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Gary Hume Parts Ways with White Cube

Tuesday, November 24th, 2015

London – Robert Irwin: “2 x 2 x 2 x 2″ at White Cube Bermondsey Through November 15th, 2015

Saturday, October 17th, 2015

London – Marc Quinn: “The Toxic Sublime” at White Cube Through September 13th, 2015

Thursday, August 27th, 2015

White Cube Closes Shop in São Paulo

Wednesday, July 8th, 2015

London – Theaster Gates: “Freedom of Assembly” at White Cube Gallery Through July 5th, 2015

Thursday, July 2nd, 2015

London – Virginia Overton at White Cube Mason’s Yard Through March 14th, 2015

Friday, February 27th, 2015

London – Christian Marclay at White Cube Bermondsey Through April 12th, 2015

Wednesday, February 18th, 2015

London – Tracey Emin: “The Last Great Adventure is You” at White Cube Bermondsey, through November 16th 2014

Thursday, November 13th, 2014

London – Gilbert & George: “Scapegoating Pictures for London” at White Cube Through September 28th, 2014

Sunday, September 7th, 2014

“Bloodflames Revisited” Breaks ‘White Cube’ at Paul Kasmin

Thursday, July 3rd, 2014

London – Miroslaw Balka: “DIE TRAUMDEUTUNG 75,32m AMSL” at The Freud Museum Through May 25th, 2014 and “DIE TRAUMDEUTUNG 25,31m AMSL” at White Cube Through May 31st, 2014

Sunday, May 25th, 2014

London – He Xiangyu at White Cube Bermondsey Through April 13th 2014

Monday, April 7th, 2014

London – Franz Ackermann: “9 x 9 x 9” at White Cube Through April 13th, 2014

Wednesday, March 19th, 2014

London – Darren Almond: “To Leave a Light Impression” at White Cube Bermondsey, Through April 13th, 2014

Tuesday, February 25th, 2014

Hong Kong – Jake & Dinos Chapman: “The Sum of All Evil” at White Cube, through August 31st 2013

Sunday, July 28th, 2013

Damien Hirst ‘Entomology Cabinets and Paintings, Scalpel Blade Paintings and Colour Charts’ White Cube, Hong Kong through May 4, 2013

Friday, May 3rd, 2013

London – Chuck Close: “Chuck Close Prints: Process and Collaboration” at White Cube Bermondsey, through April 21st 2013

Saturday, April 20th, 2013

Hong Kong – Elad Lassry at White Cube Gallery, Through February 8th 2013

Tuesday, February 5th, 2013

Bermondsey, London – “Antony Gormley: Model” At White Cube, Through February 10th, 2013

Sunday, December 23rd, 2012

São Paulo – “Tracey Emin: I Don’t Believe in Love but I Believe in You” Inaugurates New White Cube Gallery In Brazil, Through February 23rd, 2013

Monday, December 10th, 2012

100-tonne Antony Gormley Sculpture to go on view at White Cube in London

Friday, November 23rd, 2012

London – Theaster Gates: “My Labor is My Protest” at White Cube Bermondsey Through November 11th, 2012

Wednesday, October 31st, 2012

London: Antony Gormley: “Still Standing” at White Cube Hoxton Through September 15th, 2012

Thursday, August 23rd, 2012

London – Zhang Huang: “The Mountain Is Still A Mountain” at White Cube Bermondsey Through August 26, 2012

Sunday, August 12th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Michelangelo Sketch Sells for $24 Million in Paris

May 19th, 2022

A recently unearthed Michelangelo sketch, considered to be the artist’s first nude, has sold  at Christie’s Paris for a record 23 million euros ($24 million). “Michelangelo has decided to make the figure into something that corresponded more to his aesthetic by making him much more robust and monumental, while at the same time keeping the fragility of the figure, who is exposed and shivering” as he awaits baptism,” says Christie’s Old Masters expert Stijn Alsteens.
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Basquiat Work Sells for $85 Million at Phillips $224.9 Million Night

May 19th, 2022

The Jean-Michel Basquiat work from the collection of Japanese billionaire Yusaku Maezawa had a strong return to auction last night at Phillips, where it achieved $85 Million, part of a total sale of  $224.9 million, the highest in the company’s history. 
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Independent Art Fair to Launch New Fair Around 20th Century Work

May 17th, 2022

The Independent Art Fair will launch a new fair in September this year that will focus on 20th Century Works. “Over the years, there has been a shift, with next-generation dealers showing a more diverse group of artists and territories, geographically, socially, politically,” says Independent director Elizabeth Dee. “They are looking forward and looking back, saying, ‘We need to have a canon that looks like our program.’”
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