Little Dancer, a musical inspired by an Edgar Degas sculpture, will open this fall in Washington, DC.  Written by the Tony-award winning duo of Lynn Ahrens and Stephen Flaherty (Ragtime), the show will follow a young, impoverished dancer in the Paris Opera Ballet as she struggles to practice her art.  Little Dancer is scheduled to open at the Kennedy Center in October. (more…)

Alberto Burri, Black Cellotex (1986-87), via ArtCritical

For much of his artistic career, Italian painter Alberto Burri worked broadly with Cellotex, a compressed particle board that was used primarily in construction projects after the conclusion of World War II.  Sharing the sensibilities of his Arte Povera compatriots, Burri embraced the material’s easy accessibility and ubiquitous presence in the reconstruction of the country.  Using Cellotex, Burri would create painting after painting that worked beyond the limits of the flat plane of the canvas, bringing the heavily layered paint of his works out into the room.

Alberto Burri, Black Cellotex (Installation View), via Luxembourg and Dayan

(more…)

Japanese clothing company Uniqlo has announced that it will sponsor MoMA’s popular free Friday night series.  What’s more, the first 1000 attendees at the company’s first sponsored evening on May 3rd will receive a free tote bag.  The sponsorship follows comments by Tadashi Yanai, the chairman of parent company Fast Retailing, that the Museum of Modern Art is his “favorite museum in the world.  (more…)

Storming back from its brush with financial insolvency earlier this year, the Museum of Contemporary Art in Los Angeles has announced that it has raised over $50 Million in the past month, bringing its total endowment past $75 Million.  The new contributions come from a number of prominent names, including new board member Bruce Karatz, Jeffrey Soros, and Eli Broad.  “The level of support we have received is fantastic. There is a new energy and excitement about MOCA’s future and its leadership role in the art world,” says Eugenio Lopez, co-chair of  the endowment campaign. (more…)

Artist Anthony McCall’s ambitious Column project, planned for public installation in the UK city of Merseyside, has been abandoned after being projected to finish late and over budget.  The project has already received over a half a million pounds of public money.  “Of course it is very important to us that we manage the risks associated with our investment of taxpayers’ money. We have monitored the development of Column closely, but in a very small number of cases the price we pay for exciting ideas is that the risk doesn’t pay off.”  Said Arts Council executive Laura Dyer. (more…)

Artist Ed Ruscha is on this Times’s list of the world’s 100 most influential people this year, recognizing the artist’s highly influential conceptual practice and ongoing contributions to contemporary American art.  “Even if Ruscha never met a word he couldn’t unsettle, let’s hang on to the one we need sometimes to describe him: genius.” Writes Time art critic Richard Lacayo. (more…)

Chinese dissident artist Ai Weiwei has been invited by Creative Time Reports to publish his thoughts on the role of writing as criticism in the face of authoritarian censorship.  The artist, who was detained by the government last year, calls on internet users in China and abroad to use the system to oppose oppression by speaking out.  He writes: “Every day we put the state on trial—a moral trial, conducted with logic and reasoning. Nothing could be better than this. I am preparing a budding civil society to imagine change. First, you need people to recognize they need change. Then you need them to recognize how to make change. Finally, change will come.” (more…)

Beginning May 1st, The Smithsonian Institution will initiate rolling cuts to the hours of certain museum institutions, and will close other galleries to compensate for the sequestration budget cuts.  The cuts, which consisted of a 5% reduction of the total budget, has been handled by scaling back travel and training programs, but museum leaders warn that major sacrifices may be necessary if the reductions remain in place through 2014. (more…)

Over the past two years, curator Hans Ulrich Obrist has sought to bring a controversial piece by artist John Baldessari to realization, which would require exhibiting a human cadaver in a gallery space, viewed through a small peep-hole.  The work has been attempted several times, but has faced staunch legal opposition and considerations over the will of deceased body being included in the final product.  Says Obrist: “It’s not excluded that one day it will happen. You need the consent of the person obviously before they die. At the same time you need the consent of the family as well as legal authorization.” (more…)

Mobile Homestead, one of the last works created by American artist Mike Kelley before his suicide last year, will open at the Museum of Contemporary Art Detroit on May 11th.  The piece, a loyal recreation of Kelley’s childhood home in suburban Detroit, will be used as a community space of sorts, open for the people of Kelley’s home city to hold shows, art events or meetings.  “He kept saying to me, ‘This is never going to happen — it’s a joke,’ because that’s the way he was,” said Marsha Miro, founder and director of the contemporary museum. “But he also said he thought it would be one of the most important things he ever did, partly because it would keep on being a living piece.” (more…)

Darren Almond, Fullmoon@Cape Reinga (2012), via Matthew Marks Gallery

Currently on view at Matthew Marks are a series of sixteen photographs, part of Darren Almond‘s fullmoon series, in which he allows the light of the full moon to illuminate landscapes from all seven continents.

(more…)

New York Police raided the gallery of New York art dealer Helly Nahmad, son of billionaire art dealer David Nahmad, at 975 Madison Avenue, in connection with a major government crackdown on illicit online gambling and money laundering.  The raid is connected an alleged gambling ring, which reportedly hosted high-stakes poker events for major celebrities and athletes, itself, reportedly, an offshoot of a broader money-laundering operation.  Prosecutors are expected to comment on the investigation today. (more…)

Art Basel’s “Unlimited Sector,” a fair section dedicated to large-scale art, will get an expansion this year.  An extension project by architects Herzog & De Meuron has added an additional 2,500 square meters of space to the Unlimited Section in Hall 1 of the exhibition space, opening the door for more works.  The Unlimited Sector this year will feature works by Theaster Gates, Ai Weiwei, Antony Gormley, and Adriana Varejao, among many others, raising the number of exhibiting artists up to 79 from last year’s 62. (more…)

Beginning May 1st, The Museum of Modern Art will remain open 7 days a week, following the recent announcement that The Metropolitan Museum of Art would also be opening its doors every day.  MoMA has usually closed on Tuesdays for cleaning and maintenance. (more…)

Artist Egon Schiele’s first diary, written when he was a boy of 16, living in Austria, is slated for publication this month, part of Dr. Christian Bauer’s new book Egon Schiele: The Beginning.  The notebooks feature poetry to his early loves, as well as drawings and sketches from the very beginning of his career.  On one page, Schiele writes: “You rosy, enchanting creature,/ Seeing you makes my heart ache./…In a short line – I love you.” (more…)

James Turrell, Roden Crater (Sunset) (2009), via PACE Gallery

In anticipation of his major, three-museum retrospective beginning next month in New York, Los Angeles and Houston, artist James Turrell is exhibiting a selection of mocels, photographs and designs from his ongoing Roden Crater Project at PACE Gallery’s 57th Street location.  Offering a complex portrait of the artist’s ambitious creative site, the show presents a look at Roden Crater as Turrell moves into the next stage of its construction.

James Turrell, Roden Crater and Autonomous Structures (Installation View), via PACE Gallery

(more…)

Creative Time is honoring artist and filmmaker Julian Schnabel this year during its annual Spring Gala, and has just released a video of actor Al Pacino, recounting his personal experiences with Schnabel.  “He came to my house once and looked at a couple of my paintings.”  Pacino said.  “I thought: ‘he’s looking at a painting I did.  If he likes, it I know he’s a real phony.  He didn’t like it, and with Julian, he lets you know right away.” (more…)

GQ is currently featuring an interview with painter Kehinde Wiley, profiling the artist on a recent trip to Morocco for his ongoing portraiture series.  Charting the artist’s early life in South Central Los Angeles through his ascension in the art world, the piece offers a studied history of both Wiley’s life and output, including his famous portrait of Michael Jackson.  Initially, “I ignored him, because quite honestly I thought it was a prank,” Wiley says. “Surprisingly, he was really knowledgeable about art and art history.”  (more…)

The New York Times has published a short feature by neuroscientist Eric R. Kandel, showing the links between the biological composition of the brain and the viewer’s understanding of art.  Using the turn of the century works of Egon Schiele, Gustav Klimt and Oskar Kokoschka as his example, Dr. Kandel illustrates how these particular works activated certain cells in the brain, causing a powerful emotional reaction.  New studies, such as the bold brain mapping project announced by President Obama this month, would continue to extend studies of the brain and its reactions to creative stimulus. (more…)

Luigi Ghirri, Bastia (1976), via Matthew Marks Gallery

In 1978, photographer Luigi Ghirri first published his manifesto on avant-garde photography, Kodachrome.  Locating the image as both a problem and solution in the increasingly complex interrelations of image, identity and object created through a technologically advancing world, the book sought to use the camera as it was, a machine for generating reproductions, to, in his words “be able finally to distinguish the precise identity of man, things, life, from the image of man, things, and life.” Recognizing the artist’s immense contributions to both photography and conceptual thought, Matthew Marks Gallery is currently hosting a show of 25 of Ghirri’s photographs in New York City, taken from the artist’s landmark book.

Luigi Ghirri, Urbino (1975), via Matthew Marks Gallery

(more…)

Helen Frankenthaler, Mountains and Sea (1952), Courtesy Helen Frankenthaler Foundation, Inc., on extended loan to the National Gallery of Art, Washington, D.C. © 2013 Estate of Helen Frankenthaler/Artists Rights Society (ARS), New York. Courtesy Gagosian Gallery.

In 1951, at the age of twenty-two, American painter Helen Frankenthaler appeared in her first solo exhibition in New York.  It was a fitting introduction to the artist, who, over the next ten years, developed a uniquely evocative style that would define her as a major talent of mid-twentieth century New York City.  Sixty years later, Gagosian Gallery is exhibiting some of Frankenthaler’s works from this decade, showcasing the creative practice of the artist’s pivotal early years, and offering perspective on her ever-evolving style.

Helen Frankenthaler, Untitled (1951), © 2013 Estate of Helen Frankenthaler/Artists Rights Society (ARS), New York. Courtesy Gagosian Gallery. Photography by Robert McKeever”. (more…)

The Frieze New York Art Fair has announced the artists exhibiting in this year’s edition of its annual Sculpture Park section.  The 2013 edition of the Sculpture Park will see works by Paul McCarthy, Martha Friedman, and Nick Van Woert, among others.  “Building upon the success of last year, our aim for this new edition is to increase the ambition of the Sculpture Park program both in scope and scale. Placed in an exceptional location, the program will continue expanding visitors’ experience by displaying large outdoor sculptures in dialogue with ephemeral pieces.”  Says curator Tom Eccles. (more…)

ArtInfo has posted a feature profiling the early professions of a number of high-profile artists, offering a look at how they made a living before becoming art world mainstays.  The list includes Mark Rothko (delivery boy), Yves Klein (judo master), Matthew Barney (model), and James Turrell (cattle rancher), who famously said: ““I don’t know if it’s harder to make a living as an artist or a rancher.” (more…)

Beginning April 25th, the Art Production Fund will unveil a series of murals on the steel shutters of local businesses on The Bowery in New York.  Titled “After Hours 2: Murals on the Bowery,” the project has welcomed a number of artists, including Laura Owens, Adam Pendleton, Dana Schutz and many more to create works only seen when the businesses close for the night.  “They’re all site-specific, and they all relate to the neighborhood,” says APF co-founder Yvonne Force Villareal. (more…)