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New York – Charles Atlas: “The Waning of Justice” at Luhring Augustine Through March 14th, 2015

Tuesday, March 10th, 2015

London – Charles Atlas: “Glacier” at Bloomberg SPACE Through March 30th, 2013

Saturday, March 30th, 2013

Charles Atlas & Antony and the Johnsons:

Sunday, November 18th, 2012

AO On Site – New York: Charles Atlas Performance at Whitney Biennial, April 20–21, 2012

Tuesday, April 24th, 2012

AO On Site with Video Tour – New York: Charles Atlas ‘The Illusion of Democracy’ at Inaugural Opening of Luhring Augustine Bushwick Space through May 20,2012

Wednesday, February 22nd, 2012

Venice Biennale Awards Ceremony, May 13th, 2017

Saturday, May 13th, 2017

AO On-Site: The 57th Annual Venice Biennale Vernissage, May 10th – 13th, 2017

Thursday, May 11th, 2017

New York – “Greater New York” at MoMA PS1 Through March 7th, 2016

Wednesday, December 2nd, 2015

AO Recap and photoset: Art Basel Miami Beach, December 3rd-8th, 2013

Tuesday, December 10th, 2013

Frieze New York Announces 2013 Sounds Program

Sunday, March 3rd, 2013

New York – AO On Site: The Kitchen Benefit Art Auction, November 26th, 2012

Saturday, December 1st, 2012

AO Onsite – New York: Bushwick Open Studios Friday June 1st to Sunday June 3rd, 2012

Monday, June 4th, 2012

AO on Site: Michael Clark Company performace at the Tate Modern

Sunday, June 19th, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Kerry James Marshall Profiled in Financial Times Podcast

October 18th, 2018

Kerry James Marshall, via NPRKerry James Marshall gets a profile in the Financial Times this week, with the paper profiling and exploring the impact of his work. “Because I make figures does not mean that making work that appears to be abstract is not available to me, ” he says.
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Carrie Mae Weems Profiled in NYT

October 18th, 2018

Carrie Mae Weems, via NYTCarrie Mae Weems gets a profile in the NYT this week, documenting her early life and the evolution of her groundbreaking photographic practice in conjunction with her socially-engaged practice regarding violence in black communities and against the same communities by the police. “There are days, especially when we’re editing, when we just leave the studio in a shambles, or we’re just too mentally exhausted to look at another image of someone being shot,” she says. “But as much as I’m engaged with it, with violence, I remain ever hopeful that change is possible and necessary, and that we will get there. I believe that strongly, and representing that matters to me: a sense of aspiration, a sense of good will, a sense of hope, a sense of this idea that one has the right, that we have the right to be as we are.”
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Okwui Enwezor’s Termination from Haus der Kunst Profiled in NYT

October 18th, 2018

Okwui Enwezor, via Art NewsThe New York Times takes a deep look at Okwui Enwezor’s ouster from Munich’s Haus der Kunst, profiling the management issues, flagging sales and strange controversies that led to his termination, including government surveillance after a number of Scientologists were discovered working in the museum. “Enwezor had too many scandals to handle at once,” says Isabell Zacharias, a spokeswoman from the center-left Social Democratic Party in the Bavarian Parliament. “Enwezor is not a manager. He’s a great artist, but artists are not managers.”
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