Painter Eric Fischl sat down with the LA Times this past weekend to discuss his career, the communication of art, his recent memoir, Bad Boy, and his self-described “search for normal.”  “I think the process of aging and using art as a life process for learning, understanding, evolving, etc. … it seemed like I had reached a point where I could take a lot of what I accomplished and I could let go of a lot of things, so maybe it would be recent.”  He says. (more…)

Today The New York Times profiled Maria Baibakova, the strategic director for ArtsSpace, among other positions. Ms Baibakova recently reemerged onto the art scene following a two year break in which she received an M.B.A from Harvard Business School. The 27 year old Russian heiress is perhaps best known for Red October, a temporary, nonprofit art space she opened in an old Moscow chocolate factory in December 2008 through her company, Baibakov Art Projects. Read more at The New York Times.         

A selection of ancient Japanese erotic paintings, titled “shunga” or “spring pictures” are currently on view at Sotheby’s Hong Kong location.  Considered somewhat taboo in Japan, the exhibition of works from the collection of Uragami Mitsuru struggled to find a home for its exhibition before Sotheby’s offered its location.  “The Tokyo National Museum hesitated to show it and so far I haven’t been able to get the Mori Museum to agree apart from a few works. In bookshops you can see these images but why can’t the real exhibit show? It’s nonsense,” Uragami said at the exhibition. (more…)

The Artist Pension Trust, cited as the largest collection of contemporary art in the world, is currently looking to sell off 5,000 works from its collection, the Telegraph reports.  The sale of works will cut the fund’s collection nearly in half, and will go to benefit both the artists in the trust, as well as the operating costs of the trust. “We are hoping to place works privately with institutions through our team of curators,” say Moti Shniberg, a trust co-founder. “Otherwise, interested buyers can contact us. The works are all listed on the Trust’s website.” (more…)

Paul and Damon McCarthy, Rebel Dabble Babble (Installation View), via Hauser and Wirth

Hauser and Wirth, continuing its ongoing focus on California artist Paul McCarthy, is currently presenting a new video and sculptural installation by the artist, titled Rebel Dabble Babble.  Taking the real life relationships between Nick Ray, James Dean (played by James Franco) and Natalie Wood during the making of Rebel Without a Cause as the inspiration for the work, McCarthy and his son Damon have created an immersive, savagely warped exploration into the film, its creation, and the decaying image of Americana that it sought to depict, while challenging the interplay between a cultural artifact and its production.

Paul and Damon McCarthy, Rebel Dabble Babble (Installation View), via Hauser and Wirth

(more…)

James Turrell, Prado, Red (1968), Courtesy of Almine Rech

James Turrell is a pioneer in perceptual art using light as his medium, and Almine Rech Paris, capitalizing on the artist’s current nationwide exhibition in his native United States, is currently presenting  his seventh exhibition in its gallery. Shown across three rooms, this collection offers insight into Turrell’s celestial inspiration for his abstract pieces.

James Turrell (Installation View), Courtesy of Almine Rech (more…)

In an effort to increase attendance and community engagement, the recently opened Maxxi Museum (National Museum for the Art of the 21st Century) in Rome is branching out, hosting lectures and classes on a variety of subjects in design, art, fashion, and music. “We need the public to animate this space,” said Giovanna Melandri, president of the foundation that runs the Museum. (more…)

Berggruen Museum head Olivier Berggruen is featured in the Wall Street Journal this week, after the reopening of his institution after a two year renovation.  Focusing on both 20th century masters like Picasso, Matisse, Paul Cézanne and Paul Klee, the museum also focuses on evolution of the art market itself, and consists of 165 works sold by Olivier’s father Heinz to the city of Berlin in 2000 for around $100 million. “He thought of paintings and works of art as illustrations for stories,” says Olivier of his father. (more…)

The impressive wealth of Qatar, the small Persian Gulf nation, is fundamentally affecting the current art market, the New York Times reports.  Collectors from the oil-rich state have spent astronomical sums on works in the past years, including $70 million for a Mark Rothko canvas, and $20 million for a Damien Hirst pill case.  At the center of this buying glut is Sheika al Mayassa bint Hamad bin Khalifa al-Thani, the head of the Qatar Museums Authority and sister to the nation’s emir. “They’re the most important buyers of art in the market today,” said Patricia G. Hambrecht of Phillips. “The amount of money being spent is mind-boggling.” (more…)

Jeffrey Deitch, via LA Weekly

MOCA Director Jeffrey Deitch may step down from his position at the Los Angeles institution, the LA Weekly reports.  Sources close to the museum have released information that Deitch will announce his departure on Wednesday, and that he is currently shopping for apartments in New York City. (more…)

Babyshambles, a British band led by Pete Doherty, have revealed the artwork for their new album ‘Sequel To The Prequel’ designed by Damien Hirst. The image uses a photograph by the infamous rock photographer Pennie Smith, who shot iconic photographs of The Clash and The Slits, among others. The album, which is the Babyshambles’ third studio album, will be released on  September 2, 2013.

Read more at NME

Ronnie Cutrone, Photo by Timothy Greenfield-Sanders, (1998), via Huffington Post

Artist Ronnie Cutrone passed away this past Sunday, at the age of 65. Perhaps best known for his time as pop artist Andy Warhol’s assistant from 1972 to 1982, Cutrone had been a regular at Warhol’s Factory since 1965, when he was still in high school. At the age of 15, Cutrone became a go-go dancer with the Velvet Underground as part of the band’s Exploding Plastic Inevitable show, and befriended many of the artists associated with the West Village arts scene of the 70s and 80s, including Lou Reed and Jim Morrison.

Ronnie Cutrone, Quick Change Artist (2004), via Galerie Gmurzynska, Art Basel Miami 2011

(null)

The Russian government has refused to reunite the collections Ivan Morozov and Sergei Shchukin, which has stood as a point of contention between the Pushkin Museum in Moscow and the State Hermitage in St. Petersburg over the past months. Both institutions currently own parts of the collection, which was divided in half after Stalin shuttered the Museum of New Western Art in 1948.  Former director of the Pushkin Museum Irina Antonova spoke out on the decision last week on Moscow television, stating a hope that the works would be reunited.  “I believe that in the end common sense must triumph,” she said. “We will have a state that will understand what it is to have the kind of museum that we don’t have in Moscow, a top museum of world art in the capital.” (more…)

British artists Gilbert and George have been announced as the next commission for the High Line’s popular Billboard exhibition series.  Opening September 3rd, the artists will exhibit a version of their 1984 piece Waking, featuring the pair surrounded by attractive young men.  “With all the talk today about urban life and gay marriage,” Said High Line Art director Cecelia Alemani, “it seems even more appropriate now.” (more…)

Gerhard Richter, Abdu (2009),  © Gerhard Richter 2013

Currently on display at Gagosian Gallery’s London space on Davies Street are a series of 4 tapestries, created in 2009 by prominent artist Gerhard Richter, entitled Abdu, Iblan, Musa and Yusuf.  Combining the artist’s signature style with bold new aesthetic forms, the works are based on the artist’s 1990 work, Abstract Painting (724-4).

(more…)

The Museum of Modern Art has announced an expansive retrospective for artist Sigmar Polke, set to open on April 19th, 2014.  Pulling from the artist’s broad explorations in painting, film and performance, the exhibition will feature some of Polke’s largest paintings and digitally rendered works, requiring their exhibition on the second floor of the museum, which is generally reserved for special exhibitions.  “Some of the paintings are so big, they can only fit on the second floor,” says MoMA Associate Director Kathy Halbreich. “This is one of the largest shows MoMA has ever done.” (more…)

Long Island art dealer Glafira Rosales was arraigned this week in court, pleading “not guilty” to charges of selling over sixty fraudulent art works claimed to be by post-war masters Mark Rothko, Jackson Pollock and Willem de Kooning, among others.  The prosecution also accused Rosales of hiding the proceeds (over $12.5 million in undeclared incomes) of the sales in foreign sales accounts. (more…)

CODA, Party Wall (Installation View), via MoMA PS1

The Young Architects Program, presented jointly by MoMA and MoMA PS1, challenges young professionals and recent graduates alike in its annual competition to design an installation for MoMA PS1’s courtyard. Each year, the winning design is fabricated and opened to the public during the summer months. The jury takes environmental sustainability heavily into account when choosing the design, which is an especially relevant criterion considering that EXPO 1, the ecology and politics-focused three-venue event, is currently on view at PS1. This year’s winning entry, Party Wall by the Ithaca-based firm CODA, features a semi-permeable skin made from skateboard manufacturing by-products mounted upon a frame of steel beams.

CODA, Party Wall Rendering, via MoMA PS1 (more…)

Detroit’s bankruptcy filing this week has once again placed the future of the Detroit Institute of Arts collection in question, with creditors sizing up the museum’s collection of works by Caravaggio, van Gogh and more.  Despite arguments for the preservation of the collection, emergency manager Kevyn D. Orr’s spokesman, Bill Nowling claims:  “We cannot negotiate in good faith with our creditors by taking assets off the table. And all of our creditors have asked about the worth of the D.I.A. And we’ve told them that they’re welcome to find out.” (more…)

A number of works from the collection of the late Jan Krugier will go on sale this fall at Christie’s in Manhattan.  The sale, estimated to bring in about $160 million, includes a 1911 landscape by Kandinsky, estimated to bring somewhere between $20 million and $25 million.  “This painting represents a world he loved, one that falls between the figurative into the abstract,” said Conor Jordan, deputy chairman of Christie’s Impressionist and Modern Art Department. (more…)

Diana Widmaier-Picasso, granddaughter of Pablo Picasso by his mistress Marie-Thérèse Walter, is currently undertaking an ambitious project: a catalogue raisonné of her grandfather’s sculptures.  Widmaier-Picasso’s ambitious project looks to consolidate the artist’s output in the form, thereby increasing his work’s value in the marketplace.  “Picasso is the greatest sculptor of the 20th century,” Carmen Gimenez of the Guggenheim Museum said. “He practically reinvented modern sculpture. But as soon as you begin working with his sculptures, you realize you need to learn more.” (more…)

A number of U.S. Museums are exploring new approaches to exhibiting works while in storage, the LA Times reports.  Museums like LACMA and the Broad Museum have attempted to place larger portions of their collections in “visible storage,” where interested visitors can view them.  “There is this public assumption that museums are hoarding objects in dark rooms, and by the way that isn’t totally wrong,” says LACMA Director Michael Govan. “What we’re saying is that those objects are worthy for viewing and studying if not always for exhibitions. So you’re not contemplating a masterpiece, but maybe you’ll find value in comparing and contrasting different examples of vases.”

(more…)

Thomas Hirschhorn, Gramsci Monument (2013), via Daniel Creahan for Art Observed

“Everyone is an intellectual.”  These words by Italian anarchist/Marxist Antonio Gramsci adorn the walls of Gramsci Monument, the fourth and final entry into Swiss artist Thomas Hirschhorn’s monumental installation series to his favorite thinkers and writers, currently open in the Forest Houses housing project in the South Bronx.  Opening the platform to cultural dialogues, political research and community art efforts, Gramsci Monument continues Hirschhorn’s efforts at destabilizing the spatial encounters of a work of art, broadening its scope to a space where all participants are welcome to create their own meaning. (more…)

Renzo Piano, Model for New Whitney Museum (Installation View), via Alex Cosio for Art Observed

The Gagosian Gallery in Chelsea, in collaboration with Fondazione Renzo Piano, is currently exhibiting a retrospective of work produced by the Renzo Piano Building Workshop, the architecture firm conceived and headed by Pritzker Prize laureate Renzo Piano. Piano, who was born into a family of contractors in Genoa, has emphasized the importance of hands-on experimentation as well as technological innovation throughout his career.  Particularly of note are Piano’s models and sketches regarding the design and construction of the Whitney Museum’s future home, tucked between the High Line and Hudson River in the Meatpacking District. (more…)