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Go See – New York: Robert & Ethel Scull 'Portrait of a Collection' at Aquavella Galleries through May 27, 2010

Sunday, May 2nd, 2010

Go See – Moscow: Mark Rothko – Into the Unknown World, The Garage Center for Contemporary Culture on view until August 14, 2010

Thursday, April 29th, 2010

Go see – New York: 'Monet's Water Lilies' at MoMA through April 12, 2010

Friday, October 2nd, 2009

Go See – Berlin: The Pietzch Art Collection on Display at the Neue Nationalgalerie through November 22, 2009.

Saturday, July 18th, 2009

Go See: Ellsworth Kelly Paintings and Drawings at Matthew Marks Gallery, New York, through April 11, 2009

Wednesday, March 18th, 2009

AO November Auction Roundup 3 of 5: Christie’s Post-War and Contemporary Art, New York, Wednesday, November 12th: Basquiat’s “Boxer” sells while the Bacon does not, “The market is adjusting down”

Sunday, November 16th, 2008

Embattled Lehman Brothers CEO and wife to auction $20 million of post-war and contemporary art through Christie’s

Saturday, September 27th, 2008

Don’t Miss The Opening: Arrival of Christie’s-owned gallery, Haunch of Venison, in New York, Friday September 12

Saturday, September 6th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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