Search Results

New York – Jenny Saville: “Ancestors” at Gagosian Through June 16th, 2018

Saturday, May 12th, 2018

AO Auction Results – New York: 19th and 20th Century Works from the Collection of David and Peggy Rockefeller at Christie’s, May 8th, 2018

Wednesday, May 9th, 2018

AO Auction Preview – New York: Auction Week in New York City, May 8th-9th, 14 – 17th, 2018

Tuesday, May 8th, 2018

AO On-Site – New York: TEFAF New York at the Park Ave Armory, May 4th – 8th, 2018

Saturday, May 5th, 2018

AO Auction Results – London: Phillips 20th Century and Contemporary Evening Sale, March 8th, 2018

Saturday, March 10th, 2018

Christie’s to Launch Standalone Sale of Works from Rockefeller Collection

Wednesday, November 22nd, 2017

Alex Katz Profiled in NYT

Monday, November 6th, 2017

Christie’s Announces Works from Bass Collection for Fall Sale in New York

Tuesday, October 24th, 2017

Nashville Collector Spencer Hays Has Passed Away, Leaving Collection to Musée D’Orsay

Tuesday, March 7th, 2017

AO Auction Recap – London: Sotheby’s Impressionist, Modern and Surrealist Sale, March 1st, 2017

Wednesday, March 1st, 2017

AO Auction Recap – Christie’s Impressionist and Modern Evening Sale, February 28th, 2017

Tuesday, February 28th, 2017

“Spider-Man” Art Burglar Gets Eight Years in Prison for Paris Theft

Wednesday, February 22nd, 2017

Paul Gauguin’s “Te Fare” Leads Christie’s March Sale in London

Tuesday, February 7th, 2017

Thief in Paris Theft Case Claims He Threw Away €100 Million in Art

Tuesday, January 31st, 2017

“Spider-Man” Art Thief’s Trial Begins in Paris

Monday, January 30th, 2017

WSJ Looks at Current Art Market Health as 2016 Concludes

Sunday, December 4th, 2016

AO Auction Results – New York: Sotheby’s Impressionist and Modern Evening Sale, November 14th, 2016

Tuesday, November 15th, 2016

AO Auction Preview – New York Auction Week, November 14th – 17th, 2016

Sunday, November 13th, 2016

New York – Jasper Johns: “Monotypes” at Matthew Marks Gallery Through June 25th, 2016

Monday, June 13th, 2016

London: Tom Wesselmann “Collages 1959-1964″ at David Zwirner Through March 24th, 2016

Saturday, March 12th, 2016

Sergei Shchukin of Modernist Masterpieces to be Reunited in Paris

Monday, February 8th, 2016

AO Auction Recap – London: Impressionist, Modern and Surrealist Sales, February 3rd, 2016

Thursday, February 4th, 2016

AO Auction Preview – London: Impressionist, Modern and Surrealist Sales, February 2nd-3rd, 2016

Tuesday, February 2nd, 2016

WSJ Breaks Down Market’s “Cooling Off”

Saturday, January 30th, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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