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Mary Weatherford Now Represented by Gagosian Gallery

Sunday, October 15th, 2017

New York- Carsten Höller: “REASON” at Gagosian Gallery through September 1, 2017

Monday, August 21st, 2017

Jia Aili Now Represented by Gagosian Gallery

Saturday, July 8th, 2017

New York – Anselm Kiefer: “Transition from Cool to Warm” at Gagosian Gallery Through July 14th, 2017

Wednesday, July 5th, 2017

New York: Robert Therrien at Gagosian Gallery Through May 26th, 2017

Wednesday, May 24th, 2017

Los Angeles – Joe Bradley: “Eric’s Hair” at Gagosian Gallery Through April 8th, 2017

Sunday, April 2nd, 2017

New York – Katharina Grosse at Gagosian Gallery through March 11th, 2017

Thursday, February 9th, 2017

Brice Marden Joins Gagosian Gallery

Friday, January 13th, 2017

London – Mark Grotjahn: “Pink Cosco” at Gagosian Gallery through September 17th, 2016

Wednesday, September 7th, 2016

Los Angeles – Ed Ruscha: “Books and Co.” and “Prints and Photographs” at Gagosian Gallery Through September 9th, 2016

Monday, September 5th, 2016

San Francisco – “Plane.Site” at Gagosian Gallery Through August 27th, 2016

Sunday, August 7th, 2016

New York – Richard Serra on View at Gagosian Gallery Through October 22nd, 2016

Friday, July 29th, 2016

Gagosian Gallery Agrees to Pay Over $4 Million in Back Taxes

Thursday, July 21st, 2016

London – Walter de Maria at Gagosian Gallery Through July 30th, 2016

Thursday, June 23rd, 2016

Richard Prince Reportedly Breaks Ties with Gagosian Gallery

Monday, June 13th, 2016

London – Jenny Saville: “Erota” at Gagosian Gallery Through July 9th, 2016

Monday, May 30th, 2016

San Francisco Move by Gagosian Gallery Profiled in NYT

Friday, May 6th, 2016

Los Angeles – Alex Israel and Brett Easton Ellis at Gagosian Gallery Through April 23rd, 2016

Thursday, April 21st, 2016

New York – Urs Fischer: “Misunderstandings in the Quest for the Universal” at Gagosian Gallery Through April 23rd, 2016

Thursday, April 7th, 2016

New York – Taryn Simon: “Paperwork and the Will of Capital” at Gagosian Gallery Through March 26th, 2016

Thursday, March 24th, 2016

Gagosian Gallery Opening in San Francisco

Friday, March 11th, 2016

London – Albert Oehlen at Gagosian Gallery through March 24th, 2016

Thursday, March 10th, 2016

New York – Chris Burden: “Bridges” at Gagosian Park & 75 Through February, 20, 2016 and “Buddha’s Fingers” at Gagosian Gallery Madison Ave Through March 12th, 2016

Friday, February 19th, 2016

New York – Mark Grotjahn: “Untitled (Captain America)” at Gagosian Gallery through February 20th, 2016

Wednesday, February 17th, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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