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Max Hooper-Schneider Wins BMW Art Journey Award

Wednesday, February 22nd, 2017

New York — “Woman Power: Maria Lassnig in New York” at Petzel Gallery Through October 29th, 2016

Thursday, October 27th, 2016

New York – Marcel Dzama and Raymond Pettibon: “Forgetting the Hand” at David Zwirner Through February 20th, 2016

Saturday, January 30th, 2016

New York – “The Intuitionists” at The Drawing Center Through August 24th, 2014

Saturday, August 23rd, 2014

New York – Marc Chagall: “Love, War, and Exile” at The Jewish Museum Through February 2nd, 2014

Tuesday, November 5th, 2013

AO On-Site – “A Surrealism Salon,” organized by Performa’s Young Visionaries and hosted by Lia Chavez, Monday, July 29th

Thursday, August 15th, 2013

New York: Roberto Matta ‘Matta: a Centennial Celebration’ at Pace Gallery through January 28, 2012

Tuesday, January 17th, 2012

Go See – London: Joan Miró – The Ladder of Escape at the Tate Modern through September 11th, 2011

Thursday, September 1st, 2011

Go See – Berlin: The Pietzch Art Collection on Display at the Neue Nationalgalerie through November 22, 2009.

Saturday, July 18th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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New York — “Words Without Thoughts Never to Heaven Go” at Almine Rech Gallery Through December 16th, 2017

December 14th, 2017

Words Without Thoughts Never to Heaven Go (Installation View)
Words Without Thoughts Never to Heaven Go (Installation View)

Almine Rech Gallery, one of Paris’s foremost galleries, opened its first New York location more than a year ago on the Upper East Side, bringing with it a unique program that mixes a strong artist roster with a consistently adventurous curatorial project.  For its most recent venture, the gallery has brought together key figures from the canon of 20th century Western art for Words Without Thoughts Never to Heaven Go. Adapting its title from a line in Shakespeare’s Hamlet, the exhibition investigates ways artists use text as an allegorical element. Serving as a chronological and thematic starting point to the exhibition is Être ou ne pas être, Picasso’s 1912 painting considered as one of the foremost examples of appropriation of text in modern painting. Declaring “to be or not be” in French with gouache on paper, Picasso not only pays homage to one of the most emblematic texts ever written, but he also questions the mimetic essence of a painting. Can a painting of words serve to depict an image?
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Clearing Gallery Opens Shop Uptown

December 14th, 2017

Clearing Gallery's uptown space, via Art NewsClearing Gallery has opened a new space in New York City, setting up a second location at 43 East 78th Street. “We have private dealers, galleries, and museums around, so it’s a super location,” says gallery owner Olivier Babin. “As much as Bushwick is off the beaten path, this is in the center of everything. I mean, we’re across the street from the Carlyle!”
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American Collectors Rarely Sell Prized Works Once Purchased

December 13th, 2017

Christie's, via NY postA new study finds that few American art collectors sell their works once they have purchased them, the New York Post reports. “Collectors don’t apply the same principles to buying art that they would to a typical investment portfolio of stocks and bonds,” says John Mathews, head of private wealth management and ultra-high net worth at UBS Americas. “It is important, however, to institute management structures to ensure their legacy remains protected, correctly valued and insured.”
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