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New York – “Roving Signs” organized by Terry Winters at Matthew Marks Gallery Through August 16th 2013

Tuesday, July 30th, 2013

AO Preview – New York: Frieze Week, May 13th-17th, 2015

Tuesday, May 12th, 2015

AO On Site Photoset – Art Basel Miami Beach 2011: Main Fair Overall Summary, December 1-4, 2011

Tuesday, December 6th, 2011

Go See – New York: ‘September 11′ at MoMA PS1 through January 9, 2012

Wednesday, October 26th, 2011

AO On Site – Art Basel, Switzerland: Art 41 Basel 2010 opens today

Monday, June 14th, 2010

AO Onsite – New York: White Columns’ Benefit Exhibition and Auction Saturday, May 15, 2010

Tuesday, May 18th, 2010

AO November Auction Roundup 3 of 5: Christie’s Post-War and Contemporary Art, New York, Wednesday, November 12th: Basquiat’s “Boxer” sells while the Bacon does not, “The market is adjusting down”

Sunday, November 16th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Grand Palais Unveils Plans for Massive Three-Year Renovation

February 19th, 2018

Grand Palais, via Art NewspaperPlans have been unveiled for the Grand Palais’s €466m, three-year renovation, Art Newspaper reports.  “At the end of 2020, just over a century after its creation, the Grand Palais will turn a page in its history and begin a transformation that will allow it to finally enter the 21st century,” culture secretary Françoise Nyssen says.
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Marina Abramovic Profiled in The Guardian

February 19th, 2018

Marina Abramovic, via The GuardianMarina Abramovic is interviewed in The Guardian this month, as she prepares to exhibit a series of photos documenting her early performances. “I lived in cars and trucks, I’m amazed the negatives survived,” Abramović says. “To appreciate the present, we should really look to the past.”
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Rauschenberg’s Duchamp “Bottle Rack” Goes to Chicago

February 19th, 2018

Marcel Duchamp, via Art NewsThe Art Institute of Chicago has unveiled its recent acquisition, a rare Duchamp Bottle Rack from the collection of Robert Rauschenberg.  The artist’s foundation sold the piece to the museum in order to fund an endowment. “We always are making these kind of transformative acquisitions a priority,” says Art Institute president and director James Rondeau. “There are documents going back to the late ’80s and early ’90s expressing a desire for an object like this.”
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