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New York Times Looks at Growing Emphasis on Artist Estate Representation

Tuesday, January 31st, 2017

London – William Kentridge: “Thick Time” at Whitechapel Gallery Through January 15th, 2017

Saturday, December 31st, 2016

New York – Richard Aldrich: “Time Stopped, Time Started” at Gladstone Gallery Through March 5th, 2016

Sunday, February 28th, 2016

Times Square Art Installation Invites Passers-By to Take Part

Friday, July 25th, 2014

Doug Aitken Interviewed by New York Times on “The Source”

Monday, January 20th, 2014

Peter Doig Interviewed by New York Times

Friday, July 26th, 2013

New York – Marc Quinn: “All the Time in the World” at Mary Boone Gallery Through June 29th, 2013

Thursday, June 27th, 2013

Milan – Mike Kelley: “Eternity is a Long Time” at HangarBicocca Through September 8th, 2013

Tuesday, June 11th, 2013

Jake and Dinos Chapman On Their Time as Artist’s Assistants

Saturday, March 23rd, 2013

AO Interview: John Miller on 'Suburban Past Times' at Metro Pictures through March 9, 2012

Thursday, March 8th, 2012

Go See – Long Island City, New York: “Time Again” at SculptureCenter through July 25, 2011

Thursday, May 26th, 2011

Go See – Stockholm: “Thrice Upon A Time” at Magasin 3 Konsthall, through December 12, 2010

Thursday, September 16th, 2010

Go See: 'Chewing Color,' curated by Marilyn Minter at 44 1/2 in Times Square, New York, April 1–30, 2009

Monday, March 30th, 2009

U.S. Premier of Malcolm McLaren’s video project, Shallow, in Times Square

Thursday, July 3rd, 2008

AO Preview – Miami Beach: Miami Art Week and Art Basel Miami Beach, November 30th – December 4th, 2016

Sunday, November 27th, 2016

New York – Pedro Reyes: “Doomocracy” at Brooklyn Army Terminal Through November 6th, 2016

Wednesday, October 26th, 2016

AO Events and Art Preview – Miami Beach: Art Basel Miami Beach 2016 and Miami Art Week, December 3rd – 6th, 2015

Monday, November 30th, 2015

Anne Pasternak Named Head of Brooklyn Museum

Wednesday, May 20th, 2015

Brooklyn Artist’s Offer Miniature Version of Dancing Jordan Wolfson Sculpture

Wednesday, September 3rd, 2014

New York – Kara Walker: “A Subtlety” at The Domino Sugar Factory Through July 6th, 2014

Thursday, July 3rd, 2014

AO Preview – Frieze New York Art Week, May 7th – 11th, 2014

Wednesday, May 7th, 2014

Kara Walker Preps Domino Sugar Factory Installation

Sunday, April 27th, 2014

Mickalene Thomas Releases Film, Essay on the Life of Her Mother

Tuesday, February 25th, 2014

Artist Trevor Paglen Visualizes America’s Surveillance Agencies

Tuesday, February 11th, 2014
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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