Miguel Ángel Cárdenas, Green Couple (1966), via Kelly Lee for Art Observed

Spanning a wide range of pieces, including paintings, video, drawing and assemblages by the Colombian-Dutch artist Miguel Ángel Cárdenas, Andrea Rosen’s current exhibition offers a concise examination of the artist’s formal evolution and shifting compositional interests.  Born and raised in Colombia, the artist moved to Amsterdam during the early 1960’s, offering his own interpretation of the threads of pop and conceptual practice dominating the conversations of European practice during the era.   (more…)

Performa has added Joyce Liu and Ivan Pun, and promoted current board member Richard Chang as president of its board.  “In just a little over 10 years, Performa has made remarkable contributions advancing the scholarship and prominence of live performance, and I look forward to working with RoseLee Goldberg and the entire Board and staff to forge new relationships around the globe to support Performa’s ambitious mission and programs,” Chang said in a statement. (more…)

The Uffizi Galleries in Florence has committed to exhibiting more works by female artists, beginning with an examination of Suor Plautilla Nelli, a 16th Century nun regarded as Florence’s first-known female Renaissance painter.  The decision was made in part following conversations with the famed feminist art collective Guerilla Girls.  “This is not just a special initiative to do for three or five years. I don’t know if I’m still going to be director, but I think we could easily go on for 20 years,” says director Eike Schmidt. (more…)

Adam Chinn, the minority partner in Art Agency, Partners, will take on the mantle of COO at Sotheby’s, Art Market Monitor reports.  Formerly head of transaction support, Chinn will continue to look to improve the company’s margins on sales. (more…)

MoMA has appointed Kate Lewis as chief conservator of its David Booth Conservation Center and Department.  Glenn Lowry states that Lewis “will provide exemplary leadership to the museum’s conservation department in order to ensure that its vital work will continue in advancing our state-of-the-art conservation program, and in developing the most innovative conservation practice and scientific research.” (more…)

More than five years after the fallout of the Knoedler Gallery fraud cases, dealer Glafira Rosales was sentenced to time served on Tuesday, closing a major part of the ongoing court cases over the sale of fake 20th Century paintings.  Rosales was granted leniency in the case over reports that she had been abused by her partner, Jose Carlos Bergantiños Diaz. (more…)

The Public Art Fund is celebrating its 40th Anniversary this year, and will mark the occasion with an expansive series of video pieces shown across video screens in all five boroughs of New York.  Exhibiting artists include Cory Arcangel, Awol Erizku and Casey Jane Ellison.   (more…)

Lisson Gallery is preparing to release a 1,000-page text celebrating its 50th anniversary, and will embark on a series of special exhibitions underscoring its continued dedication to conceptual and forward-thinking practices.   (more…)

The Dia Art Foundation has added six works by Anne Truitt to its permanent collection, and will put the pieces on long-term view at Dia:Beacon.  “When we bring an artist into our group, which is not very large, we want to bring them in at least at the level of those who have come in in recent years,” Dia’s director, Jessica Morgan, says. (more…)

The Louvre has been temporarily closed after a knife attack on a soldier in the museum that officials are saying was of a “terrorist nature.”  Two men have been apprehended after the attack.  (more…)

The UK has seen a 2 million visitor drop in museum attendance in the past year, The Guardian reports, with the highest rate of decline coming from educational trips.  “These figures are clearly disappointing,” says Alistair Brown, a spokesperson for the Museums Association.  “As schools come under greater pressure, they are finding it harder to devote time to out-of-class activities such as museum visits. Children are increasingly missing out on valuable experiences that bring history, science and culture to life and expose them to new ideas.” (more…)

Ari Wiseman, the deputy director of the Guggenheim Museum, is stepping down to pursue an independent design studio project with his brother in Los Angeles.  The pair’s Frogtown district space will open in 2018. (more…)

Miles Coolidge, Coal Seam, Bergwerk Prosper-Haniel #3 (2013), via Peter Blum

A pairing of large photo works of coal mine walls with smaller photochemical pieces, Peter Blum’s exhibition of works by Miles Coolidge reinvigorates a dialogue around 20th century inquiries into chemistry, art production, and process imagery, presenting shared sensations of something physically visceral, all realized via inkjet pigment or liquid chemicals, realized in a manner evoking the sublime. (more…)

Jane Freilicher, Window (2011), via Art Observed

The city of New York has always served as a grand subject for artists, its towering skyline spreading its shadow over the Hudson and the minds of its resident artists.  At Derek Eller Gallery this month, three of these artists are the subject of an exhibition examining this same impact on their respective practices, framed in particular by the meditative oil paintings of Jane Freilicher.  The artist is joined by Daniel Heidkamp and Mira Dancy, both of whom offer their own interpretations of modern life, both in the city, and beyond.   (more…)

MoMA has released the full list of acquisitions made in the past year, tallying a large-scale painting by Mark Bradford and James Turrell’s Meeting among its new pieces.
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Hannah van Bart, Untitled (2016), via Art Observed

Hannah van Bart’s works serve as particularly intricate visual experiences, often twisting interior and exterior architectural forms around the human body (frequently female), presenting the human figure in a manner that subverts the canvas’s illusions of depth, and the human brain’s understanding of flat surfaces.  Her paintings, presented at Marianne Boesky this month, present themselves as something of a variation on theme as a result, allowing the viewer to trace the artist’s varied explorations of her subjects, and their varied relationships to the world around them.

Hannah van Bart, Untitled (2016), via Art Observed

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Tracey Hejailan-Amon, the New York socialite suing her former husband Maurice Alain Amon after he moved his art collection to avoid her claims during divorce, has lost her case.  Amon’s art collection, including works by Basquiat and Warhol, was moved from the couple’s New York apartment shortly before filing.   (more…)

The New York Times recaps the current travel ban on seven predominantly Muslim countries enacted by President and how it may affect future exhibitions and plans for artists in the U.S. and abroad.  “We have no idea yet how this might affect us, but we do have at least one important exhibition of art mostly from Iran that would be impacted by travel restrictions that would make it difficult to do research and work with artists and authors, as well as borrow works of art that would require couriers from collections in Iran,” a spokesperson from LACMA says. (more…)

In the wake of Donald Trump’s increasingly hostile executive orders, the New York Times asks what might happen if the president’s intent to defund the NEA actually happens.  The article looks at a number of projects funded by the NEA, from major museum exhibitions to art therapy classes for American veterans.  “It is the mark of a great democracy to support the arts, which are an expression of what makes us human,” the piece quotes from a statement by the Association of Art Museum Directors. (more…)

Matt Johnson, Drywall #2 (Grape Hyacinth M560-3) (2016), via 303 Gallery

Spread out across the floor of 303‘s exhibition on West 21st Street, a wide, often enigmatic series of seemingly cast-off objects sit atop small plinths.  Ranging from crumbled pizza and avocado boxes to stacked bags of concrete to immense towers of interlocking slabs, the sculptures are part of a new series by Los Angeles-based artist Matt Johnson, using the flexible and expressive capacities of wood to create works that vary in their notes of the hyperreal, pathetic and ephemeral in relation to the world around them.  Taking this intersection of historical and cultural reference points as a rich space for operation, the artist’s work conjures a wide range of interpretations and readings through minimal effort.

Matt Johnson, Untitled (4 Stacked Tape Rolls) (2016), via 303 Gallery (more…)

Jean-Luc Moulène, Ce fut une belle journée (Installation View), all images via Chantal Crousel

New work by Jean-Luc Moulène is on view at Galerie Chantal Crousel this month, as the French artist explores a unique body of new works created between 2012 and 2016, the last time the artist exhibited his work publicly.    His fifth exhibition with the gallery, Moulène’s work sees the artist continuing his studied approach to the sculptural form, and history of the field in conjunction with various objects and contexts.

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The New York Times looks at the increasingly predominant conversations among older artists over the representation of their estates, as the artists of the baby boomer generation age.  “You have the greatest number of artists there has ever been who are wealthy from their own creative work and have to make provisions for the posthumous stewardship of that work,” said Christine J. Vincent, project director for the Artist-Endowed Foundations Initiative. “More and more entities are getting involved in servicing it.” (more…)

As the trial over the theft of €100 million in art from Paris’s Museum of Modern Art begins, one of the accused on trial has stated that he threw away the works after taking them, including pieces by Picasso, Matisse, and Modigliani, although authorities believe the works were actually moved outside the country.  “I threw them into the trash,” Yonathan Birn, the accused, said in tears during the court proceedings. “I made the worst mistake of my existence.” (more…)

The New York Times questions the ability to sell an earthwork, as a piece of land containing a Robert Smithson piece goes on the market.  “In a sense, a park is already a work of art,” the articles quotes Smithson. “It’s a circumscribed area of land that already has a kind of cultivation involved in it.” (more…)