The Austrian government is facing criticism after sending a Gustav Klimt due for repatriation to the wrong family, the Art Newspaper reports. The complicated case and the misplaced painting traces several generations of Austrian owners and families, and underscores the challenges faced by institutions over restitution cases. (more…)
The Forbes 30 under 30 list has been released, featuring a group of young artists that includes Puppies Puppies and Hannah Levy. (more…)
The Guardian has a piece on the Robert Indiana estate’s auctioning of two works from its holdings this week to pay legal fees, diving into the controversy behind the late artist’s passing and his legacy. “If the estate is ever going to be preserved or studied or visited, whether it’s a museum or research center, it seems to me works like that are essential as part of a bigger picture,” says John Wilmerding, a Princeton professor who has researched Indiana extensively. (more…)
Pace Gallery has begun a partnership with the artist Christo, foregoing outright representation while presenting and assisting with the artist’s work. The gallery will present a series of works by the artist at Art Basel Miami Beach, and will present a solo show in 2020. “Christo is a dreamer and an artist of mythic energy who has redefined the way we interact with the world around us,” says Marc Glimcher, Pace’s president and CEO. (more…)
German sound artist Carsten Nicolai will work in the Mongolian Pavilion at next year’s Venice Biennale for a show that includes throat-singing performers, and is organized by Mongolian artist E.Jantsankhorol. “Nowadays interaction between human-being and nature is almost extinct,” an announcement reads. “We created human-made environment surrounding us, like concrete blocks, glasses, panels and asphalts to interact with.” (more…)
The New York Times has a piece on Andy Warhol’s entourage at The Factory, and the artist’s engagement with the figures in his inner circle. “When I first went to the Factory, there was an interesting group of young people. Andy always had some rich kids around him but also people who were incredibly flamboyant, incredibly transgressive,” says Fran Leibowitz. “They were there for his amusement. Later, Andy could not distinguish between an interesting young person and just a young person.” (more…)
Penske Media Corporation, which owns Rolling Stone, Variety, WWD, and Deadline, has acquired Art Media Holdings, LLC, the parent company of ARTnews, Art in America, The Magazine ANTIQUES, and MODERN Magazine. “For more than a century ARTnews and Art in America have been leaders in breaking news and commentary on the art world,” PMC’s chairman and CEO, Jay Penske, said in a statement. “To welcome these fine publications, whose editorial heritage I have long admired, is not only a remarkable opportunity but also a great honor.” (more…)
Mary Ceruti, current director and chief curator of SculptureCenter, will take over as head of the Walker Art Center in Minneapolis, Art News reports. “The Walker has been a trailblazer in identifying the experimental and influential art and artists of its time, continually demonstrating the power of art to help us understand, navigate and shape the contemporary world,” Ceruti said in a statement. “It is uniquely positioned to create new models for how museums work with artists and diverse constituencies.” (more…)
Julian Schnabel is interviewed in New York Magazine this week, as he prepares to roll out his new film on Vincent Van Gogh, and offers his takes on the artist’s singular personality. “I don’t think he was crazy at all, and these myths that have been propagated are a disservice,” he says. “[People] think artists have to be nuts to be good. If you really look at [van Gogh’s] paintings, they’re not the works of a madman.” (more…)
New research has uncovered the collaboration between Nazi art thieves and Dirk Hannema, director of the Boijmans Museum in Rotterdam to create a clearinghouse for the sale of paintings looted from Jewish owners. “He collaborated with the Germans and he knew what he was doing,” says Sjarel Ex, the current director of the museum. “His decision was that it was worthwhile to work with them because he knew that he could have more influence and power with the people who were reigning instead of being a refugee or going into hiding or living on the outskirts.” (more…)
The Museum of Contemporary Art, Los Angeles has added Adrian Cheng, Marina Kellen French, Simon Mordant, Sean Parker, and Julia Stoschek, marking Klaus Biesenbach’s first action as director. Cheng, Mordant, and Stoschek all served on MOMAPS1‘s board during Biesenbach’s tenure. (more…)
The Tate Liverpool will open a major exhibition dedicated to Keith Haring, The Guardian reports. “We are really aiming to bring to life the cultural energy and edginess of 1980s New York City,” says curator Darren Pih. (more…)
The Louvre Abu Dhabi has drawn over a million visitors in its first year, the NYT reports. The figure puts it head and shoulders over other institutions in the region, with further planned exhibitions sure to continue its impressive figures. (more…)
Christie’s sale of David Hockney’s iconic 1972 Portrait of an Artist (Pool with Two Figures), set for sale this week in New York, will be sold without a reserve. “By removing the reserve we have also removed any perceived barrier to entry and opened up bidding to broader participation including institutions and major donors as well as private collectors,” a spokesperson said. (more…)
David Zwirner tops this year’s ArtReview Power 100, followed by Kerry James Marshall and the #metoo movement, marking another year in the publication’s documentation of the movers and shakers of the art world. (more…)
David Zwirner will now represent artist Njideka Akunyili Crosby on its roster, sharing representation with Victoria Miro. Crosby has received considerable attention in the past years following her inclusion in the 2015 New Museum Triennial. (more…)
The Met has announced Andrea Bayer, current Jayne Wrightsman curator of the Metropolitan Museum of Art’s department of European paintings, as the new deputy director for collections and administration. “As curator in the department of European paintings, often working on projects that went across multiple departments, I know how rewarding it is to work alongside colleagues throughout the museum,” Bayer said in a statement. “I am thrilled to take on this new role, one which will allow me both to support the director and continue to collaborate with these colleagues on an institutional level.” (more…)
Jeff Koons has lost his court case regarding plagiarism of an add for French clothing brand Naf-Naf for his sculpture Fait d’Hiver. Koons must pay creative director Franck Davidovici a total of €135,000 for the work. (more…)
The LA Times has a piece on newly minted MOCA Director Klaus Biesenbach’s vision for his leadership at the museum, and the efforts he plans to spearhead while working at the museum. “As a museum, you have a civic responsibility, you have a role in society, you have to be courageous, you have to open up your doors to allow for dialogue,” he says. (more…)
Chris Dercon, who recently left his position at the Volksbühne Theatre in Berlin, will take a new position as president of the French government cultural body, Réunion des musées nationaux-Grand Palais (Rmn-GP), the orgaization that manages the Grand Palais and Musée du Luxembourg. “The ministry has opted for a new type of leader, an art historian who has always championed artists,” said Philippe Régnier, editor of Art Newspaper France. (more…)
The Museum of Fine Arts in Houston has reattributed a work in its collection to Diego Velázquez, citing recent research after a cleaning in San Antonio. “The first moment I saw it, I believed,” Katherine Luber, the San Antonio museum’s director, says. (more…)
Magazzino Italian Art Foundation in Cold Spring is establishing a new Research Center with some 4,000 publications accessible for study, as well as a new annual fellowship program, Art News reports. The first scholar-in-residence is Francesco Guzzetti, who recently completed a post-doctoral fellowship at Harvard University. “It is a true privilege to expand my research on Arte Povera and work directly with the art installed in the museum and the new Research Center library,” Guzzetti says. (more…)
Collectors Beverly and Donald S. Freeman have donated $4 million to the Dallas Museum of Art to fund the Freeman Family Exhibition Endowment, which will help fund one show a year. “This is an exciting moment in the museum’s history, and the Dallas Museum of Art deeply appreciates this generous gift from Don and Beverly Freeman,” says AgustÃn Arteaga, the DMA’s director. “They are longstanding patrons of the museum, including Beverly’s remarkable four decades as a valued DMA docent. We are grateful for this significant new gift and for their continued passion in support of our celebrated education programs.” (more…)