The New Museum workers union staged an action this week around its ongoing contract negotiations, handing out leaflets and buttons outside the museum. “We’re trying to work within the museum’s means and not ask for anything ludicrous,” says Francesca Altamura, a curatorial assistant at the New Museum.  (more…)

Kate Fowle, the former chief curator at Moscow’s Garage Museum of  Contemporary Art, will take over leadership of MoMA PS1, filling the space left by Klaus Biesenbach’s departure for MOCA in Los Angeles. “It’s an honor to take the helm of MoMA PS1 at this juncture in its rich history,” Fowle said in a statement. “I look forward to working with the team and board to create a generative environment where our outlook is transformed through artists and their perspectives on the world.” (more…)

Mike Steib is taking over as CEO of Artsy, as Carter Cleveland moves into a newly created role as executive chairman, Art News reports.  “He’s always been someone I’ve really admired, and I’ve been very inspired by what he’s achieved,” Cleveland says. “When I look at the specifics of how he did it, I couldn’t imagine a better fit.” (more…)

Unesco’s World Heritage Committee will not review the issues around Notre Dame’s fire in an upcoming meeting after France failed to turn in a report on the damage on time.  “The restoration works must be in conformity with the provisions of the World Heritage Convention,” a draft statement from Unesco reads. (more…)

A New York federal judge has ruled the $380 million lawsuit brought by Russian billionaire Dmitry Rybolovlev against Sotheby’s will go forward.  The case is part of the collector’s ongoing efforts to cover losses from his art purchases through Yves Bouvier.  (more…)

Joan Mitchell, La Seine (1967), via David Zwirner

Currently on view at David Zwirner’s 537 West 20th Street location in New York, the gallery is presenting  a selection of multi-paneled paintings by American master Joan Mitchell, the first exhibition to look specifically at Mitchell’s work in this format, and the possibilities for her work brought forth through the use of expansive amounts of space. (more…)

A painting believed to be a lost Caravaggio, and valued at upwards of $170 million has been bought just days before it was due to go on sale in France. “Not only is it a Caravaggio, but of all the Caravaggios that are known today, this is one of the great pictures,” says expert Eric Turquin.  (more…)

Jean-Michel Basquiat, Sabado por la Noche (Saturday Night) (1984), via Christie’s

Marking the first of the week’s trio of Contemporary and Post-War Auctions in London this week, Christie’s has capped a 35-lot offering to a final of $45,346,950, a strong figure that saw only three works go unsold with ample interest from buyers to keep the evening moving quickly and relatively smoothly.  The sale marks something of a snap back into form for the auction house following a dire struggle last week during its Impressionist/Modern offering, and seemed to signal emerging blue-chip markets for several younger artists. (more…)

Collector Eli Broad has an opinion piece in the NYT this week, calling on the US Government to raise taxes on the wealthiest citizens in the country.  “We are a nation of strivers who can pull ourselves up by our bootstraps with the right combination of grit and determination,” he writes. “That’s the tale we love to tell and hear. But take it from a person who has found himself on the fortunate side of that narrative: This story is incomplete. For most people, our system isn’t working.” (more…)

Thirty of Arts Council England’s (ACE) National Portfolio Organizations (NPOs) have signed on to a project for energy independence and limiting carbon emissions.  “We’re really going beyond that annual number,” says Environmental Program Lead, Claire Buckley. “The Spotlight program has come in really to push and to support reductions – quantifiable reductions – from the buildings of the big energy users.” (more…)

Berlin’s state museum group will ask the U.S. Supreme Court to dismiss a claim filed by the heirs of a consortium of Jewish art dealers over rights to a €200 million hoard of works referred to as the Guelph Treasure.  “The SPK is convinced that this was not a sale under duress due to Nazi persecution,” the Prussian Cultural Heritage Foundation said. “It views these claims as unfounded. Regardless of this, the SPK is of the opinion that this case—concerning a historic transaction between Germans in Germany— shouldn’t be heard in a US court.” (more…)

Despite an increasingly fraught relationship between Iran and the United States, and ever-tightening series of sanctions, Tehran has opened a new edition of its Teer Art Fair this week. “Young collectors, emerging collectors, are engaging with the art scene, and those who have money are purchasing Iranian art,” says Maryam Majd, the co-owner of the Assar Gallery. (more…)

A piece on radiocarbon dating in Forbes this week looks at how the technology might be used to prevent art fogery and fraud.  “The works of Beltracchi could probably all be spotted as fakes with this technique, who is known to have recycled older canvases,” explains Laura Hendriks, who recently penned a study on how the technology could be used. (more…)

MoMA has launched a new online platform, Magazine to feature various pieces of scholarly writing, commissioned projects and features.  (more…)

A piece in Popular Mechanics this week charts the challenges and issues with maintaining pieces of avant-garde work, and early techonologically-driven pieces. “The first person was hired to do something like this in 2005,” says Glenn Wharton, a time-based media conservator at MoMA. “Now there are about a dozen. I think we need about 100. There’s a huge need, and it’s growing fast.” (more…)

David Zwirner is expanidng its digital footprint, as the gallerist’s son, Lucas, currently editorial director of David Zwirner Books, is appointed head of content for the entire gallery. “We have this incredible online platform that’s more than just a sales platform, it’s an exhibition space,” Zwirner told ARTnews. “It’s a space where we can curate shows, highlight artists, and tell stories. In that respect, it’s also a kind of publishing platform.” (more…)

The NYT looks at the different versions of Van Gogh’s Sunflowers, and the differing materials used to create some of his most iconic works. “Though the basic palette is the same, there were different colors that were used, differences in paint texturing, and his brushwork is different,” says Ella Hendriks, a professor of conservation and restoration at the University of Amsterdam. (more…)

Artist Amy Sherald, who was tapped to create the official portrait of First Lady Michelle Obama has erected a massive mural in Philadelphia, showing local resident Najee Spencer-Young.  “Given Philadelphia’s cultural landscape, I think it’s important to also have that diversity represented within its visual landscape,” she said. (more…)

Curator Peter Selz, who organized several major shows at MoMA before serving as the first director of University of California’s Berkeley Art Museum, has passed away at the age of 100. “Over the course of his tenure as our founding director, Peter transformed BAMPFA from a modest university art collection into the internationally renowned art and film institution it is today,” said Lawrence Rinder, BAMPFA’s current director and chief curator. “Generations of Bay Area art lovers have benefited from his insight, knowledge, independence, and boundless energy, and his legacy will reverberate across and beyond our museum for decades to come.” (more…)

Adam Pendleton, Ishmael in the Garden: A Portrait of Ishmael Houston-Jones (still) (2018), via Max Hetzler

On view at Berlin’s Galerie Max Hetzler, artist Adam Pendleton is presenting a body of new works under the title Who We Are, spread between both locations in the German capital: Bleibtreustraße 45 and Goethestraße 2/3, and marking Pendleton’s first show with the gallery.  The show, drawing on a range of cultural and aesthetic touchstones, presents itself as a sort multi-layered cultural history, intersecting music and film, dance and personal narrative through a series of video and wall-mounted works. (more…)

David Berliner, the Brooklyn Museum’s president and chief operating officer, gives New York Magazine a tour of his office and the works he selected for its walls.   “I was inspired by Anne [Pasternak, his predecessor]’s office. It was gorgeous. So that was my point of departure.” (more…)

Frieze has unveiled its exhibitor lists for its London and Frieze Masters fairs, this fall in Regent’s Park from October 3 to 6. The show will feature a range of curatorial projects alongside its standard selections.  (more…)

The Met is commemorating World Refugee Day this year by covering artist Marc Chagall’s The Lovers, posing the question of a world where refugees were not welcomed from the violence and crises they fled. “The Met is newly aware of its responsibility to not have a neutral position,” says Sheena Wagstaff, chairman of modern and contemporary art at the Met. (more…)

Night Gallery in Los Angeles has added Han Bing, Robert Nava, and Brie Ruais. to its roster. “The gallery is thrilled to continue to support emerging artists,” says Brian Faucette, Night Gallery’s senior director. “As we head into our 10th season in 2020, we feel that these three artists, each with their own distinctive practices, will reflect that mission.” (more…)