James Lee Byars, Early Works and The Angel (Installation view) via Michael Werner Gallery, London

Early Works and “The Angel,” currently on view at Michael Werner Gallery in London, exhibits major works from the late sculptor and performance artist James Lee Byars.  Combining a selection of the artist’s early sculptural works, painted scrolls, and performative objects with the impressive glass sculpture “The Angel,” the show provides an interesting look into the artist’s formative influences and practices.  The gallery is an apt location for this collection, as Michael Werner, the German art dealer and gallery’s namesake, historically had close ties with Byars, as well as his contemporary, Joseph Beuys.

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Anselm Kiefer, Die Ungeborenen (Installation View) via Galerie Thaddaeus Ropac

Exploring the origin and creation of life, Die Ungeborenen (“The Unborn”) is a new collection of canvases and sculptures by German artist Anselm Kiefer, currently on view at Galerie Thaddaeus Ropac’s new Pantin location in Paris.

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Exhibition view, Joseph Beuys, Iphigenie, Galerie Thaddaeus Ropac, all photos via Galerie Thaddaeus Ropac

Curated by Jörg Schellmann, director of Edition Schellmann, the first exhibition shown in the new performing arts-dedicated space within Galerie Thaddaeus Ropac Paris Pantin, is a collection of works by renowned German artist Joseph Beuys. The exhibition, entitled Iphigenie, inaugurated Thaddeus Ropac’s massive new space in the suburbs of Paris on October 17th, 2012 and will continue through January 27th, 2013.

Exhibition view, Joseph Beuys, Iphigenie, Galerie Thaddaeus Ropac

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Joseph Beuys, I like America and America likes Me, 1974, courtesy MMOMA

Appeal for an Alternative is a manifesto of the late Joseph Beuys’ works and the first and thus far most comprehensive retrospective of his to be shown in Russia. It features excerpts from his Marx series, the collection fromThe Institute for Foreign Cultural Relations, The Van der Grinten collection, the Joseph Beuys Archive and the Joseph Beuys Media Archive.  It has been curated by Eugen Blume, a major Joseph Beuys specialist and Head of the Nationalgalerie im Hamburger Bahnhof − Museum für Gegenwart, Berlin. The title for the show is based around his 1950s Western Man project, which incorporated elements of World War II in which Beuys himself was enlisted as a soldier.

Joseph Beuys, 1983, courtesy MMOMA

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Finance weekly mainstay Barrons profiles the Lower East Side as an under-the-radar haunt for those seeking fresh artwork by emerging talents or bargain pieces by bigger name artists. Examples are used such as, Invisible-Exports, where “Props for Memory,” a group show featuring Joseph Beuys, provides a Beuys piece which can be bought for just $2,000. At the Stephan Stoyanov gallery, also on the Lower East Side, paintings by Jen Mazza from “The Words” exhibition sell for $3,200 each.

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‪‬Thaddaeus Ropac to open new 4700 sq meter space in Paris in October 2012, the former boiler works factory to be designed by Buttazoni & Associés with moveable walls, the debut show featuring Anselm Kiefer and Joseph Beuys

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Sturtevant. Photo by Loren Muzzey. All images courtesy the artist and Moderna Museet unless otherwise noted.

For half a century, Sturtevant has built her practice on the citation of other artists’ works. Challenging authorship through acts of appropriation long before it was made popular by the likes of Sherrie Levine and Richard Prince, Sturtevant made her artistic debut in 1965, when she presented a roomful of Warhol silkscreen flowers at a gallery mere months after the originals had been created. Although largely overlooked until recent years, Sturtevant won a Golden Lion for Lifetime Achievement at last year’s Venice Biennale. Her latest exhibition, Image over Image, opened March 17th at Moderna Museet in Stockholm. Showcasing 30 works, 4 of which are the artist’s “originals,” the exhibition fosters a sort of wall label guessing-game. As visitors travel from room to room they are confronted with familiar works from modernist art history—a Jasper Johns here, a Duchamp there. Among other artists cited in this exhibition are Joseph Beuys, Keith Haring, Félix González-Torres, John Waters, and Paul McCarthy.

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All photos by Art Observed by Aubrey Roemer

The “Third and a half” Brucennial opened last night in New York City, the 2012 edition titled, “Harderer. Betterer. Fasterer. Strongerer.” At 159 Bleecker Street, the high-ceilinged art-filled space reached its capacity of 15,000—with a line around the block—shortly after opening its doors at 6 PM. Organized by the anonymous Bruce High Quality Foundation and Vito Schnabel, a large main room, balcony, and basement, were covered with paintings, sculptures, video-works, and other installations by artists both established and less so. Running the gamut from friends of the Bruces to a Damien Hirst spot painting, exhibiting artists of note include Mike Kelley, Cindy Sherman, Damien Hirst, Sigmar Polke, Julian Schnabel, Anselm Reyle,  Francesco Clemente, Aurel Schmidt, Dan Colen, David Salle, George Condo, Rashid Johnson, Dash Snow,  Terence Koh,  Richard Prince, Joseph Beuys, Scott Campbell, Keith Haring, Jean-Michel Basquiat, Tom Sachs, Andy Warhol (collaboration), and Dustin Yellin.

Francesco Clemente

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Joseph Beuys, Stripes from the House of the Shaman, 1964-1972. All images via Kunstsammlung NRW.

My objects are to be seen as stimulants for the transformation of the idea of sculpture…or about art in general. They should provoke thoughts about what art can be and how the concept of sculpting can be extended to the invisible materials used by everyone. – Joseph Beuys

As part of the Düsseldorf Quadriennale 2010, the Kunstsammelung am Grabbeplatz and Schmela Haus present “Joseph Beuys. Parallel Processes.” The two-part exhibition, which opened September 11, 2010, will remain on view through January 2011, culminating in a symposium on the life and work of the influential and enigmatic Social Sculptor.

More story and images after the jump…

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Joseph Beuys, Jeder Mensch ist ein Künstler (Make the Secrets Productive), 1977

Currently on show at PaceWildenstein, through April 10, is an exhibition of twelve rare Joseph Beuys sculptures. To complement this over 90 black and white Ute Klophaus photographs documenting the several of the artists ‘Aktion’ works will also be on display as well as four films of also documenting happenings in the series. Moreover, a separate screening room is showcasing rare footage and interviews with Beuys. As a whole this exhibition is truly unique particularly considering the infrequency with which these works have been shown; a show of this nature has not been arranged in New York in a number of decades. What is significant about such a show is it tests the limits of how much the audience really thinks they know and have seen of Beuys’s work. For someone so loved in America it exposes how little of the works we have seen in actuality. Very physically present works are well balanced by iconic performances that remain only through documentation and finally footage of the artist. One the gallery’s directors in conversation with Vernissage TV said that for him: “you have in America respect without understanding, or without any kind of depth to the experience.” This exhibition attempts to rectify this situation.

Joseph Beuys, La rivoluzione siamo Noi, 1972

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Bread or Alive (2004) by Johannes Deinmling, via Kunstalle Dusseldorf

Currently showing at the Kunstalle Dusseldorf is “Eating the Universe. Food in Art.” The exhibit reflects on the term “Eat Art” coined by Swiss Artist Daniel Spoerri after he opened his restaurant in Burgplatz in Dusseldorf proceeded to found the Eat Art Gallery in 1970. The gallery inspired artists to produce works out of edible materials and food wastes. The exhibition’s title “Eating the Universe” was first used by Peter Kulbelka, former professor for film and cooking at the Studeschule in Frankfurt, for his 1970’s TV show on cooking as an art form. “Eating the Universe. Food in Art” reveals the continual link between food and art and their joint impact on life.

A Visitor looks at Thomas Rentmeister’s Untitled (2007) made of sugar and a shopping cart, via Artdaily

more images, text and links after the jump…

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A photograph of Joseph Beuys’s Action Piece presented as part of seven exhibitions held at the Tate Gallery from 24 February- 23 March 1972, via The Telegraph

I’m interested in the distribution of physical vehicles in the form of editions because I’m interested in spreading ideas. – Joseph Beuys (1970)

Currently on view at the Los Angeles County Museum of Art is Joseph Beuys: The Multiples, the first west coast presentation of The Broad Art Foundation’s nearly 600 Beuys works produced between 1968 and 1986. The works are displayed on the third floor of the Broad Contemporary Art Museum (BCAM) part of the ongoing loan program the foundation established with LACMA in 2008.

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The Royal College of Art Secret Postcard fundraiser via The Guardian

-The Royal College of Art’s Secret 2009 event has 2,500 postcards for sale for £40, made by artists including Anish Kapoor, Grayson Perry and Yoko Ono.  Though buyers don’t know who the artist is until after they buy. [Times UK]

-Penelope Curtis has been appointed director of Tate Britain, the first woman to hold a directorship at Tate. [Guardian]

-Tracey Emin opens a new exhibition in New York, that, while popular, comes nowhere near the levels of sales or attendance she normal receives in Britain. [NY Times]

An artist’s rendering of Olafur Eliasson’s ‘Cirkelbroen’ bridge to be built in Copenhagen via Artinfo

-Olafur Eliasson has designed a bridge to be completed by 2012 in Copenhagen’s harbor. Called ‘Brikelbroen,’ the bridge is comprised of five circles that take pedestrians on a winding path rather than straight across. [Artinfo]

To stay apprised of most of the relevant art news for this past week… (more…)

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Untitled, Gerhard Richter (1985) via mima

Currently on show, through November 15, at Middlesbrough’s Institute of Modern Art (mima), is Gerhard Richter: Modern Times. Gerhard Richter is undoubtedly one of the most significant artists of our time; with works held by almost every major museum in the world, and is said to have brought ‘painting back to life.’  This exhibition covers all aspects of the artist’s complex practice and is particularly important as it includes unique works in many different media. Gerhard Richter: Modern Times comes close on the heels of a number of exhibitions that have widened the public’s view of Richter including a major retrospective at The National Gallery of Scotland, Edinburgh, a groundbreaking survey of his portraits at the National Portrait Gallery, London, and the unforgettable 4900 Colours: Version II at the Serpentine Gallery in London.

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11 Schieben [11 Panes], Gerhard Richter (2004) via mima

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Installation view of Joseph Beuys’ works at the De La Warr Pavilion via De La Warr Pavilion

In honor of his inclusion in the Artists Rooms collection (of the Galleries of Scotland and the Tate), one of the most influential German artists, Joseph Beuys, is featured in a new exhibit in East Sussex. The show is comprised of his drawings and paintings, which, when paired with his sculptures, serve to give more dimension to his body of work.  Joseph Beuys’ classic pieces, constructed of found objects and his notable natural material choices of metal, felt and fat, are on view at De La Warr Pavilion in Bexhill.  The show will be over September 27, 2009.

Related Links:
Event Detail [De La Warr Pavilion]
Beuys is Here [The Independent]
Fat, Felt and Hope [Financial Times]
Exhibitionist: The Best Art Shows to See This Week [The Guardian]
Beuys Is Here: Artist Rooms [Time Out London]

Joseph Beuys at De La Warr Pavilion

More video and pictures after the jump…

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From “White Noise,” a group show at the James Cohan Gallery.

The James Cohan Gallery is hosting “White Noise,” a show that incorporates pieces by various artists that focus on silence.  Can one write silence? portray it in art? Is silence merely the absence of sound or an entity in itself? These are among the questions which the performance artists, painters, photographers, installation artists, and video artists of “White Noise” confront, in an exhibition that features an additional four new works specially commissioned for the show.  Nick Cave, Simon Evans, Brendan Fowler, and Fred Tomaselli present exhibition-specific works, alongside those by well-known artists Laurie Anderson, Robert Morris, Joseph Beuys, Yoko Ono, and more.

Related links:
James Cohan Gallery : WHITE NOISE
Exhibition of Sounds to be Looked at and Objects to be Heard at James Cohan Gallery [artdaily]

Jack Pierson, “Silence,” at James Cohan Gallery.

More images and story after the jump…

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Ben Lewis BBC reporter for ‘The Great Contemporary Art Bubble’ via The Age

A video player of the BBC documentary: ‘The Great Contemporary Art Bubble’ which, though scathing, gained extraordinary access to collectors such as Adam Lindemann, Aby Rosen and the Mugrabi’s.  Of note is that the documentary filmmaker Ben Lewis actually admits to being the source that leaked White Cube’s unsold inventory prior to the famous Damien Hirst Sotheby’s Auction of 2008 [BBC]

The Guggenheim Museum via Guggenheim.org

The Guggenheim Museum celebrates its 50th anniversary with an exhibition on Frank Lloyd Wright [NYTimes]
The Wall Street Journal calls a possible art price floor based on NY Spring auction activity being the “smallest in 5 years” [Wall Street Journal]
A lawsuit is filed against Christie’s over $3.2 million accepted bid alledgedly made after another accepted phone bid [Bloomberg]
On the austere outlook for recent art school graduates [Financial Times]

Supermarkets censor Manic Street Preachers album cover by Jenny Saville [BBC]
On Art in America owner Peter Brandt’s new exhibition space / festivities at his Greenwich estate [Art Forum]

A digital rendering of Karl Haendel’s ‘Scribble’ on 441 Broadway via NY Times

Art Production Fund sponsors a by-hand, massive “scribble” (on wall once used by Banksy) on Howard Street in Soho, New York [NY Times]
An article on the effect at auction of the duration of artists’ careers as well as how prolific they are [NYMag]
The Museum of Contemporary Art in LA cuts four exhibitions and 17 more jobs [LATimes]
The Fine Art Fund Group sets up to bid on 2 corporate art collections worth up to $65 million and holding works by Picasso and Cindy Sherman [Financial Times]

Maria Baibakova via WWD

24-year old Russian Heiress Maria Baibakova is launching new contemporary shows in Moscow [WWD]
The Obama family redecorates the White House with works by Jasper Johns,Richard Diebenkorn, Jasper Johns and Robert Rauschenberg [Wall Street Journal]

Deitch Projects director Nicola Vassell in her Soho loft via NYMag

On the salon-like atmosphere at Deitch Projects director Nicola Vassell’s Soho, New York apartment [NYMag]
Steve McQueen has lunch with the FT, speaks on his film ‘Hunger’ and the Venice Biennial [Financial Times]

The Museum Brandhorst in Munich via Cubeme.com

Munich’s Brandhorst Museum opens, housing works by Joseph Beuys, Bruce Nauman, Damien Hirst and Gerhard Richter [The Art Newspaper]

A trip photo by Rita Ackermann in Marfa via Blackbook

Rita Ackermann documents her artist in residence in Marfa, home of Donald Judd’s Chianti Foundation [BlackBook]

101 Spring Street, the former home and studio of artist Donald Judd in Soho, New York

In related, the Judd Foundation will restore 101 Spring Street, a cast iron building that was the home and studio of artist Donald Judd. [ArtDaily]

The artist Dash Snow in his Bowery Studio via the Fashionisto

Artist Dash Snow profiled in Muse Magazine [Muse]
Nearly 11,000 people have applied to be part of Antony Gormley’s interactive sculpture on London’s Fourth Plinth, to run from July to October [Independent]
‘Sold Out,’ the original title for ‘The Warhol Effect,’ the Tate Modern’s autumn show featuring Hirst, Koons and Haring , was rumored to have been vetoed by one of the artists due to its double meaning [GuardianUK]
Damien Hirst is the Art Curator for ‘Boogie Woogie,’ a new fictional film on the inside of the art world [TimesUK]
And Hirst opens a show of his work in Prague [RadioPrague]

The Torment of Saint Anthony, reportedly by Michelangelo

The Kimbell Art Museum in Fort Worth, Texas purchases what it believes to be Michelangelo’s first painting, which he completed when he was 12 or 13 years old [DallasNews]
The Hermitage and the State Russian Museum are accused of tax evasion by the Federal Tax Police [The St. Petersburg Times] via ArtinAmerica

The Art Institute of Chicago’s Modern Wing via ArtInfo

The 264,000 square foot Renzo Piano designed Modern Wing of The Art Institute of Chicago opens, making the museum the second largest in the US [ChicagoTribune]
A £3 million, 2-ton Henry Moore sculpture stolen in 2005 was most likely melted down and sold for £1,500 worth of scrap metal [GuardianUK]
President Sarkozy will attend the groundbreaking ceremony for the controversial Louvre in Abu Dhabi [ArtNewspaper]

Richard Prince’s ‘After Dark’ Tapestry on the Hong Kong Museum of Art via Wallpaper

Richard Prince covers the Hong Kong Museum of Art in pulp-fiction novel covers to commemorate the exhibition “Louis Vuitton : A Passion for Creation” [ArtDaily]
In related, with a 31% attendance increase and strong sales, the 2nd Hong Kong International Art Fair is deemed a success [HongKongArtFair]

The New home of Hauser and Wirth New York at 32 East 69th Street via ArtInfo

Gallerist David Zwirner will open a new gallery in Shigeru Ban’s Metal Shutter House on West 19th Street and, uptown, Hauser & Wirth New York (following last month’s debut of Swallow Street, its London exhibition space for emerging artists) will open an Annabelle Selldorf-designed space in the building that was formerly occupied by Zwirner and Wirth on 32 East 69th Street [ArtReview]
The Albion Gallery in London closes in bankruptcy [Artinfo]
Roughly 25 out of 388 galleries in Chelsea have closed but at least 10 new galleries have opened, with more are on the way [Crain’s]

Larry Gagosian via Askmen

An aggressive attempt to get the story behind Larry Gagosian, possibly the most influential yet enigmatic figure in the art world [NYTimes]

A Donald Judd installation in Marfa, TX via Drexel, University

On the stark, quirky, top art pilgrimage destination of Marfa, TX [Chicago Tribune]
Art is moving out of the hands corporations [FT]

After the Tate, New York on the Bowery, and a slum in Kenya, street artist JR appears in Cambodia [WoosterCollective via the World’s Best Ever]
Nick Cohen’s critique of Nicolas Bourriaud’s curated vision of a “globalised cultural state” at the Tate’s ‘Ultramodern’ [ObserverUK]

Initial work on Raven’s Row in London via RavensRow

Alex Sainsbury opens non-profit exhibition space Raven Row’s in London [FT]

Richard Prince via Interview

Richard Prince donates “one of the most valuable and distinctive modern libraries in private hands” [TimesUK]
The Museum of Modern Art has relaunched a decidedly more interactive website [FastCompany]

Bruce Nauman via National Gallery of Australia

Bruce Nauman will represent the United States [ArtDaily] and John Baldessari (and Yoko Ono) to be awarded the Golden Lions at the 53rd Venice Biennale this year [ArtInfo]

Charles Saatchi via the Times UK

Charles Saatchi grants a rare interview: “art is my only extravagance” and another interview from Turner Prize winning Film director Steve McQueen [TimesUK]

David Zwirner with Simon de Pury via the Swiss Institute

On the resilient and very active power dealer David Zwirner: “Many people have cash on hand and they are waiting for first-rate objects” [Bloomberg]

Maria Baibakova via the Guardian UK

On Maria Baibakova, young Russian heiress addition to the art world (not Daria “Dasha” Zhukova) [TheIndependent]
Will Gompertz on Joseph Beuys, his Duchampian influence and other noteworthy points such as the myth of the inception of his art at the hands of Tartars in the Crimean War [GuardianUK]

Akt (Nude) (1952) by Joseph Beuys, via Hauser & Wirth

Joseph Beuys’s early works on paper from the collection of Helga and Walter Lauffs are currently on display at Hauser & Wirth in London. The works date from the 1950s, a period of crisis and introspection yet necessary for Beuys’s growth as an artist he later said.  Beuys produced the drawings in solitude drawing continuously in order to create a new language for art with both human and spiritual qualities.  Made with various mediums, the drawings are at once delicate and strong.  The works explore a new form of organic depiction that would serve as a basis for future sculptural creations.

Exhibition Page: Joseph Beuys’ Early Works on Paper
Joseph Beuys [Artnews.org]
Joseph Beuys Early Works on Paper [Artnet]
Joseph Beuys at Hauser & Wirth [Timeout London]

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Abstraktes Bild 809-3 (1994) by Gerhard Richter, via the Tate

Under a program called “Artist Rooms,” the British public (and anyone visiting the United Kingdom) will be able to enjoy a large and diverse collection of contemporary art, including works by Joseph Beuys, Jenny Holzer, Cy Twombly, Andy Warhol, Robert Mapplethorpe, Diane Arbus, Gerhard Richter, Gilbert and George, Damien Hirst and other prominent and influential artists ranging from the immediate postwar period to the present.

The works originally belonged to Anthony d’Offay, one of contemporary art’s most powerful dealers and collectors. d’Offay relinquished his 725-piece collection worth £125 million to the British and Scottish governments; the dealer effectively sold his collection to the governments for £26.5 million, far below market value . The collection was then transferred it to the National Galleries of Scotland and the Tate.

The works are set up in a series of 50 rooms featuring 25 artists, located at 18 galleries and museums throughout the United Kingdom, in an ambitious effort to broaden the audience and geographical reach of contemporary art. Sir Nicholas Serota, head of the Tate, expressed the hope that the show could be kept on the road indefinitely(as reported last February by Art Observed here).  The Art Fund, an arts charity, is working in conjunction with the Tate and the National Galleries of Scotland, and has pledged £250,000 a year to help keep the “permanent tour” going.

“Artist rooms” marks the first time a national collection is being shown simultaneously across the UK, and the first room will open on March 2nd, 2009 at the Tate Britain, featuring the work of Ian Hamilton Finlay.

Rooms with a view: £125m art collection tours UK [Guardian]
Art collection to be split and shown around UK [Reuters]
Artist Rooms Collection of Contemporary Art Goes Nationwide [ArtDaily]
British Dealer Anthony D’Offay Sells 725 Works to Tate for Reported Fifth of Their Value [ArtObserved]
Exhibition page: Artist Rooms collection at the Tate
Exhibition page: Artist Rooms collection at the National Galleries of Scotland

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Joseph Beuys poster via Jack Hanley Gallery

Jack Hanley Gallery in New York is exhibiting, “Joseph Beuys: Plakate: Signed Posters 1969-87” through August 31. Joseph Beuys, the infamous postwar German artist (1921 – 1986) made his first visit to the United States in 1974 and was known for his performances, sculptures, prints, posters, and drawings. Jack Hanley Gallery is showing 33 signed posters from the height of Beauys’s career. This collection gives viewers a glimpse of the many faces of Beauys’s career.

Now Viewing | Joseph Beuys [NYTimes TMagazine: The Moment]
Joseph Beuys: Plakate: Signed Posters 1969-87 [Jack Hanley Gallery]

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Lee Bontecou, Composition (1965) via Hauser & Wirth Gallery

The collection of Helga and Walther Lauffs, one of Europe’s most important private collections of 20th century post war art, will be on exhibit at the Hauser & Wirth Gallery in Zürich through July 26. The focus of the Lauff’s collection was new and ground breaking contemporary art.  Their collection contains key American and European artistic currents in the 1960’s and 1970’s.

Selections from the Collection of Helga and Walther Lauffs [ArtNet]
Selections from the Collection of Helga and Walther Lauffs [re-title.com]
VIDEO: Selections from the Collection of Helga and Walther Lauffs/Hauser&Wirth, Zurich [Vernissage]

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