The Swiss artist Not Vital has announced plans to purchase Schloss Tarasp, a twelfth-century castle located in the Swiss Alps, for $8 million.  As part of the purchase, the artist has agreed to keep the castle’s museum publicly accessible until at least 2030.  (more…)

Eli Broad is profiled in Bloomberg this week, as the collector opens his new museum, and makes the case for L.A.’s new status as an art-world capital.  “We’re really the contemporary-art capital of the world,” he says. “New York still is the commercial-art capital of the world — but a month doesn’t go by when one of their galleries doesn’t move to Los Angeles.” (more…)

A piece by Christopher Knight in the LA Times notes that the Broad Museum’s stated goal of keeping its collection circulating and on loan may be harder than it seems. “Museums are notoriously hard to define. Except for those that don’t collect at all, however, the most important activity they undertake is exhibiting a permanent collection,” he says.  “The display defines the place, giving a distinctive public profile to an otherwise faceless institution.” (more…)

The New York Times profiles Bushwick’s Signal Gallery this week, noting the space’s forward-thinking programming and focus on the cutting-edge of the contemporary discourse.  “Four or five years ago, everything around here felt slapdash. Sometime during our search for a space, it became very clear that we could present things in this area at a level that was more professional and respectful,” says co-founder Kyle Clairmont Jacques. (more…)

A group of former students at USC’s Roski School of Art are reporting that a blog they started in 2012 was taken over by USC Administration without their notification.  “Beyond it being a retaliative move, it was a strategic attempt at wiping those statements off the web,” says recent graduate Jacinto Astiazarán. (more…)

Bloomberg Philanthropies has announced a list of 262 small and midsize nonprofit cultural institutions that will benefit from its $30 million Arts Innovation and Management (AIM) program.  The two year program provides unrestricted grants to these organizations, as well as management training.  “Local arts groups are economic and cultural engines that contribute to communities in ways that few other industries can,” says Michael Bloomberg. “By supporting smaller organizations that don’t typically have endowments and providing them with management training, we are working to help them have an even greater positive impact on an even broader audience.” (more…)

Art Berlin Contemporary is set to take place this week, with 100 participating galleries taking up space in the halls of Station Berlin at Gleisdreieck.   (more…)

Eduardo Paolozzi, Kalasan (1973-74), via Art Observed

Eduardo Paolozzi’s contributions to the landscape of British pop, post-war sculpture and contemporary collage practices would make a fitting argument for qualifying him as one of the 20th Century’s great underestimated artists.  A founder of the International Group alongside Richard Hamilton, Paolozzi’s work mined the intersections of industrial materiality and mass media iconography, combining a populist focus with a coy perspective on post-war Britain. (more…)

Carl Andre in His Time (Installation View), via Art Observed

Taking the minimalist exercises of Carl Andre as its starting point, Mnuchin Gallery has opened an exhibition taking the structural interests and shared visions of the New York school of minimalism during the 1960’s and 70’s as its core focus.  Titled Carl Andre in his Time, the exhibition presents pieces by Donald Judd, Brice Marden, Agnes Martin, Sol LeWitt and more, each locked into conversation with Andre’s work.

John Chamberlain, Honest 508 (1973-74), via Art Observed

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The New York Times has a profile on Joshua Roth this week, the head of United Talent Agency’s new fine arts division.  “I’m interested in artists who are re-envisioning the way to make art and re-envisioning how people experience it,” he says. “And I think our agency can be really helpful in that way. We want to help find opportunities for artists outside of the gallery.” (more…)

Activists occupied the lobby of the British Museum this weekend, in protest against the museum’s acceptance of funds from BP, once again drawing attention to the oil company’s contributions to the country’s largest arts institutions.  “They get to purchase a social licence to operate, which is incredibly important for a company like BP,” says activist Danny Chivers of BP or not BP. (more…)

Sotheby’s most recent S.E.C. filings indicate that the auction house has guaranteed nearly the full $500 million estimated from its sale of works from the Alfred Taubman estate.  “In the event that the property sells for less than the guaranteed price, Sotheby’s must perform under the auction guarantee by funding the difference between the sale price at auction and the amount of the auction guarantee,” the filing says. (more…)

Gego, Dibujo sin papel 88|28 (1988), via Art Observed

German-born Venezuelan artist Gego (born Gertrude Goldschmidt) is the subject of the opening fall show at Dominique Lévy this month, charting the late artist’s investigation of geometric form and space as it translates through the formal signifiers of modernity. (more…)

Francesco Vezzoli, Eternal Kiss (2015), via Almine Rech

Continuing his recent interest in the preservation, representation and context of the historical, Francesco Vezzoli is currently showing a new work Eternal Kiss at Almine Rech’s London exhibition space.  Taking a pair of classical Roman busts originally acquired at auction, Vezzoli has worked for several years restoring the works, relying on the input and advice of archaeologists and historians to approximate their original surfaces. (more…)

Thomas Ruff, Negostil 01 (2015)

Considered amongst the most prolific and groundbreaking of contemporary photographers, Thomas Ruff is the subject of an exhibition with his new body of work at Gagosian Gallery’s London location.  Over the last three decades, Ruff, who emerged during the 80’s while studying under Hilla Becher at Kunstakademie Düsseldorf, with other now influential names such as Thomas Struth and Andreas Gursky, has faithfully explored the visual and practical limits of photography a medium that has traced its evolution alongside the rapid changes in technological development over the past century. His constantly evolving, experimentalist approach to his practice has provided him a broad repertoire of shifting elements and touchstones. (more…)

Art Basel Miami Beach has announced its list of galleries for the 2015 edition of the fair, featuring 267 international galleries drawn from 32 countries around the globe, and a number of projects, opening exhibitions and public installs during the week. (more…)

Christie’s has appointed Sonya Roth as the auction house’s new Southern California head. “Many in the community know Sonya already as a great convener of individuals who are passionate about great art and collecting,” says Brook Hazelton, Christie’s president for the Americas. “She brings a wealth of experience and creative leadership to a vibrant region that is ripe with exciting and engaging opportunities.”  (more…)

Hauser and Wirth has set its opening date for its Los Angeles gallery for March 13th of next year, opening in partnership with Paul Schimmel.  The gallery will be set on 3rd Street Downtown. (more…)

A Versailles politician is taking Anish Kapoor to court over the artist’s decision to leave anti-semitic graffiti on his sculpture at the Versailles Palace.  Versailles municipal councillor Fabien Bouglé filed a complaint to the local public prosecutor, claiming that the graffiti’s content was “perfectly clear”  “I think it’s a wonderful reversal; I’ll see him in court,” Kapoor says. “It shows how insane the whole thing is.” (more…)

An independent art dealer in Victoria, British Colombia, thinks he has purchased an unsigned Henry Moore original for $20,000, and is pushing for authentication that could value the work at up to $150,000.  “It was a first casting. Moore wanted to change something to it. He wasn’t happy with the feet,” says Alison Ross, the owner of Kilshaw’s, where the work sold. “That’s why it was not signed. It was never for sale.”  (more…)

Michelle Maccarone is the subject of a profile in Bloomberg this week, noting her reputation for support of challenging and forward-thinking young artists.  “When times were chaotic financially, it was still worth it,” says the artist Nate Lowman, who’s been represented by Maccarone since 2003. “It’s the richest experience I’ve ever had. She loves art, not because it’s expensive, but because it’s interesting. She’s an intellectual, always present and always thinking.” (more…)

Vandals have once again defaced Anish Kapoor’s Dirty Corner sculpture at Versailles, this time covering it in anti-semitic graffiti.  The artist has expressed some desire to leave the graffiti, emphasizing the state of religious and cultural intolerance in France, and “to turn what I hoped always was an act of affirmation as a work of art into something else, into a kind of lament to a state of intolerance,” he said.  (more…)

Frank Stella is the subject of a New York Times profile this week, as the artist prepares to open his career retrospective at The Whitney later this fall, and notes his increasing focus on sculpture as he ages.  “It’s all about your body balance. I would fall over now trying to paint.” (more…)

Hans Ulrich Obrist has been awarded with the 2015 International Folkwang Prize awarded by the Folkwang Museum in Essen, Germany.  Obrist had previously organized his lauded 12 Rooms project at the museum in 2012. (more…)