Ode to Santos Dumont the last work completed by the late Chris Burden this year, has gone on view at LACMA, a helium-filled dirigible that circles inside the Resnick Pavilion, paying tribute to the balloon pilot who sailed around the Eiffel Tower in 1901.  “The idea that you try and fail and try and fail and have an imagination is very much Chris Burden the artist,” LACMA Director Michael Govan says.  “I think he saw in Santos Dumont a bit of himself having ideas and an imagination and tenacity and also that kind of joy of achievement.” (more…)

The Tate Modern is will launch a two day “dance marathon” this May, inviting a range of modern dance performers to exhibit and teach within the museum space.  “The whole feel of it over the 48 hours will be about this constant transformation,” says curator Catherine Wood. “It will be partly a presentation of focused works of choreography and then a spreading of more pop-up things, through the collection gallery and the public spaces.” (more…)

The New York Times highlights the challenges faced by a growing online auction market, including a relative unwillingness by collectors to exceed certain prices when bidding for work, and concerns about work authenticity and provenance.  “They feel comfortable up to about $10,000,” said Ben Hartley, a managing director at Auctionata, an online auction company. “Beyond that, people are still needing levels of trust. Online purchases are going to take time reaching the upper limits.” (more…)

The New York Times interviews Marcel Dzama this week, in the wake of the artist’s opening at David Zwirner, alongside his collaborators Kim Gordon and Tim Kingsbury (of Arcade Fire).  The trio worked together on Dzama’s newest film Une danse des bouffons (A jester’s dance), a fantastic film incorporating numerous Dadaist and Surrealist references into a work inspired by the affair between Marcel Duchamp and sculptor Maria Martins.  “It’s amazing how many things you can do when you’re just pretending,” says Gordon. (more…)

Tara Donovan, Untitled (2014) via Art Observed

The geometric, visually imaginative work of Tara Donovan takes its inspiration from simple movements, simple gestures elevated by their repetition and internal harmony.  Her work finds its form through the interaction of its elements, the spatial and compositional considerations of her materials, placed in close proximity and allowed to engage in a conversation between each singular element and the final form these pieces ultimately create.

Tara Donovan, Untitled (2014) via Art Observed

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Keith Haring, Moses and the Burning Bush (1985), via Art Observed

On view at Gladstone Gallery is an exhibition of large-scale works by Keith Haring, including canvases and tarps painted in the artist’s immediately recognizable style, which has since become part of a widely reproduced visual language of the late 20th century. The display will remain on view through June 14, 2014.

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Jean-Michel Othoniel, Double Collier Autoporté Or (2014), all images courtesy Galerie Perrotin Hong Kong

On view at Galerie Perrotin, Hong Kong is a solo exhibition of sculptures by French contemporary artist Jean-Michel Othoniel. For the works, great hanging sculptures composed of glass that Othoniel made in collaboration with a Feng Shui Master. Seeking to create forms that originate in human life, the works seek to achieve a symbiosis with the space that they inhabit.

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Bill Viola is profiled in The Guardian this week, following the opening of his new long-term installation, Martyrs at St. Paul’s Cathedral in London, featuring videos of people engulfed in frames or hung upside down.   “These people are left for dead and don’t expect to live,” Viola says. “That’s all I’ll say.” (more…)

Miroslaw Balka, We Still Need (2014), all images courtesy The Freud Museum

On view at The Freud Museum in London is a special exhibition from contemporary Polish sculptor and video artist Miroslaw Balka, featuring a series of installations referring to the period from 1938, when Sigmund Freud moved to London from Vienna to avoid Nazi persecution, until 1942, when four of his five sisters died in concentration camps. Densely layering Freud, Wagner and the Holocaust in equal measure, the measured and immersive installation will remain on view through May 25.

Miroslaw Balka, Above your head (2014), via White Cube

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Sterling Ruby is interviewed in the New York Times this week, following the opening of the artist’s new show at Hauser and Wirth.  “When you look at what I do,” he says, “it’s schizophrenic to the point where it should never have a market. With my work, you can’t be like, “Well, we can plug this into what’s happening in the market because it looks like the last series.” (more…)

A new documentary on Ai Weiwei, The Fake Case, is preparing for release, profiling the artist’s release from his 81-day detention under the Chinese state, the artist’s response after his imprisonment, and his preparation for S.A.C.R.E.D., a series of works that documented his time while he was held without bail for tax evasion, a charge one person in his film notes doesn’t even exist in China.  “Nobody in China would believe it, because nobody pays taxes in China anyways, so there’s no such thing,” they say. (more…)

Part of artist Doug Aitken’s The Source series of art conversations, the artist speaks with Liz Glynn, talking about the artist’s approach to her immersive environments.  “I think about functioning as somewhere between an architect and a scientist,” she says. “So I create the space and set up an experiment, but then I get out of the way and sort of see what happens.” (more…)

Vogue Magazine’s Genevieve Bahrenburg writes on a chance encounter with artist Chuck Close, and the artist’s process of capturing her on film for a painting, and the artist’s impressive perceptual capacities.  “I know from years of experience how the incremental units of the grid will fall on an image.”  Close tells her. (more…)

John Baldessari, Double Play: Eggs and Sausage (2012), Courtesy of Champagne Holdings, LLC © John Baldessari

On view at Garage Moscow, co-curated by Garage’s new Chief Curator Kate Fowle and International Advisor Hans Ulrich Obrist, 1+1=1 is the first exhibition of work by John Baldessari in Russia. The exhibition is a compilation of Baldessari’s most recent series of paintings, exploring the relationship between text and image in visual art.

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A collection of 1,500 works, valued at over $1.3 Million, has been seized by the German Customs Agency in Munich after a raid on the son of an elderly Nazi associate.  The works, which include pieces by Max Beckman, Picasso and Matisse, were looted from Jewish owners in the years before and during World War II, with the intent of building an enormous museum for them in Austria.  “We went into the apartment expecting to find a few thousand undeclared euros, maybe a black bank account,” says one Customs spokesman. “But we were stunned with what we found. From floor to ceiling, from bedroom to bathroom, were piles and piles of old food in tins and old noodles. Behind it all these pictures worth tens, hundreds of millions of euros.” (more…)

Writer Alain de Botton has contributed an essay to the Wall Street Journal, challenging the age-old questions of why art should matter to the average person.  Illustrating the art work as a moment of reflection and repose, de Botton reviews works by Hiroshi Sugimoto, Pieter de Hooch, Diego Velazquez and more, examining the benefits and impressions a single work of art can make in the viewer’s perception of the world. (more…)

London’s Hayward Gallery has announced plans for a retrospective of the work of Martin Creed, featuring a broad selection of work from the Turner Prize winner.  The exhibition, set to open in January of next year, will also include exhibitions at the Southbank Centre and the Royal Festival Hall.  “If people find the exhibition exciting, that would make me happy.”  Creed says. (more…)

Experts have identified a work found in a private Swiss collection to be a portrait by Leonardo da Vinci, which has been considered lost for over 500 years. The portrait, depicting noblewoman Isabella D’Este, is believed to have been painted by Da Vinci and several of his assistants.  “There are no doubts that the portrait is Leonardo’s work,” said Carlo Pedretti, an emeritus professor of art history at the University of California. (more…)