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Los Angeles – Rachel Feinstein: “Secrets” at Gagosian Gallery Through February 17th, 2018

Friday, January 26th, 2018

New York – LA Invitational at Gagosian Gallery Through December 16th, 2017

Sunday, November 19th, 2017

Mary Weatherford Now Represented by Gagosian Gallery

Sunday, October 15th, 2017

New York- Carsten Höller: “REASON” at Gagosian Gallery through September 1, 2017

Monday, August 21st, 2017

Jia Aili Now Represented by Gagosian Gallery

Saturday, July 8th, 2017

New York – Anselm Kiefer: “Transition from Cool to Warm” at Gagosian Gallery Through July 14th, 2017

Wednesday, July 5th, 2017

New York: Robert Therrien at Gagosian Gallery Through May 26th, 2017

Wednesday, May 24th, 2017

Los Angeles – Joe Bradley: “Eric’s Hair” at Gagosian Gallery Through April 8th, 2017

Sunday, April 2nd, 2017

New York – Katharina Grosse at Gagosian Gallery through March 11th, 2017

Thursday, February 9th, 2017

Brice Marden Joins Gagosian Gallery

Friday, January 13th, 2017

London – Mark Grotjahn: “Pink Cosco” at Gagosian Gallery through September 17th, 2016

Wednesday, September 7th, 2016

Los Angeles – Ed Ruscha: “Books and Co.” and “Prints and Photographs” at Gagosian Gallery Through September 9th, 2016

Monday, September 5th, 2016

San Francisco – “Plane.Site” at Gagosian Gallery Through August 27th, 2016

Sunday, August 7th, 2016

New York – Richard Serra on View at Gagosian Gallery Through October 22nd, 2016

Friday, July 29th, 2016

Gagosian Gallery Agrees to Pay Over $4 Million in Back Taxes

Thursday, July 21st, 2016

London – Walter de Maria at Gagosian Gallery Through July 30th, 2016

Thursday, June 23rd, 2016

Richard Prince Reportedly Breaks Ties with Gagosian Gallery

Monday, June 13th, 2016

London – Jenny Saville: “Erota” at Gagosian Gallery Through July 9th, 2016

Monday, May 30th, 2016

San Francisco Move by Gagosian Gallery Profiled in NYT

Friday, May 6th, 2016

Los Angeles – Alex Israel and Brett Easton Ellis at Gagosian Gallery Through April 23rd, 2016

Thursday, April 21st, 2016

New York – Urs Fischer: “Misunderstandings in the Quest for the Universal” at Gagosian Gallery Through April 23rd, 2016

Thursday, April 7th, 2016

New York – Taryn Simon: “Paperwork and the Will of Capital” at Gagosian Gallery Through March 26th, 2016

Thursday, March 24th, 2016

Gagosian Gallery Opening in San Francisco

Friday, March 11th, 2016

London – Albert Oehlen at Gagosian Gallery through March 24th, 2016

Thursday, March 10th, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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