Sotheby’s has announced that its London Impressionist and Modern Evening Sale, scheduled for June 24th, will lead with Edgar Degas’ iconic sculpture Petite danseuse de quatorze ans, estimated at £10-£15 million.  “The artist’s ambitious and highly innovative work marks the pinnacle of his achievements as a sculptor, and its forthcoming sale represents a rare opportunity to acquire an icon of Impressionist art,” says Helena Newman, Sotheby’s Co-Head of Impressionist & Modern Art Worldwide. (more…)

Mark Flood, Shrek Your Privilege (2015), via Art Observed

For years, Mark Flood has mined a specific aspect of the artistic vocabulary when it comes to pop culture, a sort of irreverent mirror that plays the often cloying imagery of advertising, corporate branding, and the Hollywood star machine against itself, often performed against the backdrop of more formally-oriented paintings and text-based works, a combination of styles that spreads the artist across a spectrum that seems to mix commentary with composition in any number of permutations. (more…)

Lisa Yuskavage, Bonfire (2013-2015), all images via Osman Can Yerebakan for Art Observed

In her fourth solo show with David Zwirner, Lisa Yuskavage furthers her now-signature style as a figurative painter, while moving towards new territories in both content and technique.  At the center of the show is Bonfire, a large diptych strikingly positioned facing the gallery entrance, and capturing the gaze of onlookers and passerby with its profound green tones and accentuated, yet oblique narrative.  Situated on opposite sides of the painting are two female nudes, sporting Yuskavage’s recognizable stylistic features, such as bulging abdomens and voluminous hair. (more…)

A selection of works by Fanny Allie, via Art Observed

Bushwick Open Studios has come and gone in the North Brooklyn arts hub, with another year of exhibitions and projects spread across the sprawling industrial landscapes of the borough closing to strong attendance.

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Paul Gauguin’s Nafea Faa Ipoipo (When will you Marry?) seems to have had its massive $300 million price tag confirmed by the Museo Reina Sofia in Madrid, which has currently taken the work on loan for a new exhibition.  “Nafea Faa Ipoipo was recently purchased by the Qatar Museums Authority from the Swiss collection of Rudolf Staechelin for more than $300m,” reads text released by the museum, further supporting its new place as the world’s most expensive piece of art. (more…)

Anish Kapoor has opened his new installation of works at Versailles to controversy this week, after the artist noted his new work Dirty Corner, as a reference to the sexual organs of Queen Marie Antoinette as she rose to power.  “I know it is a composition, but let’s say that this is ruining the perspective that visitors of the castle may have,” says retired professor Pierre Dhainaut. (more…)

Dean Levin, Surface Support (Road Goes on Forever) (2015)

Marianne Boesky Gallery recently presented A Long, Narrow Mark, the gallery’s first collaboration with artist Dean Levin, at its Clinton street location.  Levin has enjoyed a growing recognition in recent years, proven by an impressive range of group exhibitions he has been included in the U.S. and Europe, as well as his debut solo at Upper East Side space of Robert Blumenthal last year. (more…)

MoMA has acquired several hundred photographs by artist August Sander from his series “People of the Twentieth Century,” the New York Times reports.  “His ambition is nothing less than to use photography to describe the people of the 20th century,” says Sarah Hermanson Meister, a MoMA photography curator.  “He is doing this through the German people, but it’s not limited in its intention to that.” (more…)

A former employee of sculptor Dale Chihuly has been accused of stealing over $3 million in works from the artist’s Tacoma, Washington warehouse.  The accused assistant, Christopher Kaul, had been dealing with drug addiction, and began stealing works after leaving rehab.  “We’ve seen this story before — an employee is hooked on drugs and steals from his boss,” said Prosecutor Mark Lindquist. “The twist here is the boss is a world famous artist.” (more…)

Jake and Dinos Chapman’s Cyber Iconic Man sculpture, an inverted and gorily wounded subject dripping blood, is set to be installed at Sheffield Cathedral’s Chapel of the Holy Spirit this summer.  “The congregation is up for it,” says The Very Reverend Peter Bradley, Dean of the Cathedral. (more…)

Outside Fuchs Project Space During a previous Bushwick Open Studios

With another summer comes another edition of Bushwick Open Studios, the vastly popular arts open that brings a flood of visitors, artists and events to one of North Brooklyn’s strongest arts communities. (more…)

Tabor Robak, Drinking Bird (Season) (2015)

Currently on view at Team Gallery is a new body of works by Brooklyn-based artist Tabor Robak, the digitally-focused artist whose LCD video pieces mine the aesthetics and possibilities for interface design in the 21st century. Computer-generated graphics and lifestyle technologies doubtlessly strike as the main threads in Robak’s work, yet his spontaneous employment of ubiquitous cultural icons, and mundane components into his otherwise convoluted compositions expands the array of his statement. The artist’s use of oblique narratives, hinted at through lines of text and simple graphic juxtapositions, fall in line with the phantasmagorical, responding to the utilitarian aspect of high-tech elements, while suggesting a certain submission by the user, a transposition of their role into that of a passive viewer or consumer. (more…)

Maja Hoffmann, founder of the LUMA Foundation, a board member at Palais de Tokyo and Fotomuseum Winterthur, and a trustee at the Tate, has been named board chair at the Swiss Institute.  “Swiss Institute has a unique voice with a long tradition of championing innovative perspectives in contemporary art,” she said in a statement accepting the position. (more…)

Crystal Bridges Art Museum in Arkansas is soon to announce a major series of acquisitions filling major holes in its collection of American art, the New York Times reports.  Pieces recently acquired include Jasper Johns’s Flag, which was purchased last fall for $36 million, the record-setting Georgia O’Keefe work Jimson Weed/White Flower No 1, as well as four works by Louise Bourgeois, estimated at a combined $35 million to $40 million.  “Bourgeois is really important to 20th century art and yet she has not received the entire due that she deserves,” says Margaret C. Conrads, museum director of curatorial affairs. (more…)

Following widespread protests, the Frick is expected to cancel a planned expansion that would have eliminated a rare piece of landscape architecture.  “It just became clear to us that it wasn’t going to work,” says an anonymous museum official.  “It won’t be the best plan, but we will go back and prioritize.  There was just a number of voices out there and we heard them.” (more…)

Bloomberg profiles a pair of former Sotheby’s employees, Marlies Verhoeven and Daisy Peat, who are launching a start-up “offering uniquely privileged access to every aspect of the art world.”  The company, called The Cultivist, already boasts Marina Abramovic and Rashid Johnson as founding members, and includes an impressive list of museum memberships and VIP access to major art events as part of its annual $2,500 fee.  Offering counterpoint, the publication notes the dissonance between providing “access” and catering to collectors, a distinction that overshadows much of the “privilege” the art world is so often critiqued for. (more…)

Iranian artist Atena Farghadani has been sentenced to 12 years in prison for her works depicting national politicians as monkeys and goats as protest over plans to outlaw voluntary sterilisation and restrict access to contraception.  “Atena Farghadani has effectively been punished for her cartoons with a sentence that is itself a gross caricature of justice,” says Hassiba Hadj Sahraoui, deputy director for  Amnesty International Middle East and North Africa. (more…)

The Art Loss Register, widely considered the authoritative body on looted and missing artworks, is currently involved in a trio of cases involving disputes on works’ provenance claimed by the register to be authentic which were actually contested.  “It’s incredibly frustrating because it doesn’t matter what you do,” says one anonymous figure affected by the cases. “You do everything you can to check a painting is clean, and it’s useless. How can you protect yourself? You can’t.” (more…)

Boston Mayor Martin J. Walsh has stated his fears that more art is missing from the Boston Public Library collection following the disappearance of two prints valued at $600,000.  “I think the lack of security with these two prints and (more) … really, really concerns me greatly that there’s other things missing,” Walsh said in an appearance on Boston Herald Radio. (more…)

Chicago artist Theaster Gates is planning his first public installation work in the UK, a “sound sanctuary” that will look to be installed in a disused church in central Bristol.  “We are looking at a number of different sites of historical importance, but Theaster is particularly interested in sound,” says Claire Doherty, the director of Situations, a UK non-profit sponsoring the project. “We need to get scheduled monument consent [to use the church], so it may change.”  (more…)

Established artists and classic masterworks are increasingly finding themselves in the crosshairs of eager art flippers, Bloomberg reports, pointing in particular to a Francis Picabia that saw a massive 220% gain in price in less than six months.  “Because art is seen as an asset class, the more rapid turnover is considered encouraging. There’s a whole new generation of collectors who are playing the art market,” says Frances Beatty, VP at Richard L. Feigen & Co. (more…)

Last night’s Party in the Garden at MoMA was marked by vocal protests from museum staff, following museum proposals to reduce health care coverage during ongoing contract negotiations.  “A lot of us here are professionals,” says Luke Baker, an architecture and design curatorial assistant. “We’ve got master’s degrees. You know, we’re here for the long haul. We really want to make sure that working here, and giving as much as we give to the museum, that this is a tenable position for us and that we’re able to stay here.” (more…)

Thomas Houseago, Masks (Pentagon) (2015), via Art Observed

This summer, Rockefeller Center has launched a continuation of its partnership with the Public Art Fund, opening a new public work by British-born, Los Angeles-based artist Thomas Houseago.  The work, titled simply as Masks (Pentagon), the artist continues an investigation of spatial interactions that has defined his work over recent years. (more…)

Richard Serra was awarded last night with The Insignia of Chevalier of the French Legion of Honor, the highest honor in France, recognizing the artist’s long history of work in the nation, and his contributions to the development of contemporary art both in France and abroad.   (more…)