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Kassel: Quinquennial exhibition dOCUMENTA (13) opens in Kassel on June 9th, to run through September 16th, 2012

Monday, June 11th, 2012

AO on site Photoset Preview: Art 42 Basel – Art Unlimited and Art Statements at the main fair

Tuesday, June 14th, 2011

Go See – London: ‘Newspeak: British Art Now’ at Saatchi Gallery through October 17, 2010

Monday, August 23rd, 2010

Go See: St. Petersburg, Russia – Newspeak. British Art Now. The State Hermitage and Saatchi Gallery through January 17, 2010

Saturday, January 9th, 2010

Picasso’s Guernica to be exhibited at Whitechapel Gallery reopening, London, April 5th, 2009

Monday, March 30th, 2009

Mark Leckey wins UK’s 2008 Turner Prize

Tuesday, December 2nd, 2008

Go See: Turner Prize show at the Tate Britain, London, Sept 30th through Jan 18

Monday, September 29th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Guggenheim Hires First Full-Time Black Curator

November 18th, 2019

The Guggenheim Museum has hired its first full-time black curator: Ashley James. “Her work complements the Guggenheim’s mission to present the art of today,” says Nancy Spector, the Guggenheim’s artistic director and chief curator, “which we understand as a deep and expansive view of art history.”
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Former Marciano Foundation Employees Protest at LAXArt

November 18th, 2019

Following layoffs at the Marciano Art Foundation, former workers are protesting at LAXArt, which currently counts Olivia Marciano as a board member, as a way to force a public comment.  “I can’t say I’m not sympathetic,” says LAXart Director Hamza Walker. “I run a nonprofit art space, just trying to keep it afloat and keep a hospitable back of the house.”
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Rubens Landscapes Will Be Reunited After Two Centuries

November 18th, 2019

Two landscapes by Peter Paul Rubens intended as companions will be reunited for public display for the first time in more than 200 years, after the Wallace Collection decided it would begin lending works for the first time. “We are hugely supportive of this because the general public is the beneficiary,” says National Gallery director Gabriele Finaldi. “Things can happen now that couldn’t happen before that will be extraordinarily interesting and exciting for the public and scholars.”
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