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London – William Kentridge: “Thick Time” at Whitechapel Gallery Through January 15th, 2017

Saturday, December 31st, 2016

New York – Richard Aldrich: “Time Stopped, Time Started” at Gladstone Gallery Through March 5th, 2016

Sunday, February 28th, 2016

Times Square Art Installation Invites Passers-By to Take Part

Friday, July 25th, 2014

Doug Aitken Interviewed by New York Times on “The Source”

Monday, January 20th, 2014

Peter Doig Interviewed by New York Times

Friday, July 26th, 2013

New York – Marc Quinn: “All the Time in the World” at Mary Boone Gallery Through June 29th, 2013

Thursday, June 27th, 2013

Milan – Mike Kelley: “Eternity is a Long Time” at HangarBicocca Through September 8th, 2013

Tuesday, June 11th, 2013

Jake and Dinos Chapman On Their Time as Artist’s Assistants

Saturday, March 23rd, 2013

AO Interview: John Miller on 'Suburban Past Times' at Metro Pictures through March 9, 2012

Thursday, March 8th, 2012

Go See – Long Island City, New York: “Time Again” at SculptureCenter through July 25, 2011

Thursday, May 26th, 2011

Go See – Stockholm: “Thrice Upon A Time” at Magasin 3 Konsthall, through December 12, 2010

Thursday, September 16th, 2010

Go See: 'Chewing Color,' curated by Marilyn Minter at 44 1/2 in Times Square, New York, April 1–30, 2009

Monday, March 30th, 2009

U.S. Premier of Malcolm McLaren’s video project, Shallow, in Times Square

Thursday, July 3rd, 2008

AO Preview – Miami Beach: Miami Art Week and Art Basel Miami Beach, November 30th – December 4th, 2016

Sunday, November 27th, 2016

New York – Pedro Reyes: “Doomocracy” at Brooklyn Army Terminal Through November 6th, 2016

Wednesday, October 26th, 2016

AO Events and Art Preview – Miami Beach: Art Basel Miami Beach 2016 and Miami Art Week, December 3rd – 6th, 2015

Monday, November 30th, 2015

Anne Pasternak Named Head of Brooklyn Museum

Wednesday, May 20th, 2015

Brooklyn Artist’s Offer Miniature Version of Dancing Jordan Wolfson Sculpture

Wednesday, September 3rd, 2014

New York – Kara Walker: “A Subtlety” at The Domino Sugar Factory Through July 6th, 2014

Thursday, July 3rd, 2014

AO Preview – Frieze New York Art Week, May 7th – 11th, 2014

Wednesday, May 7th, 2014

Kara Walker Preps Domino Sugar Factory Installation

Sunday, April 27th, 2014

Mickalene Thomas Releases Film, Essay on the Life of Her Mother

Tuesday, February 25th, 2014

Artist Trevor Paglen Visualizes America’s Surveillance Agencies

Tuesday, February 11th, 2014

Suzanne Lacy Will Bring Public Gender Politics Project to Brooklyn Museum

Thursday, September 26th, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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