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Three Top Met Employees Leave Amid Budget Shortfalls

Monday, June 20th, 2016

AO Newslink

Monday, May 14th, 2012

New York – Isa Genzken: “Retrospective” at MoMA Through March 10th, 2014

Tuesday, January 21st, 2014

New York: Robert Indiana: “Beyond Love” at the Whitney Museum Through January 5th, 2013

Monday, October 28th, 2013

New York – “Soundings: A Contemporary Score” at MoMA Through November 3rd, 2013

Saturday, August 31st, 2013

AO On-site: The ADAA Art Show at The Park Avenue Armory: March 6th-10th, 2013

Sunday, March 10th, 2013

AO on Site – Stockholm: Sturtevant ‘Image over Image’ at Moderna Museet through August 26, 2012

Tuesday, April 10th, 2012

Taipei, Taiwan: Ai Weiwei 'Ai Weiwei, Absent' at Taipei Fine Arts Museum through January 29, 2012

Thursday, January 19th, 2012

AO on site (Photoset) Art 42 Basel 2011: Volta 7, A Basel Satellite Art Fair For New and Emerging Art

Friday, June 17th, 2011

AO On Site at the 54th Venice Biennale 2011: Final Overview and News Summary

Monday, June 6th, 2011

AO On Site Preview and Summary: 54th Venice Biennale 2011 Begins This Week

Monday, May 30th, 2011

Go See – Berlin: Glenn Brown at Max Hetzler Gallery, until May 28th, 2011

Sunday, May 15th, 2011

AO Onsite – Art Basel Miami Beach 2010 VIP Preview Day News Roundup and Photoset, Wednesday, December 1, 2010

Thursday, December 2nd, 2010

Go See – New York: Robert Rauschenberg at Gagosian Gallery West 21st Street, October 29 through December 18, 2010

Monday, November 8th, 2010

Go See – London: Turner Prize 2010 Finalist Exhibition at Tate Britain Through January 3, 2010

Saturday, October 9th, 2010

AO On Site Report #2 – Art Basel, Switzerland, Focus on Quality Drives Buyers

Friday, June 18th, 2010

Don't Miss – Your History Is Not Our History at Haunch of Venison, New York through May 1, 2010

Monday, April 26th, 2010

Don't Miss: Women, A Loan Exhibition from the Collection of Steven and Alexandra Cohen at Sotheby's New York, through April 14

Thursday, April 9th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

NYT Notes Generation Gap in Online Art Sales

June 9th, 2020

As art sales go online, the NYT notes an increasing generation gap, with older buyers tapering off their purchases and younger buyers continuing to collect. “The resistance from older collectors is still there,” says Anders Petterson, founder of analytics firm ArtTactic.  “When there is no physical art world, how do you substitute that experience?” he added. “Younger people are a lot quicker to adapt.”
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Unrest Over Killing of George Floyd Forces Museums to Address Institutionalized Racism

June 9th, 2020

A piece in the New York Times charts pressure on institutions to address problems of systemic racism and injustice in their organizations, collections and programs, following the social unrest caused by the killing of George Floyd at the hands of the police.  “I do not think art museums have done enough,” says Chris Anagnos, executive director of the Association of Art Museum Directors. “We have dabbled around the edges of the work, but in our place of privilege we will never live up to the statement that ‘museums are for everyone’ unless we begin to confront, examine and dismantle the various structures that brought us to this point.”
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Art Basel Cancelled

June 9th, 2020

Art Basel has completely cancelled the 2020 edition of its fair in the Swiss town, after an attempt to move the fair’s dates to September.  “While there are signs of hope as individual countries are coming out of lockdown, the global situation remains precarious, and, unfortunately, too many uncertainties remain to go ahead with the fair,” the organization said in a statement. “These include the health risks posed by large gatherings, the limitations on intercontinental travel, and the unclear Swiss regulatory environment for shows of Art Basel’s size. Given these uncertainties, we believe that the best option concerning the Basel show is to focus on next year’s edition and delivering a fair of the exceptional international quality that the artworld expects.”
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