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AO News Summary – Berlin: Stolen Caravaggio Worth $100 million Recovered by German Police

Wednesday, June 30th, 2010

Art Observed Newslinks For Wednesday December 16th, 2009

Wednesday, December 16th, 2009

Go see – London: Damien Hirst “Blue Paintings” at the Wallace Collection through January 24, 2010

Friday, October 16th, 2009

Go See – London: Turner and the Masters at Tate Britain, through January 31, 2010

Wednesday, September 23rd, 2009

Go See – London: Uwe Wittwer: Raised Hide at Haunch of Venison until October 3, 2009

Friday, September 18th, 2009

Newslinks for Tuesday September 15th, 2009

Tuesday, September 15th, 2009

Go See – Cologne, Germany: Sigmar Polke 'THE EDITIONS' at Museum Ludwig through September 27, 2009

Thursday, August 27th, 2009

Newslinks for Saturday, July 4th, 2009

Saturday, July 4th, 2009

Newslinks for Thursday, May 28, 2009

Thursday, May 28th, 2009

Go See: Van Dyck and Britain at Tate Britain, through May 17th, 2009

Monday, March 16th, 2009

Go See: Cy Twombly: 'The Rose' at Gagosian Gallery, London through May 9th, 2009

Wednesday, March 4th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jean-Michel Basquiat Work at TEFAF 2017 Revealed as Fake by André Heller

November 3rd, 2022

Musician and artist André Heller fabricated a falsely attributed Jean-Michel Basquiat for sale at TEFAF in 2017, Art News reports. “In retrospect, the whole thing is, firstly, a childish prank. Secondly, it is naturally showing off. And thirdly, it is a stupid mixture of fiction and truth,” he says. “Just a private fairy tale.”
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Monica Bonvicini “Pauses” Representation with König Galerie After Allegations Against Founder

November 3rd, 2022

Monica Bonvicini has “paused” her relationship with König Galerie after sexual harassment allegations broke against its founder, Johann König.
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Oscar yi Hou Profiled in NYT

October 25th, 2022

Artist Oscar yi Hou gets the profile treatment in the New York Times this week, as he opens a show at the Brooklyn Museum. “I think by creating symbolic densities, you’re able to invite the viewer to pay more attention to the works,” he says. “I try to honor the opacity of the subject.”
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