The New York Times takes a look inside Mana Fine Arts and Mana Contemporary, the nearly one million square foot art storage and exhibition space in Jersey City, which has become one of New York’s best kept secrets, and which is owned by moving magnate Moishe Mana, whose business has grown alongside New York’s art world.  “I remember moving artists in the early days,” Mana recalls. “And when they said they couldn’t afford my rate, I told them if they couldn’t make a living from their art, then they should find real jobs and keep art as a hobby.” (more…)

The Art Newspaper investigates the current payscales for independent curators, from Milan Expo 2015’s €750,000 salary for Germano Celant, to much lower rates for small-scale fairs and biennials.  “We’re not talking about the kind of field where you say, ‘A senior vice-president makes this and a schoolteacher makes that,’” says consultant András Szántó. “One of the interesting things about the art world as a labour market is that it is so fragmented.” (more…)

The newest Hauser and Wirth space in Somerset opens its doors this week in the small town of Bruton.  The new gallery is celebrating its opening with a show of works by artist Phyllida Barlow, titled Gig.  But is also showing a number of site-specific installations on its expansive grounds. (more…)

The dispute surrounding Aby Rosen’s display of a Damien Hirst sculpture on the grounds of his Old Westbury, home in Long Island, has reached a resolution, with Rosen agreeing to position the statue in a place that will prevent neighbors from seeing its partially exposed skeleton.  Rosen will also employ a landscaping scheme to further shield the statue from view outside his estate.  “They were very cooperative,” says Mayor Fred J. Carillo. (more…)

Dealer Yvon Lambert will close his Paris gallery at the end of the year, the Gallery announced this week in a press release.  The dealer has made the decision to focus on editioned works, bibliophilia and other printed works, and will open a new venue dedicated specifically to these disciplines.   (more…)

Marina Abramović in the Promotional Video of the Performance

‘I can succeed or I can fail. Let’s see what happens’ says Marina Abramović in the promotional video for her five hundred and twelve hour long, grueling residency at the Serpentine Galleries in London. Starting from June 11th until August 25th, the grand dame of performance art will be present at the art institute, interacting with the public through the framework of “nothingness.” (more…)

With Gemini G.E.L.‘s colorful “Art on Color” show that opened last month, Paul Kasmin Gallery‘s “Bloodflames Revisited” brings another exhibition in the Chelsea area that mixes up the traditional white-walled gallery space. This show is a “contemporary response” to the show “Bloodflames” that shook up the conventional gallery when it showed in New York’s Hugo Gallery in 1947.  “What interests me is how can we now together as a group of artists in the show trying to attempt to activate the floor, so the floor becomes as active viscerally active, formally acted as the wall, which is through a work of art…” Phong Bui, the show’s curator said. “Bloodflames Revisited” will be on view through August 15th in Paul Kasmin Gallery’s two spaces.

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The court case between relatives of Peggy Guggenheim and the Guggenheim Foundation has been decided in favor of the museum.  The ruling was issued in a Paris courtroom this week, giving the museum free reign to show art as it deems fitting at the collector’s Venice palazzo.  “The Foundation is proud to have faithfully carried out the wishes of Peggy Guggenheim for more than thirty years by preserving her collection intact in the Palazzo Venier dei Leoni, restoring and maintaining the Palazzo as a public museum and contributing to the knowledge of modern and contemporary art in Italy,” the Guggenheim said in a statement. (more…)

The Foundation Louis Vuitton is set to finally open its museum this coming October, showcasing the LVMH Moët Hennessy Louis Vuitton corporate art collection, Bernard Arnault has announced.  It will express the artistic, cultural and emotional values, as well as the art of living, promoted by Bernard Arnault and the LVMH Group, but it is truly a charitable foundation, devoted to the public as a whole,” says advisor Jean-Paul Claverie. (more…)

A public art collaboration between the Whitney Museum and the Highline will debut work by Alex Katz on the façade of 95 Horatio Street, just south of the elevated park.   The work, titled Katherine and Elizabeth, will remain on view for 8 to 12 months. (more…)

Heman Chong, Mrs. Dalloway (2014), via Art Observed

On view at P! in New York is two-person exhibition featuring works by Elaine Lustig Cohen and Heman Chong, in which the artists curate and commission works from each other.  The exhibition emphasizes the concept of holding multiple roles within creative work.  Both Lustig Cohen (b. 1927) and Chong (b. 1977) have worked in a variety of different positions and roles in the art world, including artist, designer, curator, dealer, and writer, and hold a mutual respect for each other’s work. For the exhibition, this respect played out in the gallery as Chong selected works from Lustig Cohen’s body of paintings, while Cohen commissioned Chong to create nine new pieces within his ongoing series of imagined designs for book jackets.

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Jake and Dinos Chapman are looking to their hometown of Hastings for their next show, seeking crowd-funding that would reward donors with artist designed tattoos.   “We will be seeking out the dark underbelly of Hastings, to find its seething evil,” says Jake Chapman, “And then we’re going to tickle it.” He adds it’s “the only way we’re going to get down to Hastings to see our mum and dad”. (more…)

The Miami Beach Convention Center will undergo a renovation project that will include more than $5 million saved up for art commissions that are to be integrated throughout the site. It is uncertain how the rebuilding will affect Miami Art Basel, as well as other art fairs such as Design Miami. The physically expansive exhibition of Design Miami’s current show “Design At Large” presents more instances of big spaces. “Having a big, dramatic space was a real impetus, because it enables us to show something unexpected,” Design Miami’s executive director Rodman Primack said.

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MoMA has announced an upcoming career retrospective for Björk, spanning the artist’s work across a broad expanse of fields including sound, film, visuals, instruments, objects, costumes, and performance.  The show will also feature a brand new music and film experience  made in collaboration with director Andrew Huang and 3-D design leader Autodesk. (more…)

Jayson Musson, Sculptural Allegory for a Specific Cultural Sphere (2014), via Osman Yerebakan

Jayson Musson first came into prominence with his online personality Hennessy Youngman, a character commenting on different topics related to art from a wry perspective, while satirizing the clichés of the art world and the hip-hop culture at the same time.  Played by Musson himself for his Youtube series Art Thoughtz, Hennessy Youngman can be seen comparing the dance style of Yvon Rainer to the moves in A-Ha’s Take On Me video or flirting with Carolee Schneemann. Similar to Musson’s articles for his short-lived column Black Like Me on Philadelphia Weekly, his online persona/alter ego Hennessy Youngman is an outpost of the artist’s investigation of racial stereotypes and the making of sub-cultures in today’s society. (more…)

Gemini G.E.L. at Joni Moisant Weyl Gallery in Chelsea opened its “Art on Color” show this past Thursday, June 8th, a show that challenges the traditional white-walled gallery notion by introducing bold colors on its walls. A colorful palette of oranges, yellows, and greens backdrops artworks by represented artists: John Baldessari, Ann Hamilton, David Hockney, Ellsworth Kelly, Roy Lichtenstein, Brice Marden, Man Ray, Robert Rauschenberg, James Rosenquist and Joel Shapiro. “[David Hockney] pointed out to us that when you look at art on a white wall the first thing you see is the frame, but when you look at art on a wall with color, the first thing you see is the art,” Peter Stamberg, one of the gallery’s architects, explained at the opening.

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Anicka Yi, Washing Away of Wrongs (2014), via Kelly Lee for Art Observed

The works at Anicka Yi’s Divorce, which was on view at 47 Canal until Sunday June 8th, felt like something of a series of scenarios: moments of banal chores, sexual trysts and social interaction that work together to create a sense of disjointed narrative.  Incorporating many of the art world’s currently popular tropes, particularly household materials and industrial approaches to display and mounting, Yi turned her objects towards a particularly personal subject: that of divorce. (more…)

Jay DeFeo, White Shadow (1972), via Osman Can Yerebakan

Jay DeFeo’s most seminal work in her career took eight years to be completed and weighs more than two thousand pounds. A monumental embodiment of extreme orientation to detail and experimentalism, this work of DeFeo has been the artist’s most recognized part of her oeuvre, but a year after her retrospective at The Whitney, the legacy of Jay DeFeo is growing in New York City, as Mitchell-Innes & Nash presents a body of fifty works spanning the years 1965-89.

Jay DeFeo, Tuxedo Junction (1965-74) via Osman Can Yerebakan (more…)

The New York Times documents a new trend in galleries’ approach to setting up space in Hong Kong: focusing on small exhibition spaces and tighter exhibitions to draw interest while remaining economically flexible.  “We’ll have exhibitions about four or five times a year, but an exhibition can be three works or four works,” says Pace chairman Arne Glimcher of his gallery’s new Hong Kong space. “Or if it’s watercolors or works on paper or small sculptures, it can be 10 works.” (more…)

Raymond Pettibon, No Title (Something Approaches There) (2001), via Art Observed

On view at Venus Over Manhattan is the first exhibition ever to focus entirely on Raymond Pettibon’s surfer paintings, comprised of 40 works created over a 28 year period, from 1985 to 2013. The works vary from small-scale India ink pieces to large-scale paintings up to 10 feet wide, and will remain on view through May 17, 2014.

Raymond Pettibon, Are Your Motives Pure?’ Surfers 1985-2013 (Installation View), via Art Observed

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As it prepares to move downtown, the Whitney has announced that it will donate its freestanding studio space uptown to Queens’s Socrates Sculpture Park.  “The Whitney Museum has generously presented us with an opportunity to explore the possibility of our first indoor space, which may be used to expand the park’s longstanding free arts education program,” says Socrates Sculpture Park director John Hatfield. “Other possible adaptable uses may include a gallery, visitor area or administrative space.” (more…)

Sterling Ruby is interviewed in the New York Times this week, following the opening of the artist’s new show at Hauser and Wirth.  “When you look at what I do,” he says, “it’s schizophrenic to the point where it should never have a market. With my work, you can’t be like, “Well, we can plug this into what’s happening in the market because it looks like the last series.” (more…)

The Guardian profiles downtown art icon Dan Colen, in the run-up to the artist’s retrospective at The Brant Foundation, which opens this week, reappraising the artist’s career in terms of his material and technical concerns.  “I’m trying to equalise the world to say there is no high and low,” Colen says.  “People have often thought I was fucking with them when really I was just trying to share that sentiment.” (more…)

Joel Kyack, Clever Formal Gestures ≠ Something to Say, via Francois Ghebaly

As the month of May begins in earnest, another edition of Frieze Art Fair’s New York edition prepares to open its doors on Randall’s Island this week, bringing its familiar bounty of events, talks, special programs, competing events and a number of high-profile auctions and openings across Manhattan.

Yayoi Kusama, INFINITY-NETS [AOQBZ], via David Zwirner (more…)