Lisa Yuskavage is interviewed in The Paris Review this week, shortly after opening a show at David Zwirner earlier this month.  In the interivew, Yuskavage reveals some unconventional aspects behind her new work, including dabbling in online dating networks.  “It’s interesting because in order to make some of these paintings of men, I did something a few years ago—I didn’t realize why I was doing it at the time. I joined Grindr. I had a Grindr persona.”  Yuskavage tells the magazine.  “You didn’t think I was going to say that today, did you?” (more…)

Jeffrey Deitch is preparing to install an exhibition of street art in Coney Island this summer, including work by Mister Cartoon, Swoon, JR, Lee Quiñones, and Icy Signs, among others.  I’ve always loved the energy that comes out of the New York vernacular,” Deitch says, “and I’ve dreamed of doing a show in Coney Island since I first started going there in the ’70s.” (more…)

The trial over the alleged art fraud committed by San Francisco real estate developer Luke Brugnara took a strange turn this week, as Brugnara was sentenced to 21 days in jail for contempt of court and bullying witnesses.  Brugnara reportedly screamed for a mistrial during court proceedings, and accused dealer Rose Long, who testified that Brugnara took over $11 million in art and refused to pay for it, of being a “liar.”  “I think she’s probably got post-traumatic stress disorder now,” said presiding judge William Alsup. “I’m afraid it’s done mental damage, the way she’s been treated.” (more…)

First Lady Michelle Obama was on hand Thursday for the opening ceremonies at the Whitney Museum, which opens to the public today, and made remarks praising the vision of the new space.  “Maybe you can discover the next Carmen Herrera, or Archibald Motley, or Edward Hopper, or maybe even the next Barack Obama. That is the power of institutions like the Whitney. They open their doors as wide as possible both to the artists they embrace and to the young people they seek to uplift.” (more…)

French artist Vincent Lamouroux has completed a new public project in Los Angeles, covering the full exterior of an historic motel at Bates and Sunset Blvd. in white paint.  “It couldn’t have been any other place,” the artist says. “Because it is a motel, a place shared by a lot of people. And this type of architecture, international style, coupled with palm trees, the motel sign and the billboard as well, is a combination of the LA idea that we all have, the California dream.” (more…)

Sara Reisman, director of New York City’s Percent for Art program within the department of Cultural Affairs, has been appointed as the new artistic director of the Shelley and Donald Rubin Foundation, where she will curate events and oversee the Foundation’s new “Art and Social Justice initiative.”  (more…)

Uta Werner, cousin of Cornelius Gurlitt, is appealing a Munich court’s decision rejecting her claim to Gurlitt’s trove of works.  The German court system is currently reviewing the appeal before it makes its decision to pass the claim on or reject it again. (more…)

The annual Art Critics Association Awards for 2014 have been announced, with Kara Walker’s Domino Sugar Factory project winning for “Best Exhibition in an Alternative Venue,” and Pierre Huyghe’s LACMA Retrospective winning for “Best National Museum Monograph.” (more…)

For the New Museum and Rhizome’s latest iteration of the Seven on Seven Technology Conference, Ai Weiwei has teamed with Wikileaks and Tor Project activist Jacob Appelbaum for a project dealing with surveillance and international borders, with the collaboration filmed and presented by Laura Poitras, director of the Edward Snowden documentary Citizenfour.  “It was important to bring together these two courageous people who are disseminating their messages using art and technology respectively, and facing similar levels of scrutiny and hardship as a result,” says Heather Corcoran, Senior Executive of Rhizome. (more…)

The annual BP Portrait Award has announced this year’s shortlist, featuring artists from the UK, Israel and Spain.  “It was good to see even more international artists entering and my fellow judges and I were impressed by the different styles of portraiture, some quite new to the exhibition, and intrigued by the stories behind the portraits,” says Pim Baxter, the deputy director at London’s National Portrait Gallery. (more…)

Bloomberg reports on dealer Yves Bouvier, whose arrest earlier this year over alleged price inflation in the $186 million sale of a Mark Rothko reflects the warnings offered earlier this year by economist Ariel Roubini: “There are a number of serious distortions in the art market that suggest that there is some shady behavior going on.  Price opacity in the art market leads to insider information, which makes insider trading in art far more likely.” (more…)

Beginning May 1st, British Airways is launching a new in-flight television channel run by the Tate, featuring interviews and profiles in artists like Grayson Perry, Ed Ruscha and Ai Weiwei.  “We’re excited to be the first airline to have a dedicated Tate channel, offering our customers more entertainment options than ever before.”  British Airways in-flight entertainment manager, Richard D’Cruze, says.  “There is definitely a trend to use your flight time to discover something new and different and feel a sense of accomplishment when you step off a plane.”  (more…)

Another article on the Obama Presidency’s attack on 1031 “Like-Kind” Exchanges is on Bloomberg this week, focusing on collector Steven Edlis and his use of the loophole to acquire works he then donates.  “Stefan Edlis has been generous but many people who will take advantage of this will not be generous,”says critic Robert Storr, dean of the Yale University School of Art. (more…)

As President Xi Jinping’s anti-graft actions continue, the Chinese Government is looking for additional ways to crack down on corruption in its party hierarchy, with a main target being art and literary prizes.  “The ministry of culture will carry out a comprehensive rectification of literary and art awards. A number of awards will be cancelled or streamlined, with an overall reduction of more than 60 per cent,” the Communist Party said in a statement. (more…)

Against the backdrop of critical backlash over MoMA’s recent Björk exhibition, The Art Newspaper sits down with Glenn Lowry for a frank and lengthy interview, charting his vision for the museum, and his acknowledgement of issues of overcrowding often leveled on the museum.  “My background is as a historian of Islamic art, so of course I lament the loss of solitude,” Lowry says. “But I am also a pragmatist; solitude is probably gone regardless. Had our attendance grown by 25% or 30%, which is what we figured it would with the 2004 expansion, you would still have had those moments. Will the [next] expansion solve all those problems? No, it’s not going to solve everything, but it will enable us to show a great deal more of our collection and in many different ways.” (more…)

A pair of Francis Bacon self-portraits that have been considered missing since they were painted in the mid-1970’s have been found, and are going on sale at Sotheby’s this July in London, estimated at £15 million each.  “Marlborough Fine Art kept a photographic archive and so both of these paintings appeared in a book on Bacon’s self-portraits but, apart from being reproduced in books, they’ve not been seen,” says Sotheby’s Oliver Barker. “We knew of the existence of the paintings but simply had no idea where they could be.” (more…)

Following numerous set-backs and a potential cancellation, the second Kiev Biennial will open this September, the Art Newspaper reports.  The rescheduled event will be hosted at the Visual Culture Research Center, a target in the past for right-wing protests and activists.  Speaking of the Euromaidan revolution, Curator Georg Schöllhammer noted that the political upheaval in the country “spoke loudly about what the people of the Ukraine want to get rid of.  I think we have to follow that.” (more…)

Part of the celebrations surrounding the opening of the Whitney Museum this week, the Empire State building will display colored lighting schemes centered around famous works from the museum collection.  The lighting, which goes live Saturday, is designed by acclaimed designer Mark Brickman.  “We’re dealing with Andy Warhol and Elizabeth Murray and Rothko,” Brickman says of the challenge. “Giants.” (more…)

Lauren Cornell, the Curator of this year’s New Museum Triennial, is interviewed in Dazed this week, reflecting on her origins in experimental film, her work with Rhizome, and her work in addressing gender and sexuality as a curator.  “I think it seems especially hard or frustrating to come up as a young artist now in an art world that seems to think of itself as ‘over’ inequality, while consistently rewarding white men more than anyone else,” she says.  “In this context, it’s important to create spaces for ongoing inequalities to be named and dealt with constructively.” (more…)

The New York Times looks at the current practices of “Like-Kind Exchange” on the fine art market, a tax provision allowing collectors and art flippers to defer taxes on sales income by using proceeds to buy an even more expensive work, and the attention it’s currently receiving from tax regulators.  “If you are doing five transactions over 25 years,” says advisor Josh Baer, “each time buying something more expensive, each time you don’t pay the capital gains tax on the way. At the end of the day you are way ahead.” (more…)

A new study on the use of digital technologies in American art museums is set for release this week, an in-depth study that looks at museum projects nationwide and their effectiveness in incorporating new immersive media.  The study covers 41 museum projects, from a “digital census” of French sculpture at Dallas’s Nasher Center to new iPad based wall labeling at the Worcester Art Museum in Massachusetts.   (more…)

Cai Guo-Qiang is interviewed in the Wall Street Journal this week, and gives his personal take on the current state of contemporary art in China.  “Even though the art market is doing better than it did in the 1980s, the artworks that it generates do not have as much soul and strength to their works as the early avant-garde movements [did] in the 1980s,” he says. (more…)

Controversy has struck at the Venice Biennale this year, after the Kenyan government officially denounced its national pavilion at the exhibition this year, and accused the curators awarded to the space of misrepresenting themselves as affiliated with the nation’s arts community while presenting a predominantly Chinese body of artists.   “We hereby declare that the artists are in no way Kenyan,” a statement from the Kenyan government states.  “Neither through birth nor naturalization and have no business using OUR NAME or flying OUR FLAG at the art Olympics. We demand that the government act by not only stopping the use of the Kenyan name and flying of the Kenyan flag at the Venice Biennale but also demanding the false information be pulled down from all publicity material including the Venice Biennale website.” (more…)

The MAK Vienna has purchased artist Harm van den Dorpel’s Event Listeners screen-saver work with Bitcoins, making it the first museum in the world to use the digitally-centered currency.  The work will be shown at this year’s inaugural Vienna Biennale, running June 11 to October 4. (more…)