LaToya Ruby Frazier, More Than Conquerors: A Monument for Community Health Workers of Baltimore, Maryland 2021-2022, (2021 – 2022) (Installation View), all images via Gladstone

Marking its first show with artist LaToya Ruby Frazier, Gladstone Gallery has installed a body of work by the artist that pays tribute to and commemorates the work of healthcare workers during the course of the Covid-19 Pandemic. Centered around More Than Conquerors: A Monument for Community Health Workers of Baltimore, Maryland (2021-2022), which marks its first installation in New York, the show makes for a fitting reflection on several exceedingly challenging years for the United States and its healthcare workers.  (more…)

Mark Manders, Writing Skiapod (Installation View), via Tanya Bonakdar

Taking over the Los Angeles outpost of Tanya Bonakdar, artist Mark Manders marks his fifth solo show with the gallery, and his first in LA since 2010. Continuing his exploration of rooms as a container for expressive and surreal arrangements of material, the artist here takes on a range of explorations of language and expression. (more…)

Gedi Sibony, Her Seven Morning Sentiment (2015), via Greene Naftali

Artist Gedi Sibony presents a range of new works this month at Greene Naftali in New York, continuing the artist’s studied interrogation of spatial dynamics, color, and form, all explored through a range of sculpture and painting.  Titled I Was Like Wait, the exhibition stages a series of encounters, expansive and confounding.

Gedi Sibony, I Was Like Wait (Installation View), via Greene Naftali

(more…)

Charles Atlas, A Prune Twin (Installation View), via Luhring Augustine

On view this month, Luhring Augustine presents A Prune Twin, the gallery’s third solo exhibition with pioneering film and video artist Charles Atlas. The showmarks the debut of the titular piece, a multi-channel installation with sound and video originally commissioned by the Barbican Centre, part of the show Michael Clark: Cosmic Dancer. Atlas and Clark were longtime collaborators, and this show marks something of both a tribute and compendium of their work together.

(more…)

Leidy Churchman, Niki de Saint Phalle! (1) (2021), via Matthew Marks

On view at Matthew Marks in New York this month, artist Leidy Churchman presents a body of twenty-four monotypes, showcasing an expressive and engaging aspect of the artist’s already dynamic and expressive practice. Turning their hand towards print-making in a series of varied and interesting works, the artist seeks to catalyze the feeling of images and thoughts in human consciousness. By giving attention to each image, the artist hopes to encourage what they have described as “an immersion and transformation of the world from an intimate perspective; a richer, rounder view of the moment from within the mind.”  (more…)

Joel Mesler, RABBI (2022), via Cheim & Read

Painter and longtime gallerist Joel Mesler presents a body of new works at Cheim & Read’s uptown exhibition space this month, bringing together works on paper and new paintings under the title The Rabbis. In a dramatic shift from the artist’s prior work, the pieces here depict a series of Jewish Rabbis, continuing a long history of the depiction of these religious figures. (more…)

Roberto Cuoghi, P(VIPs)po (2020), via Hasuer & Wirth

This winter at Hauser & Wirth’s New York exhibition space, Italian artist Roberto Cuoghi brings a new body of work, Pepsis, to view. Deliberately mixing artistic genres, styles and subjects, the show is presented as Cuoghi’s attempt to free himself from his own stylistic and artistic assumptions and experiences. (more…)

Candida Höfer, Dominikanerkirche Sankt Andreas Düsseldorf II 2011 (2011), via Sean Kelly

On view this month at Sean Kelly in New York City, architect Toshiko Mori curates a show of works by the famed German photographer Candida Höfer. Known for her documentation and exploration of architectual structure, form and space, the exhibition performs an interesting double operation on the artist’s work, presenting her views of architectural space through the lens of one who designs these same environments.  (more…)

Future Shock (Installation View), via Lisson Gallery

Marking a a group exhibition of artists emerging from the 1970s, interconnected among their influences and collaborators as well as the next generation of artists working in video, painting and sculpture, Lisson Gallery‘s current group show, Future Shock, expands across both of the gallery’s New York spaces featuring fruitful collaborations, key early works, and recent, pertinent compositions by the participating artists. (more…)

Chiharu Shiota, Signs of Life (Installation View) via Art Observed

In a hyper-connected world, artist Chiharu Shiota’s work questions the notion of the “web”, a living organism similar to the structures that make up the universe or the neurons our brains are built on. Creating immense interwoven masses of thread, the artist’s work twists and turns through three-dimensional space, creating immense installations and walls of color that present as dream-like, visual riddles. For the artist’s most recent show at Galerie Templon in New York, she continues this practice with a new installation.

Chiharu Shiota, Signs of Life (Installation View) via Art Observed

(more…)

Anne Imhof, EMO (Installation View), via Art Observed

Marking the largest presentation of the artist’s work to date in the United States, Anne Imhof’s solo exhibition EMO, which opened this month at Sprüth Magers’s Los Angeles exhibition space, brings together several bodies of work across multiple mediums, putting each in dialogue with found objects in ways that implicate visitors’ bodies as they move through the space, at turns exalting and frustrating the viewing experience. Imhof, who has pioneered a visceral and impassioned body of work over the past decade, has long drawn on discourses of youth culture, repressed energies, pop signifiers and a range of cultural and social frameworks to explore the body’s relation to society, and the contingent effects each have on the other, here returns to the labyrinthine structures of previous shows to explore these notions once again.  (more…)

Sophie Kitching, Nocturne, 3A Gallery, all photos by Migle Staniskyte

For her latest exhibition on view at 3A Gallery, Sophie Kitching presents new paintings from her Nocturne series, a shadowy and dreamy companion to her Invisible Green series, started in 2019. Both the Nocturnes and the Invisible Green paintings incorporate images of bright flowers and leaves as their main subject matter, but the former is painted onto a background made of black ink mixed with Payne’s gray whereas the latter is on a white canvas. The contrast of both and indeed the title itself—Nocturne—alludes to the opposites representing night and day versions of one another, but moreover they tell a subtle tale of light versus shadow and express entirely different temperaments and moods.

(more…)

Peter Fischli, Ungestalten (Installation View), via Reena Spaulings and Gaga

In his wide-ranging oeuvre, artist Peter Fischli carefully observes and draws from the everyday world to create sculpture, installation, video and works on paper that address similar concerns to those explored as part of his collaborative practice with his late collaborator David Weiss. The artist’s work, so often centered around often overlooked, quotidian aspects of everyday life, sees him posing that same in an experimental and humorous way. For his current show, on now at the shared Reena Spaulings and Gaga exhibition space in Los Angeles, Fischli takes that interest towards a specific set of models: traffic lights.  (more…)

Llyn Foulkes, Birthington (2022), via Gagosian

On view currently at Gagosian’s Beverly Hills exhibition space, artist Llyn Foulkes brings a body of works that continues his wry, expressive and often caustic sense of humor. Highly diverse, tough to categorize, and often wickedly confrontational, Foulkes’s landscape and portrait paintings, mixed-media constructions, and narrative tableaux are presented as a continuation and expansion of his ongoing challenges and critiques of the American mass-media landscape. (more…)

Rita Ackermann, Vertical Vanish (2021), © Rita Ackermann, Courtesy the artist and Hauser & Wirth Photo Thomas Barratt

On this month in Los Angeles, artist Rita Ackermann has brought forth a series of new canvases at Hauser & Wirth’s expansive Los Angeles exhibition space, showcasing the artist’s continued exploration and reinvention of the painterly language. Composed primarily of large-scale oil paintings that intuitively recast the interplay of line, color and form, Vertical Vanish makes a game of repeated gestures, figures and motifs.

(more…)

A Spanish court has sentenced an art collector to prison for selling a set of fake works, including a series of forged works attributed to Edvard Munch and Roy Lichtenstein. (more…)

The Guardian has a piece this week on what it was like to be painted by Alice Neel. “One day Alice said she wanted to paint me and to bring some things I could wear, so I packed a little suitcase and had various costumes,” says artist and sex activist Annie Sprinkle. “I’d just had my labia pierced and I was showing it off, and she really wanted to see that. She picked a leather outfit and I put a feather in my hair.” (more…)

Alice Walton’s Art Bridges Foundation is apparently behind the $4.5 million purchase of a Robert Colescott at Bonhams this month. “This work in particular presents a hopeful and powerful message, and we are pleased that it resonated so strongly with individuals and institutions alike,” says Ralph Taylor, Bonhams’s global head for postwar and contemporary art. (more…)

The Joan Mitchell Foundation has accused Louis Vuitton of reproducing the artist’s work without permission. “It’s important for folks to understand that this wasn’t something we agreed to,” says foundation exec Christa Blatchford. “How did it even happen, is my question. I honestly don’t understand how it happened on their side. I really don’t.”

(more…)

Refik Anadol, Living Paintings (Installation View), via Art Observed

Opening during the run of Frieze Los Angeles this past week, Turkish artist Refik Anadol has installed a body of new works at Jeffrey Deitch’s expansive 925 N. Orange Drive exhibition space, continuing his exploration and elaboration of datasets, visualization models and densely layered digital compositions. Titled Living Paintings, the exhibition will showcase the complete series of Anadol’s artworks that are based on California-related datasets, and explore his fascination with the environments – physical, public, virtual, and multidimensional – that play an instrumental role in shaping his artistic vision. (more…)

Alex Katz, Sunrise (Installation View), via Art Observed

Marking another intriguing iteration of satellite programming over the course of LA Art Week and the run of Frieze Los Angeles, the MAK Center for Art and Architecture in West Hollywood is currently presenting Sunrise, a show of new works by painter Alex Katz that underscores the artist’s continued innovation and exploration of the painted canvas and his own, carefully-honed techniques.  (more…)

Emily Silver, all images via Hannah Zhang for Art Observed

Continuing its own intriguing and honed perspective on booth its surroundings in Los Angeles and on the model of the art fair, SPRING/BREAK has once again made arrived in the California city, launching a supplementary event that offers an ample supply of artists and galleries presenting in a concept that stands as a stark contrast to the traditional fair model. Returning this year to its location in Culver City, new space continues the scrappy, raw atmosphere of past years. (more…)

Liza Lacroix at Magenta Plains, via Art Observed

As Frieze opens up shop for the week on the West Coast, the bevy of satellite fairs and event openings are underway across the city, including the always hotly anticipated Felix LA Art Fair, the brainchild of collector Dean Valentine that spreads works across the halls and rooms of the iconic Hollywood Roosevelt hotel. The show allows a unique mixture of intimate exhibitions and adventurous concepts that felt well-suited to the well-heeled patrons of the contemporary art market, both looking for a good piece of work and a unique experience while buying it.

Cameron Clayborne at Moran Moran, via Art Observed

(more…)

Alvaro Barrington at Blum & Poe, all images via Art Observed

After several weeks of fairs in San Francisco and Mexico City, marking the early notes in another year of busy contemporary art fairs around the globe, Frieze Los Angeles, one of the premier events of the early year, has once again opened in the sprawling California metropolis, this year setting up shop amid the gleaming sun and striking expanses of the Santa Monica Airport. Taking place for the first time at this location (previously known as a former site for the Art Los Angeles Contemporary fair), the fair expands to feature more than 120 galleries, including new specialists in 20th-century art, alongside restaurants and Frieze Projects spread across the multiple sites. (more…)