Franz West, Lamp (2003), all photos by Osman Can Yerebakan for Art Observed

Marlborough Broome Street, the downtown, contemporary-focused outpost of Chelsea’s Marlborough Gallery, opened its doors for a summer group show titled Marlborough Lights this month. Curated by Leo Fitzpatrick, a newly appointed director at the gallery, the exhibition traces a loose interpretation of the lightbulb as a source of energy and an allegory for critical thinking, while exploring the potentialities for the lamp as a creative container for motives beyond mere furniture or utilitarian lighting.

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Robert Irwin, South South West (2014-2015), via Pace Gallery

Currently on view at Pace Gallery’s W. 25th Street location is a set of new, “site-conditioned” works by Light and Space pioneer Robert Irwin, continuing the artist’s ongoing experimentation with the perceptual capacities of fluorescent lighting, and the complementary reactions of color, shadow and spacing. (more…)

Glenn Ligon, Come Out #5 (2014)

Regen Projects is presenting its fourth exhibition with Glenn Ligon, the prominent New York-based artist who has established himself as one of the strongest voices in American contemporary art.  Well, it’s bye-bye/If you call that gone, featuring three bodies of work, adopts its title from the lyrics of the blues song “What’s the Matter Now”, projecting Ligon’s interest in text as a mode of expression and an agent of collective identity. (more…)

Artist Paul Chan has been awarded the 2014 Hugo Boss Prize, the biennial award given by the Guggenheim Museum which carries a $100,000 prize as well as an exhibition at the museum.  “Paul’s protean ability to work across multiple platforms from his videos to his more elegiac light pieces and community-based performances is what particularly stood out,” Nancy Spector, the Guggenheim’s deputy director and chief curator told the New York Times. (more…)

Tracey Emin, Good Body (2014), all images courtesy White Cube Bermondsey

On view at White Cube Bermondsey, London is a new exhibition by English artist (and YBA member) Tracey Emin. Entitled The Last Great Adventure is You, the show will be her first at White Cube in five years, and will remain on view through November 16th.

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A new project in Puerto Rico, executed by Allora and Calzadilla in conjunction with the Dia Foundation, is stirring debate for its use of a Dan Flavin sculpture in a manner some feel is inappropriate for the artist’s work.  Puerto Rican Light (Cueva Vientos) places a 1965 Flavin light sculpture in a remote limestone cave on the Southwest coast of the island, which has already drawn some criticism.  “My role at Dia is to bring validity to both the present and the past,” says curator Yasmil Raymond. “There are people who will undoubtedly see this as a provocation from the perspective of post-colonialism. But I think others will see it as a homage to Flavin and to his evocation of this island.” (more…)

Nathalie Djurberg & Hans Berg, Gas, Solid, Liquid (Soap) (2014), all images courtesy Lisson Gallery

On view at Lisson Gallery in London is a new series of works by Swedish video and installation artist Nathalie Djurberg accompanied by soundtracks made by Swedish producer and performer Hans Berg. The works will remain on view through November 1st. (more…)

James Bishop, Slate (1972), All images courtesy David Zwirner Gallery

Now through October 25^th, David Zwirner’s 537 West 20^th Street location is showing a selection of both recent and historically significant work by James Bishop, an American artist who, through the characteristic opacity and ethereality of his work, has come to be known for the delicate language of abstraction his compositions reveal.  Bishop, working since the early 1960s, has forged a strongly individualistic language of space and form in his work, utilizing careful layerings of paint into geometric patterns in large-scale, shown here alongside small-scale works on paper, which Bishop has produced since 1986.

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Robert Irwin, #3 x 6’D Four Fold (2013-14)

Galerie Thomas Zander in Cologne is currently presenting seven new works by California Light and Space pioneer Robert Irwin, which use direct and generated light as the source medium to deliver a subtle yet striking aura inside the gallery space.  As is common in Irwin’s practice, the artist specially designed the pieces on view to work in tandem with the architecture of the gallery, making the harmony of their glowing light with the space surrounding them all the more vivid and charged.  Each work contains vertical fluorescent tubes in varying colors, effectively deconstructing the borders of art making and its dimensions in terms of suggesting unconventional layers in the frame of an artwork. (more…)

A painting by Baroque artist Guercino has been stolen from the Church of San Vincenzo in the northern town of Modena, Italy this week.  The work, depicting the Madonna with St. John the Evangelist, is valued at over $8 million, and was stolen in the middle of the night when the alarm system failed to function properly.  “This precious painting is part of the cultural heritage of Modena,” says Modena’s mayor Gian Carlo Muzzarelli. (more…)

Artist Ryoji Ikeda has unveiled a new public installation in London, titled Spectra, and consisting of a massive column of light shooting up into the night sky next to the Parliament building.  The installation is part of a series of works commemorating the beginning of World War I in Britain.  “The light spectra throws up into the night sky is a unifying point,” says mayor Boris Johnson. “It echoes how the first world war affected all Londoners, but also how they and the rest of the country came together, standing united during those dark days.”

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Cosmopolitan Casino in Las Vegas will be showing a selection of LED installations by Tracey Emin, featuring animated versions of the artist’s illuminated text works scrawling themselves across the building’s enormous screens.  “It’s fantastic that the hotel wants to do this,” Emin says. “It’s not about selling things. It’s about love.” (more…)

James Turrell, Sensing Thought (2005), via Pace

Following his massive, three-museum retrospective last summer, artist James Turrell returns to the gallery circuit this spring, with a selection of recent works on view at Pace Gallery’s London location in Burlington Gardens.  The show offers a continuation of Turrell’s interest in light as a mediator of space, using LED lights to create shifting, intriguing alterations of depth in a closed room.

James Turrell, Recent Works (Installation View), via Pace (more…)

Doug Wheeler at David Zwirner, via Art Observed

The new installation by Doug Wheeler, currently on view at David Zwirner’s 20th Street gallery, cites itself as an exploration of the horizon, a delicately shifting light installation inside an enormous ellipsoidal room.  Painted a harsh white, the floor and ceiling reflect the subtly changing neons running just out of site underneath the floorboards of the work.  Comparable to the work of James Turrell, Wheeler’s pieces make much of the illusory capabilities of light acting on space.  His 2012 installation at Zwirner, a massively lit wall giving the impression of an infinite color scape in front of the viewer, bears resemblance to a number of Turrell’s infinite lightscapes, allowing the viewer to slowly gain an awareness of their own act of seeing, and the behavior of their eyes in space.    

Doug Wheeler, LC 71 NY DZ 13 DW (2013), Photo by Tim Nighswander, Imaging4Art © 2014 Doug Wheeler; courtesy David Zwirner, New York/London (more…)

Keith Sonnier, Ba-O-Ba (1970), Caterina Verde, Keith Sonnier/Artists Rights Society (ARS), New York

Pulling works from the beginning and current periods of the artist’s career, Pace Gallery is currently presenting two bodies of work by artist Keith Sonnier, showcasing an extended perspective on the artist’s work and its evolution.  Working alongside fellow post-conceptual artists interested in the capabilities for light and lighting in installations and mounted works, Sonnier first embraced the use of neon in his pieces in the late 1960’s, using panes of glass and wrapped neon lighting to emphasize the interplays and gradual shadings of color caused by reflection and spacing.  A number of seminal works from this period are exhibited here, including  Ba-o-Ba V, and Neon Wrapping Incandescent, influential pieces that marked Sonnier’s newfound interest in the capabilities for light in a sculptural work. (more…)

Pioneering light artist Keith Sonnier is interviewed in a recent edition of the New York Times Magazine, discussing his show of early works at Pace gallery, and his years working in Los Angeles.  “Flavin called us Dada homosexuals,” Sonnier says. “We were all in the same shows, the only real difference is that they used hard materials and ours were soft.” (more…)

The Life and Death of Marina Abramovic, Photo: Joan Marcus Courtesy Park Ave Armory

As the story goes, when artist Marina Abramovic came to legendary stage director Robert Wilson about helping him to stage her funeral onstage, the director only replied, “only if I can stage your life as well.”  So begins the mythology behind The Life and Death of Marina Abramovic, the nearly three-hour long performance that just completed its first run of U.S. dates at the Park Avenue Armory in New York.

The Life and Death of Marina Abramovic, Photo: Joan Marcus Courtesy Park Ave Armory (more…)

Donald Judd,  Untitled (DSS 216) (1970), via Daniel Creahan for Art Observed

Currently on view at Mnuchin Gallery’s uptown location is a two-floor exhibition focusing exclusively on the stack sculptures of the late Donald Judd, one of the defining voices of New York minimalism in the 1970’s and beyond.

Donald Judd, Untitled (DSS 154) (1968), via Mnuchin Gallery (more…)

Richard Serra, Inside Out (detail) (2013), via Daniel Creahan for Art Observed

Rounding out a gallery year that included exhibitions by Jeff Koons, Basquiat and more, Gagosian Gallery has opened the doors to both its Chelsea locations for a major showing of new work by Richard Serra, including an enormous new torqued steel structure, Inside Out in its 21st Street location, and a series of smaller, albeit no less impressive works at the gallery’s 24th Street space.

Richard Serra, Grief and Reason (for Walter) (2013) © Richard Serra. Courtesy Gagosian Gallery. Photograph by Robert McKeever (more…)

The Tate has purchased the instructions to artist Martin Creed’s notorious Work No. 227: The Lights Going On and Off.  Fittingly titled, the 2001 work involves the constant flicking of light in a room from on to off and back again, and won Creed the Turner Prize when it was first unveiled, dispute vocal protests from tabloids and artists.  “It is an important work. It is a sober minimalist piece in a long line of artists using every day materials for potent formal and psychological effect. It’s not easy viewing.”  Says critic Louisa Buck.

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James Turrell, Breathing Light, (2013) Courtesy Los Angeles County Museum of Art, Copyright James Turrell. Photo copyright Florian Holzherr.

Part of his three-museum, nationwide retrospective, James Turell lights up LACMA with a retrospective that exhibits works from the artist’s nearly fifty-year career.  Extending across an entire wing of the Resnick Pavilion, and an entire floor in the Broad building, the exhibition is easily the heaviest concentration of works by Turrell in one place that one could hope to see in a lifetime.  Loosely chronological, the show begins with a projection work from the first years of Turrell’s light experiments, and ends with an immersive environment created this year.  These works, Afrum (White) (1966) and Breathing Light (2013), provoke pure wonderment, emphasizing the device central to Turrell’s artistic investigations: that the work itself doesn’t necessarily exist in the space, but within the viewer’s experience, moving through the work.

James Turrell, Afrum (White), (1966), Courtesy Los Angeles County Museum of Art, Copyright James Turrell. Photo copyright Florian Holzherr. (more…)

James Turrell, Tycho White: Single Wall Projection, (1967), Courtesy the Museum of Fine Arts, Houston, © James Turrell

Part of his ongoing retrospective spanning three cities and upwards of 92,000 square feet of exhibition space, American artist James Turrell has brought several of his iconic light installations to the Museum of Fine Arts in Houston.  Serving as the way station between the Guggenheim’s “blockbuster” exhibition of Turrell’s Aten Reign, and the Los Angeles County Museum of Art’s blowout review of Turrell’s nearly fifty years of work, the Museum of Fine Arts, Houston offers a subdued, yet cohesive addition to the national celebration of one of America’s pioneering light and space artists. (more…)

James Turrell, Aten Reign (2013) (Installation View) © James Turrell, Photo: David Heald © Solomon R. Guggenheim Foundation, New York

The highly anticipated James Turrell exhibition at the Guggenheim Museum, which opened last month, and remains on view through the summer, has renewed the ongoing debate surrounding contemporary artworks of Disney-esque proportions, especially considering whether or not these spectacle-inducing affairs are worthy of the attention they often command. Like his ongoing work-in-progress, Rodin Crater (a massive naked-eye observatory built within an ancient crater near Flagstaff, Arizona), Turrell’s multi-venue comeback is not exactly a modest undertaking, with concurrent exhibitions on view at The Los Angeles County Museum of Art and The Museum of Fine Arts in Houston. At the Guggenheim, Turrell joins Matthew Barney, Nam June Paik, Maurizio Cattelan, and others who have mediated Frank Lloyd Wright’s iconic rotunda through Turrell’s site specific Aten Reign, which uses an ingenious system of stretched fabrics and LED lights to create the illusion of billowing clouds of color that unfold in concentric rings through the rising levels, with visitors invited to watch the dizzying light show from the rotunda floor. Four other historical projected light works, three of which date to the 1960s, are also on view in adjacent galleries along with a selection of thirteen aquatints that, with expert lighting and position, appear to emit a soft glow. However, it is Aten Reign that has generated the most buzz, both good and bad.

James Turrell, Aten Reign (2013) (Installation View) © James Turrell, Photo: David Heald © Solomon R. Guggenheim Foundation, New York  (more…)

Robert Irwin, Who’s Afraid of Red, Yellow & Blue³ III, all images courtesy Pace London

Currently, Pace London‘s 6 Burlington Gardens location is presenting the gallery’s first exhibition of works by American artist Robert Irwin. The new work springs from the artist’s pioneering practice during the West Coast’s monumental Light and Space movement.  Born in 1928, Irwin has been exploring the concepts of perception and space for over sixty years. Beginning as a painter, he was a foundational member of the Light and Space movement in the 1960s, helping to develop a concept of art as a response to specific life experiences in equal measure with the work’s surrounding environmental conditions.

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