Hanna Liden with Everthing (2015), via Art Observed

At both Ruth Wittenberg Plaza and Hudson River Park, clusters of massive bagels have touched down, part of artist Hanna Liden’s new commission for the Art Production Fund.  Amplifying her previous interests in the possibilities for discarded material and consumer objects as raw sculptural material, Liden turns the ringed breakfast staple into a sudden intrusion on the New York landscape. (more…)

Chelsea Gallery Mixed Greens has announced that it will close at the end of the year, the second mid-size gallery in the neighborhood to announce its closure in the past weeks.  “Together, we look back on our history and take great pride in the work we have done with hundreds of exceptional artists,”the gallery said in a statement. (more…)

FAILE, FAILE Temple (detail) (2015) via Brooklyn Museum

FAILE, a Brooklyn-based collaboration between artists Patrick McNeil and Patrick Miller, is currently presenting their exhibition Savage/Sacred Young Minds at the Brooklyn Museum, continuing the artists’ practice in obscuring the boundaries between fine art and street art through techniques of both traditional and rebellious creative processes within predominantly institutional settings. (more…)

Leigh Morse has been ordered again by a New York judge to continue paying off the $1.6 million in restitution she owes to victims.  Morse had drawn criticism for barely paying any of the legally mandated repayment, while refusing to sell her uptown apartment or her Pennsylvania weekend home.  “She doesn’t want to change her lifestyle. She won’t even do what people do all over New York — rent!” says prosecutor Kenn Kern.
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Albert Oehlen, Untitled (2005), via Art Observed

In terms of painterly invention, few can keep up with Albert Oehlen, the German artist whose relentless reinterpretation of the medium has made him one of the more intriguing, and often unpredictable, guardians of the form.  Moving effortlessly from visceral abstraction to coy installation work and back, few elements of visual culture have avoided his scope over the past 30 years.  This drive towards the investigation of the image, and its potentials in an increasingly mediated world, sits at the center of Oehlen’s New Museum retrospective this summer in New York, combining a carefully selected series of works that move from his early recognition during the 1980’s through to the present day. (more…)

Lynda Benglis, Bounty, Amber Waves, and Fruited Plane (2014) via Storm King Art Center

As summer reaches its zenith in New York, countless outdoor exhibitions and special public projects have sprung up across the city and region, encouraging visitors to take a more intrepid stance towards the art world.  Continuing its annual series of special exhibitions, the Storm King Art Center in New Windsor, NY has invited New York artist Lynda Benglis to take full advantage of its sprawling Catskills property, bringing a number of her organically-inspired cast sculptures to investigate the picturesque environs upstate.  With 12 outdoor sculptures and an additional 15 on view inside the museum galleries, Benglis’s exhibition is a striking look at the artist’s aesthetic interests over the past 15 years, as she increasingly incorporated notions of public, urban space and natural phenomena into her dizzyingly complex sculptural assemblages. (more…)

Oscar-winning director Laura Poitras, who recently collaborated with Ai Weiwei, has filed suit against U.S. Security Agencies, demanding the release of records documenting the six years that she experienced long searches, questionings, and security screenings at U.S. and international airports. “I’m filing this lawsuit because the government uses the U.S. border to bypass the rule of law. This simply should not be tolerated in a democracy,” she says. “I am also filing this suit in support of the countless other less high-profile people who have also been subjected to years of Kafkaesque harassment at the borders. We have a right to know how this system works and why we are targeted.” (more…)

Noah Horowitz, who has served as Executive Director of The Armory Show since 2011, has announced that he is accepting a position as Director Americas for Art Basel, placing him in charge of the Miami Beach edition of the fair.  “The Americas have been a leading center in the art world for many decades, and the region continues to show distinctive and ongoing growth in many different countries,” Horowitz says. “I look forward to working with collectors and arts institutions throughout the two continents – from Canada to South America, and across the entirety of the United States – in an effort to bring the fair in Miami Beach to ever-greater heights.” (more…)

Karl Holmqvist, Bebe Coca wall drawing (2015)

The influx of summer group shows have already begun in New York this year, as galleries presenting diverting and compelling themes take the slow summer months to explore connecting themes among their roster of artists and the broader art world.  Gladstone Gallery’s Hello Walls is one of the most intriguing of these early group exhibitions, placing an emphasis on the wall as a means for contextual experiment and repositioned working structures. (more…)

Tullio Lombardo’s Renaissance statue of Adam, which famously fell from its pedestal at The Met and was smashed to pieces, is back on view after a lengthy restoration, accompanied by a digital video project and performance that gives the work a multi-faceted, occasionally irreverent voice.  The project is a continuation of The Met’s ongoing emphasis on direct engagement of visitors with its collection through performance and new technology. (more…)

The Museum of Modern Art and Basel’s Schaulager Collection are partnering to present a major retrospective focused on the work of Bruce Nauman, set to open in Switzerland in March of 2018.  The show will then cross the Atlantic to MoMA for a September opening. (more…)

Andra Ursuta, Scarecrow (2015), all photos via Connie Huang via Art Observed

Andra Ursuta has never shied away from a challenging, multifaceted study of global culture, executing monumentally-scaled works that are often just as imposing in their materiality and contextual weight as they are in size alone.  For the artist’s most recent exhibition at Ramiken Crucible, she turns her attention once again to these juxtapositions of commercial and cultural might through the imposing forms of industrial, cultural, athletic and financial prowess. (more…)

Ida Applebroog, The Ethics of Desire (Installation View)

The Ethics of Desire is the title of the currently running Ida Applebroog exhibition at Hauser & Wirth. In her decades long career, the New York native has frequently used her work to dismantle and reform sexual politics and its echoes in society (i.e. the women’s liberation movement, body politics and gender classification, to name a few).  Her turbulent biography, from a childhood in a Jewish Orthodox family in the Bronx to her time in Chicago and California, gained further momentum when she relocated in New York in the mid 1970’s. (more…)

The New Museum has announced Gary Carrion-Murayari, the Kraus Family Curator at the museum, and Alex Gartenfeld, Deputy Director and Chief Curator at the Institute of Contemporary Art, Miami, will head up curatorial duties for the institution’s 2018 Triennial.  “I cannot think of two curators who are more in tune with emerging art today than Gary Carrion-Murayari and Alex Gartenfeld,” says Massimiliano Gioni.  “They are young, but their achievements and careers are impressive. They will form quite a dynamic team.” (more…)

The New York Times has a feature on Dylan Brant, the son of collector and publishing magnate Peter Brant in its Style section this week, noting 25 year-old’s passion for curating and dealing, including a recent show, Rawhide, at Venus Over Manhattan.  “As a young man, I’m really aware of the standards for being a man in America, and you see a lot of that represented in cowboys,” he says. “So they’re interesting figures in relation to the disintegration of the American landscape.” (more…)

The Park Avenue Armory has received a gift of $65 million from the The Thompson Family Foundation, bringing the total amount of money given by the foundation to the institution to a total of $129 million over the past years.  The Foundation, set up to honor the memory of businessman Wade Thompson, has long been a staunch supporter of the Armory.  “He passionately believed that the Armory should be rescued as one of the country’s most important landmarks,” says his widow, Angela Thompson. (more…)

The Met is currently working on plans for a 2017 exhibition focused on the work of Lucio Fontana, and initial reporting by the Art Newspaper indicates that the exhibition could be held at the Breuer building, formerly the home of the Whitney Museum.  “An exhibition at the Met will necessarily be all-encompassing,” an anonymous source close to the museum says. (more…)

The Art Newspaper notes the increasingly complex internal workings of the guarantor system at Christie’s this week, including a growing number of behind the scenes deals and third-party guarantees or investors that help push works to ever higher prices.  “It is becoming more complex and confusing, and that’s not what you want to have in an art market where prices are at this level,” says economist Olav Velthuis. “With the market expanding and prices rising so high, you want more transparency—but this is resulting in the opposite.” (more…)

Roni Horn, Hack Wit – chasing blue out (2014), via Hauser and Wirth

Hauser and Wirth is currently devoting both its Saville Row Galleries to a collection of several recent series by Roni Horn, documenting the American artist’s ongoing investigations of language, repetition and meaning that stem from both the viewer and artist’s encounter with the work. (more…)

Jeff Koons is interviewed in The Guardian this week, as the artist prepares to open his traveling retrospective at the Guggenheim Bilbao this month, and his views on critiques of his work as trophies for multi-millionaires.  “It happens to everybody – the work is held by someone who doesn’t even particularly enjoy the work, and just has it stored in some warehouse and will sit there for 20 years,” he says.  “Or someone doesn’t understand it physically, and their motivations are just to show that they have the power to purchase. There’s not much you can do; that’s about educating people, and the way you can educate them is through your art. And I try to educate people about materialism through my work. I try to show them real visual luxury.” (more…)

Philippe Parreno, Danny La Rue,  H {N)Y P N(Y} OSIS

The Park Avenue Armory has opened its doors this summer to Paris-based artist Philippe Parreno’s largest U.S. installation to date, H {N)Y P N(Y} OSIS, a symphony of events unfolding in scripted and random sequences that constantly blend and transform in shape and context, tuning the entire space as a series of interlocking events.  Sharing authorship, Parreno avidly collaborates with performance artist Tino Sehgal, artist Pierre Hughye and pianist Mikhail Ruby, giving Parreno the role of both artist and director.  (more…)

An article in Barron’s this week notes the number of fake artworks in the marketplace today, and precautions collectors may take to prevent acquiring such works, including a set time frame for independent evaluation of a work before money changes hands.  “It’s an effective way to assess the good faith of the gallery or dealer,” says James Martin, a trusted researcher who worked for years researching and evaluating claims of faked art. “And if they won’t agree to that, you have to scratch your head and ask why.” (more…)

The Independent Art Fair has announced its plans to move downtown, and will open the 2016 edition of the popular Armory Week art fair at Spring Studios in TriBeCa March 3rd.  “We’re excited about the Spring/Independent partnership, as it will allow us to take the fair to a new and exciting dimension by hosting it in an extraordinary environment that the art world has yet to experience,” says fair Co-Founder, Elizabeth Dee In our new home at Spring, Independent will be even more adventurous in support of galleries’ and artists’ projects with the flexibility the space allows.” (more…)

Huma Bhabha at Salon 94 (Installation View)

Huma Bhabha’s new body of work is currently on view at both Lower East Side locations of Salon 94, showing the Pakistani-born and New York-based artist resuming her sculpture focused multi-media practice, pulling from vast inspirational sources, with her third exhibition at the gallery.  Spanning over centuries, religions, cultures and disciplines; Bhabha’s influences generate works of art that are hybrids of various methodologies. Not dictated by historical or cultural hierarchy, threads Bhabha weaves into her practice articulate on set modes of history writing, problematizing its embedded dynamics. Dystopian or utopian depending on viewers’ perception, Bhabha’s assemblies – most notably her robust sculptures – revoke remnants of a somber future that draws nourishment from its past. (more…)