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New York Times Looks at Growing Emphasis on Artist Estate Representation

Tuesday, January 31st, 2017

London – William Kentridge: “Thick Time” at Whitechapel Gallery Through January 15th, 2017

Saturday, December 31st, 2016

New York – Richard Aldrich: “Time Stopped, Time Started” at Gladstone Gallery Through March 5th, 2016

Sunday, February 28th, 2016

Times Square Art Installation Invites Passers-By to Take Part

Friday, July 25th, 2014

Doug Aitken Interviewed by New York Times on “The Source”

Monday, January 20th, 2014

Peter Doig Interviewed by New York Times

Friday, July 26th, 2013

New York – Marc Quinn: “All the Time in the World” at Mary Boone Gallery Through June 29th, 2013

Thursday, June 27th, 2013

Milan – Mike Kelley: “Eternity is a Long Time” at HangarBicocca Through September 8th, 2013

Tuesday, June 11th, 2013

Jake and Dinos Chapman On Their Time as Artist’s Assistants

Saturday, March 23rd, 2013

AO Interview: John Miller on 'Suburban Past Times' at Metro Pictures through March 9, 2012

Thursday, March 8th, 2012

Go See – Long Island City, New York: “Time Again” at SculptureCenter through July 25, 2011

Thursday, May 26th, 2011

Go See – Stockholm: “Thrice Upon A Time” at Magasin 3 Konsthall, through December 12, 2010

Thursday, September 16th, 2010

Go See: 'Chewing Color,' curated by Marilyn Minter at 44 1/2 in Times Square, New York, April 1–30, 2009

Monday, March 30th, 2009

U.S. Premier of Malcolm McLaren’s video project, Shallow, in Times Square

Thursday, July 3rd, 2008

AO Preview – Miami Beach: Miami Art Week and Art Basel Miami Beach, November 30th – December 4th, 2016

Sunday, November 27th, 2016

New York – Pedro Reyes: “Doomocracy” at Brooklyn Army Terminal Through November 6th, 2016

Wednesday, October 26th, 2016

AO Events and Art Preview – Miami Beach: Art Basel Miami Beach 2016 and Miami Art Week, December 3rd – 6th, 2015

Monday, November 30th, 2015

Anne Pasternak Named Head of Brooklyn Museum

Wednesday, May 20th, 2015

Brooklyn Artist’s Offer Miniature Version of Dancing Jordan Wolfson Sculpture

Wednesday, September 3rd, 2014

New York – Kara Walker: “A Subtlety” at The Domino Sugar Factory Through July 6th, 2014

Thursday, July 3rd, 2014

AO Preview – Frieze New York Art Week, May 7th – 11th, 2014

Wednesday, May 7th, 2014

Kara Walker Preps Domino Sugar Factory Installation

Sunday, April 27th, 2014

Mickalene Thomas Releases Film, Essay on the Life of Her Mother

Tuesday, February 25th, 2014

Artist Trevor Paglen Visualizes America’s Surveillance Agencies

Tuesday, February 11th, 2014
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Freedman Fitzpatrick Opening Paris Location

January 16th, 2018

Freedman Fitzpatrick, via Art NewsLos Angeles gallery Freedman Fitzpatrick is opening a new location in Paris, Art News reports. “Paris is really similar to L.A. in that way,” Robbie Fitzpatrick says. “A lot of artists are moving there from all over. It’s manifesting itself as a dynamic city that has a lot of possibility to explore, on top of already being an incredibly important city for culture, historically.”
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NYT Looks at Current Art Projects Using Cryptocurrency Technologies

January 15th, 2018

Richard Prince's ready made token, via NYTThe New York Times takes a look at recent blockchain authorization technology, and fine art projects that have explored the blockchain as both a performative space and a place for authenticating ownership for work. “It’s early days, but this could happen in the blossoming art space as well. The blockchain is an entirely new medium for art,” Mack Flavelle, a developer and artist behind one project called CryptoKitties. 
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Artists, Curators and Directors Pen Open Letter Over Documenta Controversy

January 15th, 2018

Documenta, via Art NewspaperA group of art world professionals have penned an open letter over Kassel’s plans for the future of Documenta, expressing concern over the resignation of director Annette Kulenkampff.  The letter challenges the assertion that there “has been no proof whatsoever of (Kulenkampff’s) culpability” for the program’s budget deficits “which arose through a program concept for which all parties shared responsibility.”
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