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New York – Agathe Snow: “Continuum” at The Journal Gallery Through January 10th, 2015

Saturday, January 2nd, 2016

New York – “LIFE: Curated by The Journal Gallery” at Venus Over Manhattan Through July 25th, 2014

Wednesday, July 16th, 2014

Brooklyn, New York – Daniel Turner at The Journal Gallery West Through November 25th, 2012

Saturday, November 10th, 2012

AO On Site: New York: ‘Home Again, Again’ at The Journal Gallery, through August 3, 2012

Tuesday, July 10th, 2012

New York: Rita Ackermann ‘Fire By Days’ at The Journal Gallery through June 3, 2012

Wednesday, May 16th, 2012

AO On Site – New York: Performance by Mykki Blanco & Pablo Picasso at The Journal Gallery, Brooklyn, Saturday July 23rd, 2011

Tuesday, July 26th, 2011

AO on Site – Brooklyn, New York: Rita Ackermann ‘Warfilms’ opening, Tuesday, April 5th at the Journal Gallery, runs through April 10th, 2011

Wednesday, April 6th, 2011

AO On Site – Brooklyn, New York: Joe Bradley ‘Drawings’ opening at The Journal Gallery, show runs through March 27, 2011

Friday, March 4th, 2011

AO On Site – NYC: “Salad days” at The Journal Gallery Through December 15th, 2010 (with Video Interview and Editorial by Patrick Meagher)

Tuesday, December 14th, 2010

AO On Site – New York: Ida Ekblad’s ‘Salty Sap Green Black’ at the Journal Gallery through October 25, 2009

Thursday, September 17th, 2009

AO Interview with Michael Nevin on the ten-year anniversary and redesign of the journal

Thursday, September 17th, 2009

“Learning to love you more” at the Journal Gallery

Tuesday, October 9th, 2007

Wall Street Journal Explores Upcoming Auctions Through Selection of Highlight Paintings

Monday, November 14th, 2016

Wall Street Journal Traces Movements and Purchases of 1MDB Fund

Thursday, September 8th, 2016

Joseph Kosuth Interviewed in Wall Street Journal

Friday, December 18th, 2015

Wall Street Journal Looks at Contract Clauses to Prevent Art Speculation

Wednesday, April 15th, 2015

Wall Street Journal Spotlights Collectors Aaron and Barbara Levine

Thursday, January 29th, 2015

Peter Doig Interviewed in Wall Street Journal

Sunday, December 28th, 2014

Wall Street Journal Profiles Xin Li, Christie’s Deputy Chair for Asia

Tuesday, November 11th, 2014

Wall Street Journal Charts Techniques and Advantages for Selling Artworks

Monday, November 10th, 2014

Marina Abramovic Interviewed in Wall Street Journal

Wednesday, October 29th, 2014

Wall Street Journal Profiles Global Reach of Okwui Enwezor

Tuesday, September 9th, 2014

Gilbert and George Interviewed in Wall Street Journal

Friday, August 29th, 2014

Outgoing Met President Emily Rafferty Interviewed by Wall Street Journal

Thursday, August 7th, 2014
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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