Yael Bartana, Inferno (2013)

Yael Bartana’s new body of work, containing two video pieces, two photographs and a neon installation, is currently on view at Petzel Gallery. The Tel Aviv and Amsterdam-based artist has become one of the strongest artistic voices from her home in Israel, a territory Bartana, in her own words, aims to ‘treat as a social laboratory’. Living abroad gives the Bezalel Academy of Arts and Design graduate the opportunity to maintain a neutral outside perspective towards her country that has always remained embedded in political, religious and social turmoil. (more…)

The Stedelijk Museum has announced a major donation of 175 works from the collection of Claes Oldenburg and Coosje van Bruggen, featuring pieces by Lawrence Weiner, Anselm Kiefer, and Jeff Wall, among many others.  “The Stedelijk is deeply honored to receive such a generous, essential and wonderful gift, says Beatrix Ruf, director of the Museum.  “We are extremely moved about their decision to make the Stedelijk Museum Amsterdam their collection’s new home. It reflects their deep engagement with the city as well as the Stedelijk’s relationship and engagement with the history of artistic exchange between the US and Amsterdam.”

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A 1986 Ellsworth Kelly design for a free-standing building has been acquired by the Blanton Museum of Art in Austin, and will be constructed on the museum grounds this spring.  The building has some ties to the contemplative, spiritual air of the Rothko Chapel, as well as Matisse’s design for the Chapelle du Rosaire.  “I think people need some kind of spiritual thing because, as you can see, there are spots around the world that are blowing up and we don’t want that,” the artist says. “No one wants that.” (more…)

Adam Lindemann is opening a new gallery in Los Angeles, the aptly titled Venus Over Los Angeles, which will open downtown in April with a show of work by Dan Colen.  “I don’t know that I’m going to be the person to find the next great L.A. artists,” Mr. Lindemann tells the New York Times, “but it’s a great place for huge sculpture, huge paintings.” (more…)

A number of New York City art galleries and dealers have been subpoenaed in the past weeks by the Manhattan district attorney’s office, asking for a sales and shipping records for past sales.  Some speculate that the high prices paid at recent auctions have triggered a response by the DA to investigate possible fraud and tax evasion.  “I suspect they are looking at many. It is very rare they would go after a one-off unless it was someone who was very well known,” says tax specialist Ken Zemsky. (more…)

The 2015 Edition of Frieze New York will include a “Projects” section with works by Korakrit Arunanondchai, Pia Camil, Samara Golden, Aki Sasamoto and Allyson Vieira, the fair has announced.  The section is curated by Cecelia Alemani, and will include a series of massage chairs by Arunanondchai, and an intricate underground installation by Golden. (more…)

Bloomberg takes a look at the current state of the Euro, and its effects on the series of auctions currently taking place in London, considering the ongoing economic crises from a variety of perspectives.  “The euro is just killing Europe, but it’s killing Italy more than anything else,” says dealer Otto Naumann says. “I haven’t seen any Italian collectors buying anything.” (more…)

Metropolitan Museum of Art curator Walter Liedtke was one of the victims of this week’s tragic MTA North crash outside of Valhalla, NY, the New York Times reports.  “He had a wonderful way with words and engaged people through those unexpected approaches in language,” says Arthur K. Wheelock Jr., curator of Northern Baroque paintings at the National Gallery of Art in Washington. “He had strong opinions about things, and he was not shy about expressing those opinions.” (more…)

Pierre Huyghe, Zoodram 5 (2011)

Following a year of strong solo exhibitions and special projects in the United States and abroad, Pierre Huyghe has opened a the first major retrospective devoted to his work at the Los Angeles County Museum of Art, pulling together a combination of his most ambitious videos, sculptures and installation environments, allowing a broad few of the artist’s continued interests in fluctuations of time, space and matter as expressed within the gallery environment.  Huyghe’s retrospective, which first opened in Paris, early last year, finally makes it to U.S. soil, bringing with it a group of 50 projects culled from the artist’s 20 year career. (more…)

Leigh Morse, the former gallery director who was convicted of selling over 70 works from the estates of artists like Robert De Niro Sr. and never notifying the beneficiaries, is in the news this week, after failing to pay the $1.7 million in restitution ordered by the court. “Her restitution tab to date is over a million dollars. She has paid, to date, $22,000, in cash, 2.2 percent,” says Prosecutor Kenn Kern. “What’s so unbelievably upsetting and appalling is that every time you give very clear directions somehow we end up back here.” (more…)

New York Magazine columnist Jerry Saltz is the first art critic to receive a National Magazine Award for a Column, following the announcement of the American Society of Magazine Editors’s annual awards.   (more…)

Artist Nick Cave has announced plans for a parade utilizing the artist’s colorful and imaginative costumes through the underprivileged neighborhoods of Shreveport, Louisiana, thanks in part to a $40,000 grant from the National Endowment for the Arts. (more…)

Sturtevant, Duchamp Relâche (1967)

The Museum of Modern Art is hosting the first US exhibition focusing on the work of the late Sturtevant, one of the foremost artists to initiate conversations on commodification and appropriation of artworks, after the late artist was the subject of various solo shows in Europe. Born Elaine Horan in Ohio, Sturtevant always chose to remain discrete about her biography, so much that her year of birth is still a matter of discussion. (more…)

A pair of classic bronze works have been revealed to be the work of Michelangelo, after an extensive research undertaking in Cambridge, a discovery that would make the sculptures the only surviving bronzes by the artist in the world.  “They are clearly masterpieces,” says Victoria Avery, keeper of applied arts at the Fitzwilliam Museum. “The modelling is superb, they are so powerful and so compelling, so whoever made them had to be superb.” (more…)

A group of protestors, working under the name Liberate Tate, showered the Tate Britain with fake pound notes this weekend, continuing the series of protests over the museum’s British Petroleum sponsorship.  “It’s time for the arts to draw a line,” says one protestor.  “Oil companies are a whole category of unacceptable partners for public arts, like tobacco and arms companies.”  (more…)

Paramount Ranch 2, via Art Observed

Tucked away in the mountain ranges outside of Santa Monica, the Paramount Ranch is a relic of the Golden Age of the Hollywood studio system, a massive film set and town used to shoot Westerns.  It’s just this history that makes the landscape a fittingly Californian location to stage an art fair.  Now in its sophomore year, Paramount Ranch offers a unique take on the fair experience: galleries and artists are invited to participate, steering away from any formal application process, and the selection of works often leans towards the more imaginative and immediate.

Haciencda at Paramount Ranch 2, via Art Observed (more…)

Claude Monet, Le Grand Canal (1908), via Sotheby’s

Picking up where last week’s Old Masters auctions in New York City left off, the art market’s attention turns to London this week, as Christie’s and Sotheby’s prepare a set of Impressionist and Modern auctions.   (more…)

Artist Andres Serrano, whose notorious work Piss Christ was removed from the Associated Press image archives after the attack on the Charlie Hebdo offices, speaks out in Creative Time Reports this week, defending unconditional free expression in the arts and in contemporary political discourse.  “Unfortunately, times like these show us the true limits of people’s taste for debate, even in an ostensibly free society,” he writes.  “We have only to look to our shared human history to find that the artists and thinkers who have most advanced civilization in the direction of freedom and equality were often unpopular in their day. They questioned, they analyzed, they regularly offended. Without them we would surely be lost.” (more…)

In the run-up to this week’s Impressionist and Modern auctions in London, The Guardian looks at the current state of the market, and how works like Claude Monet’s Le Grand Canal (est. £20 milltion – £30 million), have come to be valued so highly in the growing market.  “There is such intense demand for the very best and the rarest,” says Jay Vincze, the international director and head of impressionist art at Christie’s, “This is the kind of painting that will appeal to a masterpiece buyer. Someone who wants the best of everything.” (more…)

A major ring of forgers focused on Old Masters works has been uncovered in Spain, with over 27 pieces priced to sell for over €1.2 million confiscated in the city of Castellón.  The works varied widely in quality, including a number of Goya etchings which were, in fact, photocopies of the artist’s work.   (more…)

John Waters, Beverly Hills John (2012)

Marianne Boesky Gallery is hosting its third collaboration with John Waters, a pioneer of American camp and “trash culture” since the 1970’s, particularly through his feature breakthrough Pink Flamingos in 1972.  Throughout his career, Waters has constantly redefined the elements that constitute American culture, at a time when the nation was premature to notions such as homosexuality or kitsch, and used these often marginalized cultures within a studied cinematic and artistic framework.

John Waters, Still from Kiddie Flamingos (2014) (more…)

Agnolo Bronzino, Portrait Of A Young Man With A Book, Via Christie’s

Old Masters Week has concluded in New York, following a set of auctions over the past few days that saw mixed results at both Sotheby’s and Christie’s. (more…)

The U.S. Army is searching for a new group of cultural affairs officers to supervise the securing and preservation of important cultural monuments, property and locations in conflicted areas.  The Army had long taken a more lax, reactive approach to cultural preservation, but is looking to strengthen its methods.  “The civil affairs units have always had ‘functional specialists’, but the individuals were often not qualified in any meaningful way,”said Brigadier General Hugh Van Roosen, the director of the Institute for Military Support to Governance (IMSG) at Fort Bragg, North Carolina.  “At the same time, if you have one person who was just the right fit, you probably didn’t have two of them. It was just a broken system.” (more…)

Artist Kehinde Wiley is profiled in the New York Times this week, discussing his early life in Los Angeles, and his responses to the outrage over police violence in Ferguson, MO.  “I know how young black men are seen,” the artist says in his Williamsburg studio. “They’re boys, scared little boys oftentimes. I was one of them. I was completely afraid of the Los Angeles Police Department.” (more…)