Search Results

New York – “Alice Neel, Uptown” Curated by Hilton Als at David Zwirner Through April 22nd, 2017

Tuesday, March 28th, 2017

Hilton Als Featured in Interview This Month on Curating Alice Neel Show at David Zwirner

Friday, March 17th, 2017

Alice Neel Profiled in New York Review of Books

Tuesday, October 11th, 2016

Go See – London: Alice Neel “Men Only” at Victoria Miro Gallery through July 29th, 2011

Sunday, July 17th, 2011

Go See – London: Alice Neel at Whitechapel Gallery through September 19, 2010

Saturday, August 21st, 2010

Go See – New York: The Figure and Dr. Freud at Haunch of Venison, featuring JONATHAN MEESE, GEORGE CONDO, CECILY BROWN, ROBERT MAPPLETHORPE, ALICE NEEL, FRANCIS BACON, DIANE ARBUS, WILLEM DE KOONING, PICASSO AND MORE. Through August 22, 2009

Tuesday, August 11th, 2009

Go See – New York: 'THE FEMALE GAZE: WOMEN LOOK AT WOMEN' featuring Roni Horn, Diane Arbus, Mickalene Thomas, Louise Bourgeois, Alice Neel, Marilyn Minter, Vanessa Beecroft, Jenny Holzer, Sarah Lucas, Catherine Opie, Kara Walker, Marina Abramovic, Cindy Sherman, Tracy Emin, Lisa Yuskavage, Nan Goldin, Marlene Dumas and more at Cheim & Read through September 19, 2009

Tuesday, August 4th, 2009

Go See – New York: Alice Neel 'Selected Works' At David Zwirner and 'Nudes of the 1930s' at Zwirner & Wirth through June 20, 2009

Wednesday, June 3rd, 2009

Go See – London: "In the Company of Alice" at Victoria Miro Gallery through July 30th, 2010

Saturday, June 26th, 2010

AO Auction Results: Christie’s “The Modern Age,” the Alice Lawrence and Hillman family collections sell for less than 50% of estimate as Rothko and Manet headliners are pulled

Saturday, November 8th, 2008

Hilton Als to Curate Series of Shows at Yale Center for British Art

Saturday, August 5th, 2017

New York – CONDO New York: Off Vendome Hosts Freedman Fitzpatrick Through July 28th, 2017

Wednesday, July 26th, 2017

New York – “2015:1947″ at Equity Gallery through November 28th, 2015

Monday, November 23rd, 2015

New York – “America is Hard to See” the Debut Exhibition at the Newly Completed Whitney Museum, Through September 27th. 2015

Monday, April 27th, 2015

AO Recap and photoset: Art Basel Miami Beach, December 3rd-8th, 2013

Tuesday, December 10th, 2013

AO On Site – Art 43 Basel Final Photoset and AO News Wrapup

Monday, June 18th, 2012

AO Onsite – Basel: Art 43 Basel 2012 Set to Begin

Tuesday, June 12th, 2012

Go See – New York: “The Women in Our Life: A Fifteen Year Anniversary Exhibition” at Cheim and Read through September 17th, 2011

Tuesday, September 6th, 2011

AO on site Photoset (2 of 3) – Art Basel 42: Art Basel 2011, The Main Fair

Thursday, June 16th, 2011

AO on Site – Art Basel Miami Beach 2010 – Main Fair Conclusion and Summary

Monday, December 6th, 2010

Go See – Berlin: ‘Self-Consciousness’ Curated by Hilton Als and Peter Doig at Veneklasen Werner through June 26th, 2010

Saturday, June 12th, 2010

AO On Site Auction Results – New York: Sotheby’s Post-War and Contemporary Sale Tuesday November 11, 2009 – Only Two Lots Go Unsold in a highly successful Sale Dominated by Warhol

Thursday, November 12th, 2009

Go See – Washington, DC: ‘PAINT MADE FLESH’ at The Phillips Collection through September 13, 2009

Sunday, July 12th, 2009

AO November Auction Roundup 1 of 5: Christie’s Impressionist and Modern Art, New York, Thursday November 6th: “Obviously, prices have changed”

Sunday, November 16th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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