AO On Site – London: Chris Ofili at Tate Britain through 16 May 2010
Tuesday, February 9th, 2010
The Raising of Lazarus, 2007 (David Zwirner Gallery)
Chris Ofili’s familiar hits are brought together with his more mature recent works for the first time in a mid-career survey at the Tate Britain, London, through 16 May 2010. The collective effect of the show is a kaleidoscope of wild humor, brilliant color and raw energy. What is striking about the exhibition is its unique position within the growing contemporary canon: firstly, Ofili is unusual as a painter in a conceptual era, and, secondly, he is intensely concerned with the aesthetic. The paintings in this exhibition are richly ornamented; their surfaces are imaginatively constructed from such incongruous materials as elephant dung (Ofili’s signature), map pins and glitter. The paintings are structural and highly tactile, and the viewing experience is a sensory event. This perhaps most evident in The Upper Room, a collaboration with the architect David Adjaye to design an independent and enclosed viewing space. The audience is guided down a barely lit corridor into a dim, yet glittering chamber that enhances the spiritually of viewing paintings which reference both the Christian and Hindu faiths.
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Untitled from the Like Everyday Series (2000-2001) by Shirin Ghadirian, via 




























































