Nam June Paik, 359 Canal Street (1991), © Nam June Paik Estate, Courtesy of Gagosian Gallery

Launching its newly announced representation of the prolific and influential Korean artist Nam June Paik, Gagosian Gallery Hong Kong has opened an exhibition of the artist’s works during the last decade of his life, including a selection of video sculptures, paintings, and drawings that mark a refined yet diverse series of interests and formal languages for the artist, particularly when placed alongside the more classic works on view. (more…)

Following a number of comparisons to the work of James Turrell, rapper Drake’s “Hotline Bling” video has finally been addressed by the artist, who seems to have taken the homage of his pale, colored light installations with something of a sense of humor.  “I wish to make clear that neither I nor any of my woes was involved in any way in the making of the Hotline Bling video,” he said through a blog post from his lawyer. (more…)

Artist Melik Ohanian has won this year’s Marcel Duchamp prize, presented by the ADIAF (Association pour la Diffusion Internationale de l’Art Français) in partnership with the Centre Pompidou, National Museum of Modern Art, and FIAC, where the award was presented this past week. (more…)

WWD profiles Lucas Zwirner, son of mega-dealer David Zwirner, and editor of the gallery’s young publishing imprint, David Zwirner books.  “I remember reading Wallace Stevens poems and feeling like I could not be doing anything more important,” he says. “At least for the first two or three years, I wanted nothing to do with the sphere of influence that generates from [the gallery].”  (more…)

As Gerhard Richter opens a historical exhibition of his “Color Chart” works from the 1960’s at Dominique Lévy in London, Art Info notes the significance of the works on the artist’s career, and his initial inspiration while passing through a Düsseldorf hardware store, where he saw a selection of paint sample cards.  “I preferred the unartistic, tasteful and secular illustration of the different tones to the paintings of Albers, Bill, Calderara, Lohse, etc.,” Richter says. (more…)

Beirut’s Aishti Foundation Museum, the project of Beirut luxury retail magnate and collector Tony Salamé, has opened this week, featuring an exhibition curated by Massimiliano Gioni, despite ongoing instability in the country.  “I think the best thing with a project, you forget about the uncertainty in the place, you keep on going,” Salamé says. (more…)

Artist Hank Willis Thomas has been commissioned to install a 12-foot tall sculpture at the base of the Brooklyn.  The work will consist of an arm and hand with a single finger raised, and will greet those entering the borough.  The final look for the work has yet to be decided. (more…)

Berlin Metropolis: 1918 – 1933 (Installation View), via Art Observed

Opening its fall exhibition this week, the Neue Galerie looks to Weimar Berlin, with an exhibition that takes an in-depth look at the German capital’s shifting cultural, political and social threads as it recovered from near obliteration into a stable economic power, before descending into the violence and genocide of World War II. (more…)

A £35m Rembrandt may stay in the UK, as its buyer considers withdrawing the work’s export license and donating it to a British Museum.  “The prospective buyer is considering a loan to a UK institution so that the painting can be further enjoyed by the British public,” says a Sotheby’s spokeswoman.  (more…)

Ai Weiwei is accusing the Lego Company of censorship after the company refused to fill an order he made for the toy building blocks, which he was intending to use in a new project.  “We refrain — on a global level — from actively engaging in or endorsing the use of Lego bricks in projects or contexts of a political agenda,” the company responded. (more…)

Art Info looks at the increasingly high rents and other challenges mid-size, single-venue galleries are currently facing worldwide, and asks if the business model is capable of surviving in the current market.  “It was very hard for my type of gallery to become a big one,” says former gallery owner Nicole Klagsbrun, who closed her space in 2013 and shifted to an independent, curating-focused approach.  “Obviously, I’m happy to be outside because I have the freedom to really choose what I want to do and when to do it and really focus on projects.” (more…)

The New York Times profiles the chosen artworks hung at the White House by the Obama family, and the recent addition of a selection of abstract works.  “There was discussion about the president and first lady liking more abstract art,” says William Allman, the longtime curator of the White House art collection. “Our collection doesn’t really have any of that.” (more…)

The New York Times notes the current tax status for art in Delaware, and the investors setting up art storage ventures in the state to take advantage.  “Delaware has a lot of trust and tax advantages,” says Derek Jones, executive director of Atelier, a new storage company operating in the state. (more…)

Billy Childish, birch wood (2015), all photos by Osman Can Yerebakan for Art Observed

Lehmann Maupin’s new 22nd street location is currently hosting  flowers, nudes and birch trees: New Paintings 2015, the gallery’s fourth exhibition of work by British poet, musician, author and artist Billy Childish.  Carrying a certain anticipatory note towards the coming fall weather, Childish’s exhibition manifests a dense feeling of autumn and its occasionally melancholy aura through his distinct painting style. (more…)

A historic deal between Germany and Iran will lead to an exhibition of contemporary art works from the collection of the Tehran Museum of Contemporary Art in Berlin.  “That a succession of Iranian museum curators and administrators have worked to put together the collection and maintain it over decades is a testament to a fundamental respect for the arts,” says Shiva Balaghi, a visiting scholar at Brown University.  “That this collection now serves as a foundation for greater collaboration between Iranian art institutions and those abroad is another indication of art’s ability to create alternative contexts for mutual understanding and appreciation.” (more…)

The shortlist for the 2016 Hugo Boss Prize has been announced, with Tania Bruguera, Mark Leckey, Ralph Lemon, Laura Owens, Wael Shawky and Anicka Yi making the list of honorees.  The winner announcement and ceremony will take place in October of 2016, and will give the winning artist an exhibition at the Guggenheim. (more…)

Loic Gouzer has been promoted as Christie’s Deputy Chairman, Post-War and Contemporary at Christie’s, Art News reports.  “I’m not really impressed by people’s titles, I’m impressed by what they do. I guess in Europe there isn’t really the culture of titles,” Gouzer says, ”but it is in America, so I’m happy.” (more…)

Bank of America has given 13 Conservation Grants to Museums and Institutions around the globe, giving more than $1 million in funding to museums including the Guggenheim in New York, the British Museum, the OCA Museum in Sao Paulo, and the Museum of Islamic Art in Doha, Qatar.  The Guggenheim will use the funds to restore Manet’s “Woman in Evening Dress.”  “We hope to remove a discolored varnish that is obscuring the brushwork and flattening the painting and really not presenting Manet in his best light,” said Carol Stringari, the museum’s deputy director and chief conservator. (more…)

Martin Creed, Work No. 2209, Woman with a dog at a table (2015), Photo: Todd White © Martin Creed Courtesy the artist and Hauser & Wirth London

Martin Creed is the subject of a solo exhibition of recent work at Hauser & Wirth Zurich this month, once again delving into his signature, multimedia-based interdisciplinary practice.  Among the most controversial contemporary British artists, Creed came into global recognition with his 2001 Turner Prize winning installation Work No. 227: The lights going on and off, presenting, as its self-descriptive title suggests, a vacant room in which the lights go on and off in five second breaks.  Like much of the artist’s work, the minimal gesture drew staunch criticism due to Creed’s endorsement of such a simple act in endless repetition. (more…)

PAVILLON DE L’ESPRIT NOUVEAU: A 21st Century Show Home (2015), all photos via Sophie Kitching for Art Observed

The interior of Swiss Institute is coated in Chroma key green this month, as the gallery opens the 2^nd Edition of its Annual Architecture and Design Series entitled PAVILLON DE L’ESPRIT NOUVEAU: A 21st Century Show Home, curated by Felix Burrichter, the editor and creative director of architecture and design magazine PIN–UP.  Taking a hearty investment both in design and its correlative practices in contemporary art, the exhibition plays on the ever-increasing slippage between delineations of interior design, environmental assemblage and pure installation. (more…)

Ugo Rondinone, clouds + mountains + waterfalls at Sadie Coles HQ (Installation View), via Art Observed

Sadie Coles HQ is currently presenting a vibrantly colorful exhibition, clouds + mountains + waterfalls, by Swiss born artist Ugo Rondinone, an artist already recognized by his idiosyncratic and often whimsical works in a wide range of media. Rondinone, whose oeuvre has been subject to numerous exhibitions and national museum shows globally since the mid ‘80s, here presents three independent yet narrative-driven and interconnected series of pieces, following the artist’s signature bright color palette and fascination with natural landscapes and materials.

Ugo Rondinone, clouds + mountains + waterfalls at Sadie Coles HQ (Installation View), via Art Observed

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Idris Khan, Displacement (2015)

Artist Idris Khan is presenting his exhibition, titled Overture, in New York this month, marking his first show in the city since 2010, and his first show with Sean Kelly, adorning the gallery’s two floors with intricate and spectral works stemming from his interdisciplinary approach.  Known for a meticulous aesthetic that draws inspiration from both Eastern and Western cultures, Khan executes a mosaic of various histories, narratives and disciplines in his expansive practice, while primarily leaning towards his work in digital photography. (more…)

FIAC 2015, all photos by Andrea Nguyen for Art Observed

Having established itself as the second leg of Europe’s fall tour of art fairs, following hot on the feels of Frieze London, Paris’s FIAC fair has built itself into one of the art calendar’s more impressive exhibitions, and is now expanding even further, pushing for a place as one of the market’s premier selling events.  Boasting an attendance list of 175 galleries from 23 countries, the 42nd edition of the fair continues Paris’s push for a place in the international fair circuit that matches its century long prominence in the modern and contemporary avant-garde.

FIAC 2015 (more…)

Ryan Gander, Night and Day (2015), via Lisson Gallery

Artist Ryan Gander has returned to Lisson Gallery in London for his third show with the gallery this month, furthering his uniquely witty work with conventional art materials, and their intersections with the objects of the everyday, compounded by the artist’s often ingenious mechanical and technological interjections.

Ryan Gander, Fieldwork (Installation View), via Lisson Gallery (more…)