Rain in the Port of Spain (White Oak) (2015), all photos by Sophie Kitching for Art Observed

Venetian Ettore Tito was one of the first stars of the Venice Biennale at its inception, presenting his work in almost every one of the early exhibitions through at 1920.  The artist’s colorful compositions often tinged with a slightly surreal, impressionist edge, were a prize of the Italian state in the early decades of the twentieth century, and often filled rooms during the first exhibitions in the city.

It’s a fitting parallel then, that the Scottish-born Peter Doig would be tapped for an exhibit at the former home of the artist, and current location of the Fondazione Bevilacqua La Masa.  Presenting a body of new works, including fourteen paintings and an additional six large-scale canvases, the exhibition’s intimate locale and rich history offers a strong parallel for Doig’s own interpretive and illusory meditations on modernity, memory and fantasy.

(more…)

Jenny Holzer, I was called (2013), via Art Observed

Running in conjunction with the events of the Biennale, and fittingly tying itself to themes of political action and structural instability, Venice’s Museo Correr is opening a new exhibition of works by the artist Jenny Holzer, focusing on the artist’s recent explorations into the aesthetic underpinnings of U.S. interrogation policy, declassified military and governmental documents, and other visual devices of the political war machine.  Titled War Paintings, the exhibition is a welcome examination of the artist’s most recent body of work, a stark departure from previous practice that still feels appropriate in the context of her career. (more…)

Cy Twombly, Paesaggio (1986), via Sophie Kitching for Art Observed

Undeniably one the greatest artists of 20th century, Cy Twombly‘s work is currently on display at the Ca’ Pesaro International Gallery in Venice, offering an in-depth look at the American artist, and his long residence in Italy.  Combining work from Twombly’s last series produced in 2011, an early painting on wood from 1951, and sculptural work from late in his career, this show delivers on its promise of a look at the artist’s career, while avoiding the demands of an exhaustive survey of his practice.  (more…)