Search Results

AO On Site at the 54th Venice Biennale 2011: Final Overview and News Summary

Monday, June 6th, 2011

AO Onsite: Art Abu Dhabi at the Emirates Palace Generates Significant Sales

Tuesday, December 1st, 2009

Newslinks for Monday, July 27, 2009

Monday, July 27th, 2009

AO Auction Results: Christie’s Contemporary Art Evening Sale, London, Tuesday, June 30, 2009 – Another ‘solid’ sale in a diminished market

Wednesday, July 1st, 2009

AO November Auction Roundup 3 of 5: Christie’s Post-War and Contemporary Art, New York, Wednesday, November 12th: Basquiat’s “Boxer” sells while the Bacon does not, “The market is adjusting down”

Sunday, November 16th, 2008

Newslinks for Friday, September 26, 2008

Friday, September 26th, 2008

Don’t Miss The Opening: Arrival of Christie’s-owned gallery, Haunch of Venison, in New York, Friday September 12

Saturday, September 6th, 2008

AO on Site Photoset – Paris: FIAC Art Fair, October 23rd – 27th, 2013

Sunday, October 27th, 2013

Newslinks for Tuesday, September 1st, 2009

Tuesday, September 1st, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.

Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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Marc Chagall Painting from National Gallery of Canada Features in Christie’s May Sale in New York

March 22nd, 2018

Chagall-La-Tour-Eiffel, via Art Market MonitorA 1929 Marc Chagall painting of the Eiffel Tower in Paris is being sold by the National Gallery of Canada at Christie’s this May in New York, and will be used to pay for new acquisitions.  “Filled with an air of sensuous, passionate romance, Marc Chagall’s La Tour Eiffel (estimate: $6-9 million) encapsulates the wonderfully poetic style that emerged in his oeuvre during the 1920s and 1930s,” the auction house said in a statement. “It was during this period that he experienced unprecedented period of happiness, stability, comfort and professional success amidst.”
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