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New York Times Looks at the Soon to be Completed Prada Foundation Complex in Milan

Thursday, April 23rd, 2015

Prada Foundation Announces “Art or Sound” for 2015 Biennale

Thursday, March 13th, 2014

Go See – Milan: John Baldessari at the Prada Foundation through December 26, 2010

Sunday, December 19th, 2010

New Prada Foundation Unveiled at Annual Milan Fair

Friday, May 9th, 2008

AO On Site at the 54th Venice Biennale 2011: Final Overview and News Summary

Monday, June 6th, 2011

AO On Site – New York: Steve McQueen at Marian Goodman through March 6, 2010

Wednesday, February 17th, 2010

Newslinks for Monday, August 24th, 2009

Sunday, August 23rd, 2009

Go See – Greenwich, Connecticut: ‘TOM SACHS: CAMERAS’ at The Aldrich Contemporary Art Museum through September 16, 2009

Friday, July 17th, 2009

New York — Elmgreen & Dragset Interview on “Van Gogh’s Ear” at Rockefeller Center Through June 3rd, 2016

Tuesday, May 17th, 2016

Art Observed Newslinks For Wednesday December 16th, 2009

Wednesday, December 16th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Picasso Painting Reveals New Layers After X-Ray Analysis

February 21st, 2018

Picasso, via NYTThe New York Times profiles recent work in art research and conservation using X-Rays, citing the discovery of an underlying painting in a Picasso Blue Period piece. “It was clear there was something else going on underneath,” researcher Sandra Webster-Cook said.
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Grand Palais Unveils Plans for Massive Three-Year Renovation

February 19th, 2018

Grand Palais, via Art NewspaperPlans have been unveiled for the Grand Palais’s €466m, three-year renovation, Art Newspaper reports.  “At the end of 2020, just over a century after its creation, the Grand Palais will turn a page in its history and begin a transformation that will allow it to finally enter the 21st century,” culture secretary Françoise Nyssen says.
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Marina Abramovic Profiled in The Guardian

February 19th, 2018

Marina Abramovic, via The GuardianMarina Abramovic is interviewed in The Guardian this month, as she prepares to exhibit a series of photos documenting her early performances. “I lived in cars and trucks, I’m amazed the negatives survived,” Abramović says. “To appreciate the present, we should really look to the past.”
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