Search Results

Armory Show Announces 2017 Exhibitor List

Wednesday, November 23rd, 2016

NYT Spotlights Work of K11 Art Foundation

Monday, September 26th, 2016

Berlin – James Turrell at Dorotheenstadt Cemetery Chapel Through December 31st, 2016

Saturday, September 17th, 2016

New York Times Reviews Public Art in New York City

Friday, July 8th, 2016

New York — Felix Gonzalez-Torres Is On View at Andrea Rosen Gallery Through June 18th, 2016

Thursday, June 16th, 2016

AO Preview – Basel: Art Basel Week Through June 19th, 2016

Monday, June 13th, 2016

Los Angeles – “Revolution in the Making: Abstract Sculpture by Women, 1947-2016” at Hauser, Wirth & Schimmel Through September 4th, 2016

Sunday, May 8th, 2016

San Francisco’s Art Scene Seeing Healthy Growth

Thursday, March 24th, 2016

London: Tom Wesselmann “Collages 1959-1964″ at David Zwirner Through March 24th, 2016

Saturday, March 12th, 2016

Pace Gallery Sees Success with Selling to Silicon Vallery

Thursday, February 11th, 2016

New York – Marina Abramovic: “Goldberg” at the Park Avenue Armory, December 7th – 19th, 2015

Tuesday, December 15th, 2015

AO On-Site – Miami Beach: NADA Art Fair at the Fontainebleau, December 3rd – 5th, 2015

Sunday, December 6th, 2015

AO Auction Preview – London: Contemporary Evening Sales, October 14th – 17th, 2015

Monday, October 12th, 2015

Paris – David Douard: “bat-breath battery” at Galerie Chantal Crousel Through October 10th, 2015

Wednesday, October 7th, 2015

Paris – Cory Arcangel: “AUDMCRS – PSK – SUBG” at Galerie Thaddaeus Ropac Paris Pantin Through Sep 27th, 2015

Saturday, September 5th, 2015

AO Preview – Basel, Switzerland: Art Basel Art Fair, June 18th-21st, 2015

Monday, June 15th, 2015

Bogotá – Fotográfica Bogotá 2015 Through June 15th, 2015

Sunday, May 31st, 2015

Berlin – Christoph Niemann: “Es Gibt Nichts Gutes” At Galerie Max Hetzler Through May 30th, 2015

Saturday, May 30th, 2015

BP Portrait Award Shortlist Announced

Wednesday, April 29th, 2015

MAK Vienna Becomes First Museum to Use Bitcoin as Currency in Purchasing Work

Sunday, April 26th, 2015

AO On-Site – New York: SPRING/BREAK Art Show at Skylight Moynihan Station, March 3rd-8th, 2015

Saturday, March 7th, 2015

AO On-Site – New York: The 2015 Armory Show at Piers 92 & 94, March 4th – 8th, 2015

Friday, March 6th, 2015

Cuban Government Monitoring Tania Bruguera, the Artist Claims

Friday, February 6th, 2015

Zürich – Egon Schiele and Jenny Saville at Kunsthaus Zürich Through January 25th, 2015

Friday, January 23rd, 2015
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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