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Greek Heiress Goes to Court to Recover Lost Paintings

Monday, February 18th, 2013

Former curator for the Victoria and Albert Museum Sir Roy Strong Criticizes Galleries for Safe Choices

Monday, January 21st, 2013

AO Newslink

Friday, September 28th, 2012

AO Newslink

Sunday, September 16th, 2012

AO Newslink

Tuesday, September 11th, 2012

AO Newslink

Wednesday, July 18th, 2012

LeRoy Neiman dies at age 91 in New York

Thursday, June 21st, 2012

AO Auction Results – London: Christie’s Impressionist and Modern Art Evening Sale, Wednesday, June 20, 2012

Thursday, June 21st, 2012

AO Auction Preview – London: Impressionist and Modern Art Evening Sales, June 19 – 20, 2012 set to begin

Tuesday, June 19th, 2012

Saturday, January 28th, 2012

Go See – New York: Nan Goldin ‘Scopophila’ at Matthew Marks Gallery through December 23, 2011

Tuesday, December 13th, 2011

AO Onsite Auction Results – New York: Impressionist & Modern Art Evening Sale at Sotheby’s Realizes $200M, Restituted Klimt Sells for $40M

Thursday, November 3rd, 2011

Deceased Artists

Thursday, July 7th, 2011

AO Auction Preview – London: Sotheby’s & Christie’s to Hold Impressionist & Modern Art Sales June 21-22, 2011

Monday, June 20th, 2011

AO Onsite Auction Results – London: Impressionist & Modern Sale at Sotheby’s London February 8, 2011 Brings in £68.8 Million ($111 million); Featured Picasso Sells for £25.2 million, Giacomettis Bought In

Tuesday, February 8th, 2011

AO Onsite Auction Results: Christie’s Impressionist & Modern Evening Sale in New York Brings in $231.4M; Sets Records for Matisse & Gris (UPDATED WITH VIDEO)

Thursday, November 4th, 2010

AO Onsite Auction Results: Sotheby’s Impressionist & Modern Evening Sale Realizes $227.5M; Sets Auction Record with $68.9M Modigliani Sale (UPDATED with VIDEO)

Wednesday, November 3rd, 2010

Go See – Baden: Pipilotti Rist at Museum Langmatt through November 14, 2010

Monday, September 13th, 2010

AO Auction Preview: Christie's and Sotheby's hold their biggest ever sales of Impressionist and Modern art in London

Monday, June 21st, 2010

AO Onsite Auction Results – New York: Art Market History witnessed at Christie’s Impressionist/Modern evening sale

Wednesday, May 5th, 2010

AO Auction Preview – London: The January Modern and Impressionist Auctions Begin Tomorrow at Christie’s

Monday, February 1st, 2010

AO On Site Auction Results – New York: Sotheby’s Impressionist/Modern Sale November 4, 2009 – “An Incredible Thing to Experience”

Thursday, November 5th, 2009

AO Auction Preview – New York: The Fall Modern and Impressionist Auctions Begin Tonight at Christie’s

Tuesday, November 3rd, 2009

Newslinks for Tuesday October 27th, 2009

Tuesday, October 27th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Freedman Fitzpatrick Opening Paris Location

January 16th, 2018

Freedman Fitzpatrick, via Art NewsLos Angeles gallery Freedman Fitzpatrick is opening a new location in Paris, Art News reports. “Paris is really similar to L.A. in that way,” Robbie Fitzpatrick says. “A lot of artists are moving there from all over. It’s manifesting itself as a dynamic city that has a lot of possibility to explore, on top of already being an incredibly important city for culture, historically.”
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NYT Looks at Current Art Projects Using Cryptocurrency Technologies

January 15th, 2018

Richard Prince's ready made token, via NYTThe New York Times takes a look at recent blockchain authorization technology, and fine art projects that have explored the blockchain as both a performative space and a place for authenticating ownership for work. “It’s early days, but this could happen in the blossoming art space as well. The blockchain is an entirely new medium for art,” Mack Flavelle, a developer and artist behind one project called CryptoKitties. 
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Artists, Curators and Directors Pen Open Letter Over Documenta Controversy

January 15th, 2018

Documenta, via Art NewspaperA group of art world professionals have penned an open letter over Kassel’s plans for the future of Documenta, expressing concern over the resignation of director Annette Kulenkampff.  The letter challenges the assertion that there “has been no proof whatsoever of (Kulenkampff’s) culpability” for the program’s budget deficits “which arose through a program concept for which all parties shared responsibility.”
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