Nigel Cooke, Nature Loves You (2011–2012). All photos on site for Art Observed by Samuel Sveen.

Andrea Rosen Gallery in Chelsea is currently showing Nigel Cooke’s 4th solo show in the multi-room space. Cooke was on hand at the press preview to speak about the ten new paintings that marked for the artist a move into a much more dynamic and engaging direction. The press release references de Kooning‘s infamous “No Holidays” quote—that none of his work should ever have a caesura, that work should be an endlessly ongoing practice. Cooke displays reverence to that adage; every work is “three paintings in one.” Conceived by first laying a figurative layer full of characters and interaction, followed by sweeping obscurative strokes, and then capped by an attempt to rearrange order from the chaos induced—flushing out imagined smoking flower women, tree branches, and odd clown-skull masks.

Artist Nigel Cooke at the press preview

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Nigel Cooke, Stumpy’s Nights (2010). All images via Blum & Poe unless otherwise noted

British artist Nigel Cooke is currently showing at Blum & Poe in Los Angeles through February 12.  The installation spreads three galleries, displaying Cooke’s most recent sculptures and paintings, including his stunning triptych: Departure, upheld by the curators as the exhibition’s centerpiece.  The work continues to examine the artist’s interest in the surreal, perhaps this time with a touch of the sublime, some of the works recalling the hazy, perilous romance of Caspar David Friedrich.   

More text and images after the jump…

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Chef On Dung Mountain, Nigel Cooke (2010). All Images via Modern Art Gallery

On view at Modern Art Gallery in London through May 29th is “Night Crossing,” a solo exhibition of new work by British artist Nigel Cooke. Renowned for his large scale melancholic works, his newest effort centers around the triptych Departure, which was inspired by Max Beckmann’s triptych of the same title (1933-1935). Also on view are a series of full length portraits, along with several sculptures. This is Cooke’s fourth solo exhibition at Modern Art Gallery.

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Country Life, Jack Pierson (2010) goes under the hammer at White Columns Live Benefit Auction, 2010. All photos by Oskar Proctor for ArtObserved.

The generosity was very evident on Saturday, May 15, when a crowd of artists, collectors and other art-world regulars packed into White Columns‘ West Village headquarters for the not-for-profit’s Annual Benefit Auction. Organized by the gallery to benefit their ongoing mission to support and expose emerging artists, the evening showcased a live auction that included work by long-time supporters of the gallery such as Anne Collier, Peter Doig, Adam McEwen, Rob Pruitt and Rirkrit Tiravanija. The live portion of the sale was complimented by a silent auction of work donated by coveted artists David Byrne, Spencer Sweeney, Andy Coolquitt and Joan Jonas, alongside contributions from newcomers such as Amy Yao and Ned Vena.

The top lots from the evening’s live auction were Peter Doig’s Musicians of the British Empire, a painting dedicated to his long-time friend Billy Childish, which sold for $62,000, and Mary Heilmann’s For Malcolm, another of the night’s music-inspired lots, which earned $22,000. Other highlights in the live sale included Wade Guyton’s Untitled, one of the sale’s lots to incorporate a record sleeve, fetched $9,500 and Anne Collier’s photograph of two copies of Norman Mailer’s book ‘Marilyn’ on her studio floor raised $19,000. The remainder of the evening was given over to the silent auction, during which time attendees can jot their bidder numbers on clipboards next to works. The works that generated the most frenzied competition in this section were the contributions of Andy Coolquit, Shio Kusaka, and Tauba Auerbach. White Columns’ famous xerox prints – 11” x 8 ½” prints produced in signed editions of 50 copies – saw great competition, most notable in this category were Ann Craven’s Heart of Gold, Adam McEwen’s Unisex and Elizabeth Peyton’s Flaubert in Egypt (After Delacroix). Another work to be picked up through the silent auction was Nigel Cooke’s title, (2007-08) which was purchased for $6,800, approximately $4,000 over its estimated retail value.

White Columns Director, Matthew Higgs, commands the impressive sale of Peter Doig’s Musicians of the British Empire, Peter Doig (2010) Retail value: $25,000+ Price Realized: $62,000

More images and video of live auctions after the jump…..
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Dirty Brian, Nigel Cooke (2010) Retail value: $2,500 – 3,500+ Opening bid: $2,000

This Saturday, May 15, New York’s oldest alternative and non-profit art space, White Columns, will host a special reception featuring a live auction.  Silent bidding has already begun on many of the works that are currently on view at the gallery on West 13th Street, New York – and a select group of works are to be sold at the live auction, conducted by White Columns director Matthew Higgs. White Columns wanted the works in the auction to be viewed as a curated exhibition, and indeed, the works have been on view for the past two weeks.  Last Saturday White Columns hosted a preview breakfast as part of New York Gallery Week.  Director Matthew Higgs explains, “we think it is important that the donated works have a chance to be seen by a wide public, and seen within the context of an exhibition…as opposed to the works being sold at a one-night only, ticketed event.”

Fallen Angels – Julie London, David Byrne (2010) Retail value: $1,000+ Opening bid: $500

Now entering their fifth decade of operation, White Columns has supported and launched the careers of literally thousands of artists.  Founded in 1970 by Jeffrey Lew and Gordon Matta-Clark, the space is one of the first artist-run organizations  intended to promote artistic communal solidarity. Many of the 75 artists who have contributed works have a historic, or more recent, connection to the organization – emphasizing an inter-generational ‘peer’ philanthropy so inherent to not-for-profit gallery culture. Among the artists who donated works are Peter Doig, Maurizio Cattelan, David Byrne and many others.  Bidders should have the opportunity to acquire choice works at a variety of price ranges. The top lot of the live auction is Mary Heilmann’s For Malcolm – a tribute to the recently deceased London-born impresario Malcolm McLaren, the work is one of a number of music-inspired works that feature in both the silent and live auctions.

As a special feature of the 2010 benfit, Higgs invited more than 30 artists to create a new work that incorporates an existing record sleeve, or to create a work that uses a record sleeve as its point of departure.  in this section include: Nigel Cooke, Brendan Fowler, Wade Guyton, Jessica Jackson Hutchins, Jutta Koether, Josephine Meckseper, Dave Muller, David Noonan, Raymond Pettibon, Jack Pierson, Richard Phillips, Cheyney Thompson, Kelley Walker, among others.

Musicians of the British Empire, Peter Doig (2010) Retail value: $25,000+ Opening bid: $12,500

More images and lot info after the jump…..
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Masters of the Universe, Tim Noble & Sue Webster (1998-2000). All photographs by Oskar Proctor for ArtObserved.

“Skin Fruit,” the much-anticipated, Jeff Koons­-curated exhibition featuring million-dollar works by the biggest names in contemporary art continues at the New Museum through June 6, 2010. The New Museum’s questionable decision to exhibit works from the collection of one of its trustees, Greek billionaire Dakis Joannou, resulted in an art world controversy that threatened to upstage the show itself from the very beginning. When a large mix of celebrities and art-world-insiders flooded the Museum for the opening reception – attendees included Cyndi Lauper, U2’s the Edge, and collectors Don and Mera Rubell – the irony of placing the ritzy collection in a museum that was once championed for its promotion of the underdog was only exaggerated. And the critics responded accordingly. Christian Viveros-Fauné lambasted that the show is totally wrong for our times “in just about every possible way.” According to the exhibition press release, the featured works by Franz West, Charles Ray, Matthew Barney, Richard Prince, Robert Gober, Mike Kelley, Paul McCarthy, Tim Noble and Sue Webster, Kiki Smith, Kara Walker, Maurizio Cattelan, Tauba Auerbach, Chris Ofili, Dan Colen and Terence Koh, amongst others, aim to “evoke the tensions between exterior and interior, between what we see and what we consume” – a curatorial spin critics say was invented in an effort to disguise a “rudderless display of art as trophy hunting” as an art exhibition. While this may be true, Skin Fruit essentially offers the common man an opportunity to view important works from one of the finest and most original collections of contemporary art in the world that have rarely, or never been seen in New York.

Revolution Counter-Revolution, Charles Ray (1990/2010)

Photo-essay and full round-up of links after the jump….
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Nigel Cooke, “Experience” (2009) via Andrea Rosen Gallery

Andrea Rosen Gallery is presenting a group of recent works by British artist Nigel Cooke.  The show, which features a combination of large canvases, miniatures, and small sculptures, is Cooke’s third solo exhibition at the gallery, and will run until June 13, 2009.  Combining painting conventions of the past with the illustrative styles of street art and children’s books, Nigel Cooke has a growing reputation for his obsessively detailed fictional scenes set against unsettling landscapes.  His later work focuses more closely on the single, isolated figure, seemingly caught in the nightmarish, highly disturbing version of a fairytale.

Related links:
Nigel Cooke Exhibition Page [Andrea Rosen]
Nigel Cooke Biography [Andrea Rosen]
Artist’s Page [Art Observed]
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Nigel Cooke, Fun (2005-2006) via Stuart Shave/Modern Art

Stuart Shave/Modern Art in London’s East End recently opened a new space in the West End, on Eastcastle Street. Its inaugural show is an exhibit of new paintings by the artist Nigel Cooke. It runs from April 24 – May 24.

Stuart Shave/Modern Art
Nigel Cooke: New Accursed Art Club [ThisIsLondon]
London Gets New Art District: Fitzrovia Dealers Fight Slowdown [Bloomberg]

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