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Paul Signac

Wednesday, December 3rd, 2008

AO Auction Recap – London: Impressionist and Modern Evening Sale, February 26th – 27th, 2019

Wednesday, February 27th, 2019

AO Auction Preview – London: The Impressionist/Modern and Post-War/Contemporary Evening Sales, February 26th – March 7th, 2019

Monday, February 25th, 2019

AO Auction Results – New York: Sotheby’s Impressionist and Modern Sale, May 9th, 2016

Tuesday, May 10th, 2016

Sotheby’s Leads May Impressionist Sale with Trio of Works

Friday, April 8th, 2016

AO Auction Recap – London: Impressionist, Modern and Surrealist Sales, February 3rd, 2016

Thursday, February 4th, 2016

AO Auction Recap – New York: Sotheby’s Taubman Masterworks Sale, November 4th, 2015

Wednesday, November 4th, 2015

AO Auction Recap – London: Christie’s Impressionist and Modern Evening Sale, June 23rd, 2015

Tuesday, June 23rd, 2015

AO Auction Recap – London: Christie’s Impressionist and Modern Evening Sale, February 4th, 2015

Thursday, February 5th, 2015

AO Newslink

Friday, August 17th, 2012

AO Auction Results – London: Christie’s Impressionist and Modern Art Evening Sale, Wednesday, June 20, 2012

Thursday, June 21st, 2012

AO Auction Preview – London: Impressionist and Modern Art Evening Sales, June 19 – 20, 2012 set to begin

Tuesday, June 19th, 2012

Deceased Artists

Thursday, July 7th, 2011

Go See – Lausanne, Switzerland: Cézanne to Rothko at Fondation l’Hermitage, Featuring Braque, Warhol, Ernst, Twombly, Giacometti, Bacon, Renoir, Monet, and more, through October 25, 2009

Tuesday, August 25th, 2009

Go see – New York: Cezanne to Picasso: Paintings from the David and Peggy Rockefeller Collection, through August 31, 2009

Thursday, August 13th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jonas Wood Profiled in NYT

March 25th, 2019

Jonas Wood gives the New York Times a tour of his East Hollywood Studio, showing off a series of works from his own practice and his personal collection. “I’ve been all-in on painting since I was younger, and I realized that it was because of a lot of fear that it would all go away,” he says. “That’s not how I want to paint in the future. The pressure and psychology of that setup isn’t totally right. I would like to build bodies of work outside the calendar schedule of art fairs and shows for a little while. I love painting, and I think I can paint without having a giant carrot in front of me. I don’t think that I’m the best at painting, and I want to get better at it.”
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Serpentine Under Fire Over Pavilion Architect’s Controversial Use of Interns

March 25th, 2019

The Serpentine Gallery is facing criticism over reports that the architect for this year’s pavilion, Junya Ishigami + Associates, uses unpaid interns working 12-hour shifts. “I considered [the internship] for a second, but then later I just realized how ridiculous the terms are,” one student said of the internship. “I can’t afford to do that, considering that Tokyo is not at all a cheap place to live.”
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The Guardian Explores the Challenges and Risks of Shipping and Transporting Masterpieces

March 25th, 2019

The Guardian has a piece this week on the logistics and challenges of shipping masterpiece artworks.  “At the end of the day, you have to make your peace with that,” one conservator says of the stressful and threatening conditions that works being shipped occasionally face. “You have to think what art is for.”
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