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Prada Foundation Continues to Develop its Role in Italian Arts

Saturday, February 24th, 2018

New York Times Looks at the Soon to be Completed Prada Foundation Complex in Milan

Thursday, April 23rd, 2015

Prada Foundation Announces “Art or Sound” for 2015 Biennale

Thursday, March 13th, 2014

Go See – Milan: John Baldessari at the Prada Foundation through December 26, 2010

Sunday, December 19th, 2010

New Prada Foundation Unveiled at Annual Milan Fair

Friday, May 9th, 2008

AO On Site at the 54th Venice Biennale 2011: Final Overview and News Summary

Monday, June 6th, 2011

AO On Site – New York: Steve McQueen at Marian Goodman through March 6, 2010

Wednesday, February 17th, 2010

Newslinks for Monday, August 24th, 2009

Sunday, August 23rd, 2009

Go See – Greenwich, Connecticut: ‘TOM SACHS: CAMERAS’ at The Aldrich Contemporary Art Museum through September 16, 2009

Friday, July 17th, 2009

New York — Elmgreen & Dragset Interview on “Van Gogh’s Ear” at Rockefeller Center Through June 3rd, 2016

Tuesday, May 17th, 2016

Art Observed Newslinks For Wednesday December 16th, 2009

Wednesday, December 16th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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