The Museum of Modern Art has announced a major survey of the contemporary practice of sound art, the first of its kind for the museum.  Running from August 10th to November 3rd, Soundings: A Contemporary Score will examine intersections of space, sound, and theory.  “Sound has come into the limelight. It’s getting recognized as a frontier. There are more tools that are easier and less expensive to use these days,” says associate curator Barbara London. “And because of these tools there is more artistic freedom.” (more…)

Illinois-based Blick Art Materials has bought out the New York art supply company Utrecht, adding 45 stores to its already established 39.  Terms were not disclosed on the handling of Utrecht’s line of supplies, paints, and other materials.  “The acquisition of Utrecht gives us a tremendous, well-established brand and greater geographic reach for our brick and mortar channel,” said Blick CEO Robert Buchsbaum.   (more…)

Cindy Sherman, Untitled #138 (1984), via Skarstedt Gallery

Skarstedt Gallery is currently presenting the retrospective 1980’s Revisited, revisiting the works, theories and artists that helped to define the dynamic decade in contemporary art.  Fetauring works by Carroll Dunham, Jenny Holzer, Mike Kelley, Jeff Koons, Richard Prince, David Salle and Cindy Sherman, the show highlights the varied and often conflicting artistic styles of the time, particularly in the newly developing approaches of Appropriation, Neo-Expressionism, and Graffiti.  The 1980’s were a controversial decade for the art world, a period of active boundary breaking by artists looking to challenge contemporary society.

Jeff Koons, One Ball Total Equilibrium (1985), via Skarstedt Gallery

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Despite the increasing number of wealthy tech entrepreneurs in the gallery-rich New York neighborhood of Chelsea, The New York Times points out a considerable disconnect between this group and the art market in general that has resulted in a failure to bolster sales.  While a range of issues stand in the way, many gallery owners remain hopeful for cracking this emerging pool of wealth.  “It’s hard to get those guys’ attention,” says art advisor Thea Westreich. “I think they will eventually collect, and collect very heavily and be a part of the community. But I think that’s going to be a hard wall to go through, at least in the short run.” (more…)

With its 10-year, $500 million renovation now drawn to a close, Amsterdam’s Rijksmuseum is set to reopen on April 13th.  The new design, which undid years of renovations to restore the original design and layout by Pierre Cuypers, was well over both budget and timeframe, but has already received praise for its new design and attention to historical detail. “This was built as a national museum, not just an art museum, and we want the public to get a sense of history, seeing the paintings, furniture and applied arts that were all conceived around the same time.” Said Director of Collections, Taco Dibbits. (more…)

Madonna has announced plans to auction off a painting from her personal collection, Fernand Léger’s Trois Femmes à la Table Rouge, and to donate the resulting proceeds education projects for young girls in Afghanistan and Pakistan.  The piece will be auctioned at Sotheby’s in New York on May 7th, and is estimated to sell for $5-7 million. “I have a great passion for art and a great passion for education,’’ Madonna said in a statement. “I cannot accept a world where women or girls are wounded, shot or killed for either going to school or teaching in girls’ schools.’’ (more…)

Artist David Hockney’s first multi-channel video work, The Jugglers, June 24th 2012 (2012) will have its American debut next month at The Whitney Museum. Depicting a set of jugglers moving against a blue and white backdrop, the video employs 18 separate channels of video, using intense lighting to alter perceptions of depth and space.  “In this new video installation David Hockney surprises us once again, exploring how multiple perspectives can transform our experience of the moving image. Hockney mines the histories of cinema and painting through the lens of technology, to create a new way of seeing.” said curator Chrissie Ilessaid. (more…)

Domplatz, Mailand, the 1968 photo-realist painting by Gerhard Richter, will be the preeminent highlight of Sotheby’s spring Contemporary Art Evening Auction in New York, carrying an estimated price of $30-40 million.  The sale comes months after the artist’s Abstraktes Bild (809-4) set a new record for his work at auction, and has a history of impressive sales at auction, setting a previous sales high for Richter 15 years ago.  Says Sotheby’s Worldwide Head of Contemporary Art, Tobias Meyer: “The work represents the pinnacle of Richter’s technical achievement and its scale, power and visual impact rivals his celebrated abstract works. This is the work the market has been waiting for and its sale is certain to be an historic event.”  (more…)

French President François Hollande has announced Jean-Luc Martinez as the new director-president of the Louvre.  Martinez, who previously served as head of the Greco-Roman antiquities department, will take over in the wake of a 7.5% cutback in the national cultural budget, and will also be responsible for finalizing loans for the construction of the Louvre’s new location in Abu Dhabi. (more…)

Peter Fischli and David Weiss (Installation View), via Sprüth Magers

On view at Sprüth Magers Berlin is a solo exhibition of work by the collaboration between artists Peter Fischli and David Weiss (often shortened to “Fischli/Weiss”), which explores themes of transition, globalization and ephemerality through a selection of plastic sculptures and photographic installations. (more…)

British artist Graham Ovenden has been convicted of sexual abuse charges, stemming from accusations by former models for the artist over a number of years in London and Cornwall.  While Ovenden, who has had exhibitions at the Victoria and Albert Museum in London and the Metropolitan Museum of Art in New York, has flatly denied the charges, the Truro Crown Court has convicted him of six counts of sexual indecency with a child, and one of indecent assault.  When asked why they had not come forth earlier, one complainant’s mother replied: “I thought if I went to police, she wouldn’t be believed; if I went and confronted Graham myself, he would have flatly denied it. I thought there was nothing to be achieved but a lot of stress for my child.” (more…)

Gallerist Jérôme de Noirmont, who abruptly shuttered his Paris Gallery on March 23rd, has sat down with ArtInfo to talk about the gallery’s closing, the state of the global art market, and his plans for the future.  “It’s kind of like we’re going from ready-to-wear to haute couture. We’re getting our freedom back. I believe in art, in creativity, and what it can do for society.”
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Artspace has announced that is in the process of acquiring VIP Art, another online art sales site run by gallerists James and Jane Cohan.  The move broadens Artspace’s number of collectors to well over two hundred thousand, and its list of gallery collaborators to over 200.  “As we augment our gallery presence, we augment our insight into how best to serve galleries and collectors.”  Says Artspace founder Christopher Vroom.
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The High Line in New York unveiled a new project for its ongoing public works series yesterday, welcoming photographer and filmmaker Ryan McGinley to exhibit his piece Blue Falling (2007) on the billboard at 18th Street and 10th Avenue.  This will be the ninth installation of work at the site, and follows works by John Baldessari, David Shrigley, Maurizio Cattelan and Pierpaolo Ferrari, among others.  The work will be on view until April 30th. (more…)

A major dispute between board members of the Hilma af Klint Foundation is casting a pall on the first major retrospective of the artist in her home country of Sweden.  The dispute arises over several board members’ desires to  sell of works to fund a museum to “anthroposophy,” a school of thought originated by Rudolf Steiner. Ulf  Wagner, one of the accused board members has responded, saying “Legally we would not be allowed to sell her works,” before continuing that this would only apply to major works.  (more…)

Rita Ackermann, “Negative Muscle,” 2010, Negative Muscle, Courtesy Hauser & Wirth Gallery, New York

Hauser and Wirth is currently showing new work by Hungarian-born Rita Ackermann at its uptown location in New York City, featuring an exploration of new forms as well as a striking new set of entries in the artist’s Fire By Days series. (more…)

A range of new real estate projects worldwide are embracing the intersections of luxury living and artistic communities, using local artistic cultures to bolster the property offerings of new developments.  Tying creative culture closely with high-value properties, developers and real estate agents are using the creative spirit of their property locations to lure interested buyers. “(These developments) encourage buyers to truly invest in an area and not buy and sell simply to make money.”  Said Argentinian developer Alan Faena.
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Russian billionaire Leonid Mikhelson has joined the board of trustees at The New Museum, mirroring the increasing number of international members on Museum boards across the U.S.  “As art is thriving in so many centers, it is imperative to have an active group of supporters with diverse perspectives and deep connections to these communities.”  Said New Museum director Lisa Phillips. (more…)

Arts critic Jerry Saltz comments on the diminishing role of the gallery show in the contemporary arts environment, noting the effects of increased focus on international fairs, auctions and biennials, and questioning the effects of this shift on the arts community of New York City.  “Fewer ideas are being exchanged, fewer aesthetic arguments initiated. I can’t turn to the woman next to me and ask what she thinks, because there’s nobody there.”  He says. (more…)

Trance, the newest film by British director Danny Boyle features a selection of three recreations of Goya’s Witches in the Air, done by British artist Charlie Cobb.  The replicas were used to emphasize the densely textured surface of the work, as digital replicas or prints can often appear distorted or unconvincing on film.  The work involved the acquiring of rare paints, as well as hours of study viewing the work.  “Just to stand in front of it, you get a real feel for the painting.” says Cobb.
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Nick Cave, Heard•NY (2013)

Artist Nick Cave was in New York on Monday, presenting his new performance piece, HEARD•NY, at Grand Central’s Vanderbilt Hall.  Co-presented by Creative Time and MTA Arts for Transit, Cave’s ambitious project involves sixty dancers from The Ailey School suited in 30 life-size horse costumes. In choreographed gestures, the horses move around as a colorful herd, bobbing their heads and kicking their feet, intermittently grazing and foraging like real equines. (more…)

The Art Newspaper has published its annual survey of museum attendance for 2012, highlighting the best attended shows and museums of the past year.  While the top names on the list stayed relatively unchanged from past years (The Louvre still remains the world’s best attended museum, with The Met close behind), the recently opened Crystal Bridges Museum in Arkansas surged onto the list, and MOCA in Los Angeles also noted a dip in the face of board defections and budgetary concerns.  Also of note is the top exhibition of last year, the Tokyo Metropolitan Art Museum’s Old Masters show, which drew more than 10,000 visitors a day to see Vermeer’s Girl with a Pearl Earring. (more…)

A New York State Court Judge has dismissed a lawsuit against photographer William Eggleston, which would have had restraining effects on an artist’s ability to reproduce work.  The lawsuit, filed by collector Jonathan Sobel, stated that Eggleston’s new, digitized editions of prints from his work in the 1970’s devalued the works that Sobel had purchased.  Judge Deborah Batts dismissed this claim, stating that: “although both the Limited Edition works and the Subsequent Edition works were produced from the same images, they are markedly different.” (more…)

A group of artists, led by Chuck Close, have filed an appeal to overturn a federal ruling that the California Resale Royalty Act is unconstitutional.  The act, which required all resales of a California artist’s work to pay a 5% royalty back the artist, was struck down last year in a case that saw artists pitted against auction houses Sotheby’s and Christie’s.  “We believe that the district court’s decision dismissing the complaint was correct, and we believe that it will be affirmed on appeal.”  Said a Sotheby’s representative. (more…)