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Large-Scale Jackson Pollock Pieces to be Reunited in London

Wednesday, April 13th, 2016

Marina Abramovic Planning Ambitious Film Series

Tuesday, April 5th, 2016

Derbyshire – “Beyond Limits: The Landscape of British Sculpture 1950 – 2015″ at Chatsworth House Through October 25th, 2015

Sunday, September 27th, 2015

New Public Works Announced for Embassy Gardens in London

Thursday, July 2nd, 2015

The Guardian Traces the Life and Work of Richard Diebenkorn

Tuesday, March 3rd, 2015

London – Tracey Emin: “The Last Great Adventure is You” at White Cube Bermondsey, through November 16th 2014

Thursday, November 13th, 2014

London – AO Preview: Frieze Art Fair in Regent’s Park, October 15th – 18th, 2014

Monday, October 13th, 2014

Anselm Kiefer Interviewed in Financial Times

Sunday, September 21st, 2014

New York – Dan Colen: “Miracle Paintings” at Gagosian Gallery, through October 18th 2014

Friday, September 19th, 2014

Monet Landscape Found Hidden in Cornelius Gurlitt’s Suitcase

Sunday, September 7th, 2014

London – Jenny Saville: “Oxyrhynchus” at Gagosian Gallery, through July 26th 2014

Saturday, July 26th, 2014

Berlin – Huma Bhabha at Veneklasen Werner Through July 26th, 2014

Friday, July 25th, 2014

Tate Britain Director Comes Under Fire

Monday, April 14th, 2014

Damien Hirst Hints at Contents of Autobiography

Wednesday, April 9th, 2014

Vienna – Georg Baselitz: “Remix” at The Albertina Through February 12th, 2014

Monday, January 20th, 2014

London – Kevin Francis Gray at Pace London Through January 18th 2014

Thursday, December 19th, 2013

Dorset Version of Velázquez’s Las Meninas May in Fact be Original

Monday, October 7th, 2013

Zurich – Francesco Clemente: “Portraits of the 1980s” at Thomas Ammann Fine Art Gallery through September 27

Tuesday, September 3rd, 2013

Grayson Perry Interviewed in Financial Times

Sunday, June 30th, 2013

AO Auction Results: Post-War and Contemporary Evening Auctions in London, June 2013

Friday, June 28th, 2013

AO Auction Preview – Post-War and Contemporary Art Evening Sales in London, June 25th-26th, 2013

Tuesday, June 25th, 2013

Anish Kapoor Knighted

Saturday, June 15th, 2013

Austalia Sends Major Works to UK for Landmark Survey Exhibition

Monday, May 6th, 2013

London – Angus Fairhurst: “Un-titled” at Sadie Coles HQ, through March 26th 2013

Tuesday, February 26th, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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