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New York – Vasily Kandinsky: From Blaue Reiter to the Bauhaus, 1910-1925 at Neue Galerie Through February 10th, 2014

Wednesday, February 12th, 2014

Go See – New York: Vasily Kandinsky at the Solomon R. Guggenheim through January 15, 2012

Saturday, December 24th, 2011

AO On Site – New York: ‘Bauhaus 1919-1933: Workshops for Modernity,’ featuring Paul Klee, Vasily Kandinsky, Josef Albers, and more at MoMA through Jan. 25, 2010

Friday, January 1st, 2010

Don’t Miss – New York: ‘The Geometry of Kandinsky and Malevich’ at the Guggenheim through September 7, 2010

Tuesday, August 24th, 2010

Go See-New York: Kandinsky at the Guggenheim Museum, New York through January 10th 2010

Saturday, October 3rd, 2009

Little-Known German Abstract Artist Emerges From Obscurity

Friday, August 15th, 2014

New York – “Degenerate Art: The Attack on Modern Art in Nazi Germany, 1937″ at the Neue Galerie Through September 1st, 2014

Saturday, August 9th, 2014

New York – “German Expressionism 1900-1930: Masterpieces from the Neue Galerie Collection” at The Neue Galerie, Through April 22nd, 2013

Sunday, April 21st, 2013

Newslinks for Monday August 17, 2009

Monday, August 17th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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