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AO On-Site – London: Frieze Art Fair in Regent’s Park, October 6th – 9th, 2016

Wednesday, October 5th, 2016

London – David Shrigley’s “Really Good” Unveiled for Trafalgar Square’s Fourth Plinth Commission

Wednesday, October 5th, 2016

Frieze London May See Foreign Rush as Pound Struggles

Tuesday, October 4th, 2016

AO Preview – Frieze London Art Fair in Regent’s Park, October 6th – 9th, 2016

Monday, October 3rd, 2016

The Guardian Looks at Picasso’s Relationship to Portraiture and His Sitters

Friday, September 30th, 2016

David Shrigley’s Fourth Plinth Statue Goes on View in London

Thursday, September 29th, 2016

London Exploring Plans for “Artist Zones” to Protect Creatives from Soaring Rent

Thursday, September 22nd, 2016

London – David Hockney: “82 Portraits and 1 Still Life” at The Royal Academy of Art Through October 2nd, 2016

Wednesday, September 14th, 2016

London – Raqib Shaw at White Cube Bermondsey Through September 11th, 2016

Sunday, September 11th, 2016

London – Mark Grotjahn: “Pink Cosco” at Gagosian Gallery through September 17th, 2016

Wednesday, September 7th, 2016

After Brexit, London Remains at Center of Art World

Tuesday, September 6th, 2016

London – Keith Sonnier: “Light Works” at Whitechapel Gallery Through September 11th, 2016

Tuesday, September 6th, 2016

London – “The world is yours, as well as ours” at White Cube Through September 17th, 2016

Saturday, September 3rd, 2016

London – Alex Katz: “Quick Light” at The Serpentine Galleries Through September 11th, 2016

Saturday, August 27th, 2016

London – Bas Jan Ader at Simon Lee Through August 26th, 2016

Monday, August 22nd, 2016

London-Raymond Pettibon at Sadie Coles HQ through August 20, 2016

Friday, August 12th, 2016

London – Francis Alÿs: “Ciudad Juárez Projects” at David Zwirner Through August 5th, 2016

Tuesday, August 2nd, 2016

London – Nairy Baghramian: “Scruff of the Neck” at Marian Goodman Through July 29th, 2016

Monday, July 25th, 2016

London – Wolfgang Tillmans at Maureen Paley Through July 31st, 2016

Thursday, July 14th, 2016

AO Auction Recap – London: Christie’s Post-War and Contemporary Evening Sale, June 29th, 2016

Wednesday, June 29th, 2016

AO Auction Recap – London: Phillips 20th Century and Contemporary Evening Sale, June 27th, 2016

Tuesday, June 28th, 2016

London-Jean Dubuffet: “Late Paintings” at Timothy Taylor Through July 2nd, 2016

Friday, June 24th, 2016

London – Walter de Maria at Gagosian Gallery Through July 30th, 2016

Thursday, June 23rd, 2016

AO Auction Recap – London: Sotheby’s Impressionist and Modern Evening Sale, June 21st, 2016

Wednesday, June 22nd, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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