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AO Onsite – Basel: Art 43 Basel 2012 Set to Begin

Tuesday, June 12th, 2012

AO Onsite Auction Results – New York: Christie’s Post-War & Contemporary Art Evening Sale Totals $301.7M; Warhol & Rothko Are Top Lots

Thursday, May 12th, 2011

AO Onsite Auction Results: Sotheby’s Contemporary Art Evening Sale on Tuesday Nov. 9th Realizes $222.5M; Warhol and Rothko are Top Lots

Wednesday, November 10th, 2010

Go See – New York: Banks Violette at Gladstone Gallery through April 17, 2010

Friday, April 2nd, 2010

Newslinks for Wednesday November 4th, 2009

Wednesday, November 4th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Peter Halley, Barbara Bloom, Ashley Bickerton, Joan Wallace and Jeff Koons Talk 1980’s LES Art Scene in NYT

April 20th, 2018

Artists outside Katzs, via NYTPeter Halley, Barbara Bloom, Ashley Bickerton, Joan Wallace and Jeff Koons get together for a piece in the New York Times this week, dining at Katz’s and discussing the 80’s scene downtown. “SoHo had this hierarchy and the gallery structure, but when all these artists opened these fresh, young galleries, there was no hierarchy there,” Koons says of spaces in the Lower East Side. “It was really about showing exciting works. Things weren’t set up as business-oriented. I went through some of the SoHo galleries, but I was never completely accepted there. And as outsiders we finally had a place where we were embraced.”
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Tate Seeking Young Trustee for Museum Leadership

April 20th, 2018

tate, via Art NewspaperThe Tate is looking to appoint its first trustee to represent the interests of people aged 16-25, and will lower prices for younger visitors, the Art Newspaper reports. Tate head Maria Balshaw is reportedly seeking “a cultural entrepreneur and digital native” to help represent the interests of a new generation at the museum.
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Tate Archives Showcases Founding of New Outposts

April 20th, 2018

Tate Modern, via New YorkerThe newly opened Tate archives get a spotlight in the Art Newspaper this week, profiling the struggle and logistics behind opening the Tate Britain and Tate Modern as separate branches of the same institution. “I was always worried about appearing isolationist in regard to British art,” the piece quotes former Modern head Nicholas Serota. 
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