Paul McCarthy, White Snow Dwarf, Dopey (Affected Original) (2016), via Art Observed

Returning to his ongoing fascination with the iconography and commodification of the legend of Snow White, in conjunction with reprisals of varied other series from the past 15 years of his practice, Paul McCarthy’s newest exhibition at Hauser & Wirth is a flurry of both subject matter and materials.  Massive, flaking and chipping sculptures are spread throughout the gallery’s cavernous exhibition space, each one drawing on threads of both the historical and cultural in the American psyche.  Pulling from a wide range of works that define the artist’s sculptural practice (in conversation with his video and film productions), the show offers an expansive exploration of both his sense of humor, and his keen eye for commentary.

Paul McCarthy, Puppet (2005-2008), via Art Observed

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Frieze London, via Art Observed

The doors are open and the 2016 edition of Frieze London is now underway, bringing a wide range of works and artists to bear on the fairgrounds at Regent’s Park in the northern part of the city.  With its VIP Preview concluding today, the fair made its first big push of sales alongside the kick-off for a number of its projects and performance works, which conclude this Sunday.

Samara Golden at Canada Gallery, via Art Observed

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Paul and Damon McCarthy, Rebel Dabble Babble (Installation View), via Hauser and Wirth

Hauser and Wirth, continuing its ongoing focus on California artist Paul McCarthy, is currently presenting a new video and sculptural installation by the artist, titled Rebel Dabble Babble.  Taking the real life relationships between Nick Ray, James Dean (played by James Franco) and Natalie Wood during the making of Rebel Without a Cause as the inspiration for the work, McCarthy and his son Damon have created an immersive, savagely warped exploration into the film, its creation, and the decaying image of Americana that it sought to depict, while challenging the interplay between a cultural artifact and its production.

Paul and Damon McCarthy, Rebel Dabble Babble (Installation View), via Hauser and Wirth

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Paul McCarthy’s WS has become the Park Avenue Armory’s second most well-attended show at the venue’s history, having already drawn 11,000 visitors since its opening last month.  The work, already gaining major press for its challenging subject matter, runs until August 4th.  “There’s a much narrower potential audience for this than for most things we’ve done before,” says Armory President Rebecca Robertson, “so I think the attendance we’re seeing is very strong.” (more…)

Paul McCarthy, WS (2013), via Park Avenue Armory

There’s a lot that can be said about Paul McCarthy’s WS installation, which opened this week at the Park Avenue Armory in upper Manhattan.  One could note the full spectrum of sexual atrocities committed on-screen during his numerous filmic works, or the bizarre references to Walt Disney and his fantastic empire of entertainment, or even to the prosthetic noses he seems to put on all his characters of late.  No matter the line of discussion, McCarthy’s show, presented by curator Hans Ulrich Obrist and Armory artistic director Alex Poots, is a dizzying and difficult immersion into McCarthy’s powerful body of work.

Paul McCarthy, WS (2013), via Park Avenue Armory”

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Paul McCarthy’s 80-ft inflatable balloon dog, which welcomed visitors to the Frieze New York Art Fair last week, has sold for $950,000, dealers at Hauser and Wirth have confirmed. The piece commanded a fair amount of attention just outside Frieze’s main entrance.  The other highly-noted work, Tino Seghal’s Ann Lee, also sold, commanding a price of $80,000. (more…)

Artist Paul McCarthy’s Complex Pile has been damaged in southern China following an unexpected rainfall.  The work, which was on view as part of a show on inflatable art in West Kowloon, was deflated to avoid further damage. “A small hole was discovered on the surface of the piece. We are doing our best to fix it and hopefully we can inflate the artwork as soon as possible,” a spokeswoman said. (more…)

The Frieze New York Art Fair has announced the artists exhibiting in this year’s edition of its annual Sculpture Park section.  The 2013 edition of the Sculpture Park will see works by Paul McCarthy, Martha Friedman, and Nick Van Woert, among others.  “Building upon the success of last year, our aim for this new edition is to increase the ambition of the Sculpture Park program both in scope and scale. Placed in an exceptional location, the program will continue expanding visitors’ experience by displaying large outdoor sculptures in dialogue with ephemeral pieces.”  Says curator Tom Eccles. (more…)

Entrance to Hauser and Wirth’s second gallery in New York, where Martin Creed’s ‘Work No. 1461′ greets visitors

At 511 West 18th Street, in the 24,700 square feet that formerly housed the roller disco known as “The Roxy,” Hauser & Wirth have found their second home in New York. Maintaining their other location on the Upper East Side, the expansion to Chelsea is their fifth location worldwide, and celebrates an important landmark: the gallery’s twentieth anniversary. A hefty book of over 1,000 pages, edited by Hatje Cantz, accompanies the event: Hauser & Wirth 20 Years. The exhibition inaugurating the space could not be more fitting: a father-and-son collaboration which took place over that same twenty year period: Dieter and Björn Roth.

Artist Dieter Roth smokes a cigarette in Roth New York Bar.

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Maurizio Cattelan, “Catttelan,” 1994, neon, 90 x 47 x 3.5; 40 x 40 x 3.5, Courtesy Collezione Sandretto Re Rebaudengo

On September 25th 2012, the Whitechapel Gallery in London opened a special exhibition composed of works from the Collection Sandretto Re Rebaudengo, one of the most prominent private collections in Europe. The gallery’s year-long series, Think Twice, is divided into four parts, the first of which is dedicated to works of Maurizio Cattelan – many of which have not been seen in the UK for over 20 years – on display until December 2nd, 2012.

Maurizio Cattelan, “Bidibidobidiboo,” 1996, Taxidermied squirrel, ceramic, Formica, wood, paint and steel, Courtesy Collezione Sandretto Re Rebaudengo

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FIAC Grand Palais, photo courtesy We Want Contrast for Art Observed

FIAC, one of Europe’s main three art fairs, held its vernissage last night in Paris at the Grand Palais. Dealers saw strong blue chip sales, including an $8 million Joan Miro panting, despite concerns over France’s proposed increase in wealth taxes and a strong Frieze and Frieze Masters in London the week before.

Gilles Fuches, President Prix Marcel Duchamp

All photos by Tiphaine Popesco for Art Observed unless otherwise noted

The crowd at FIAC

FIAC has added more contemporary work from the second half of the 20th century in the last two years, attracting big collectors like Francois Pinault, Bernard Arnault, Alberto Mugrabi and Omer Koc.

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Tim Noble and Sue Webster – Deadalive (2012), Saatchi Gallery

Over the past several years, the artists’ studio, RS&A, has commissioned 16 recognized artists to create their own chess sets and boards, allowing them to explore and reconfigure the image of the classic game.  Including sets by Maurizio Cattelan, Tracey Emin, Tom Friedman, Damien Hirst, Barbara Kruger, Yayoi Kusama and Paul McCarthy, the full collection is currently on view at Saatchi Gallery in London.

Yayaoi Kusama – Pumpkin Chess (2003), Saatchi Gallery

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Paul McCarthy – Dirty Dotty, Yellow (1995), Hauser and Wirth, Zurich

Currently on view at Hauser and Wirth Zurich is a selection of 60 photographs from PROPO, the ongoing project of American multi-media artist Paul McCarthy.  Examining the ongoing process of work, documentation and presentation constantly at play in an artist’s career, the PROPO photographs present a new facet to McCarthy’s already diverse body of work.

Paul McCarthy – Daddies Ketchup (1995), Hauser and Wirth, Zurich

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Desi Santiago’s mass 2 (2012), image: Aniko Berman for Art Observed

On Saturday, July 28th, the Watermill Center hosted The Big Bang, its 19th Annual Summer Benefit. Held on the performance art center’s expansive Southampton grounds, the event commenced with cocktails for over 1,200 guests, all of whom were invited to explore over twenty site-specific performances and installations scattered throughout the center’s indoor and outdoor spaces, as well as to bid in a silent auction featuring works by Marina Abramovic, Sandro Chia, Shirin Neshat, Dennis Oppenheim, Terry Richardson, Will Ryman, Spencer Tunick, and Aaron Young, among others. A tented dinner for over 650 guests followed, including a live auction led by Simon de Pury, where works by artists such Michelangelo Pistoletto, Anselm Reyle, and Willem de Kooning were offered. Inclement weather threatened the evening, with unwelcome downpours impeding the guests’ ability to view the outdoor works. Nonetheless, the event raised more than $1.5 million for the center, which has actively promoted the creation and dissemination of performance art since its founding by leading “theater artist” Robert Wilson in 1992.

Guests in front of Paul McCarthy‘s Butt Plug (2012)

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Gavin Brown and Mark Ruffalo cooking sausages. All photographs by Aubrey Roemer for Art Observed.

The always fresh but now venerable Frieze Art Fair of Regent’s Park, London, has successfully completed its maiden voyage to this side of the Atlantic. The pavilion, designed by Brooklyn-based SO-IL Architects, places Frieze New York on Randall’s Island Park from May 4-7, 2012. The fair is being held in a distinctly snakelike structure that houses 180 leading contemporary galleries presenting works by more than 1,000 artists. There are a number of culinary options as well: Roberta’s, The Fat Radish Café, Frankie’s Spuntino Restaurant, Sant Abroeus Café and the Standard Biergarten.

Entrance to the Frieze Art Fair

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Sturtevant. Photo by Loren Muzzey. All images courtesy the artist and Moderna Museet unless otherwise noted.

For half a century, Sturtevant has built her practice on the citation of other artists’ works. Challenging authorship through acts of appropriation long before it was made popular by the likes of Sherrie Levine and Richard Prince, Sturtevant made her artistic debut in 1965, when she presented a roomful of Warhol silkscreen flowers at a gallery mere months after the originals had been created. Although largely overlooked until recent years, Sturtevant won a Golden Lion for Lifetime Achievement at last year’s Venice Biennale. Her latest exhibition, Image over Image, opened March 17th at Moderna Museet in Stockholm. Showcasing 30 works, 4 of which are the artist’s “originals,” the exhibition fosters a sort of wall label guessing-game. As visitors travel from room to room they are confronted with familiar works from modernist art history—a Jasper Johns here, a Duchamp there. Among other artists cited in this exhibition are Joseph Beuys, Keith Haring, Félix González-Torres, John Waters, and Paul McCarthy.

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‪‬Yayoi Kusama and Phyllida Barlow to create new works for first Kiev International Biennale, titled ‘The Best of Times, The Worst of Times. Rebirth and Apocalypse in Contemporary Art,’ to run May 24 through July 31, 2012, and also include works by Ai Weiwei, Louise Bourgeois, Chapman Bros, and Paul McCarthy [AO Newslink]

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‪‬Park Avenue Armory new artistic director Alex Poots to possibly commission $1.4 million Paul McCarthy installation, according to “draft programme for 2013 season” [AO Newslink]

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‪‬James Franco and LA MoCA will screen ‘Rebel’ film at “unusual” venue of JF Chen’s furniture boutique, with work shown also by Douglas Gordon, Harmony Korine, Damon McCarthy, Paul McCarthy, Terry Richardson, Ed Ruscha, and Aaron Young [AO Newslink]

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Paul McCarthy, White Snow Cake (2011). Bronze  Courtesy the artist and Hauser & Wirth.

Multimedia artist Paul McCarthy brings fairy tales to Hauser & Wirth‘s New York gallery space in a second installation of the series. Works included in “The Dwarves, The Forests” are based on the drawings that made up the 2009 show “White Snow.” The exhibition series will continue, as Hauser & Wirth’s Andrea Schwan tells Art Observed, with a third installation, in which pieces from “The Dwarves, The Forests” will serve as sets for video art, to be hosted by the gallery sometime in 2013.  On view until December 17, “The Dwarves, The Forests” includes pieces cast in bronze and wrapped in gauze, and one, White Snow and Dopey, Wood (2011), that is McCarthy’s first wood sculpture.

Paul McCarthy, White Snow and Dopey, Wood (2011). Black Walnut.

More images, story, and related links after the jump…

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Allora & Calzadilla, Umbrella and Bell (2011), front; Anish Kapoor, Untitled (2011), behind. At Lisson Gallery, booth J1. All photos on site for Art Observed by Caroline Claisse.

International collectors and art enthusiasts filled the Miami Beach Convention Center for the Wednesday preview of Art Basel Miami Beach 2011. While the maze of gallery booths could seem overwhelming, buyers were able to navigate through for a solid day of sales and works placed on reserve. Larger galleries such as Gagosian, David Zwirner, and Sprüth Magers sold several works and editions thereof. Speaking with Neil Wenman of Hauser & Wirth, “We’ve had a great response on the opening day. In particular for works by Thomas Houseago, Rashid Johnson, Paul McCarthy, Matthew Day Jackson, Richard Jackson—all works sold and all available editions.” Jenny Holzer’s new paintings at Sprüth Magers sold for upwards of $300,000, as well as Condos and Krugers at the booth. Lesser-known galleries were pleased to gain the exposure the fair offers; if not selling right away, interest was high and therefore also prospects for the remainder of the fair. Gallery Arratia Beer said the crowd was very engaged and informed, also saying, “The fair feels very international. It’s also good to see young internationals here too.” The newer Latin American presence was reportedly strong, both exhibiting and buying, as expected in Miami as opposed to the Frieze or FIAC fairs across the Atlantic earlier this year. Celebrities on hand included Julian Schnable, Eli Broad, Brett Rattner, Naomi Campbell, and Sean Combs/P. Diddy.

Larry Gagosian

Entrance D at the Miami Convention Center

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Paul McCarthy, Cultural Gothic (1992). All photos on site for Art Observed by Caroline Claisse.

Art Observed was on site for the private Tuesday evening preview of the Rubell Family Collection/Contemporary Arts Foundation show American Exuberance. Throughout 28 gallery spaces in a 45,000 sq ft museum, 190 works by 64 artists explore the American condition today through art, dissecting the paradoxical arenas of culture, economics, and politics. A 244-page catalog includes written commentaries by 13 of the artists from the notable roster, as follows: Thomas Houseago, Richard Jackson, Rashid Johnson, Nate Lowman, Richard Prince, Sterling Ruby, Haim Steinbach, Ryan Trecartin, and to name a few. About a quarter of the works were made in 2011 specifically for the show.  Also, Art Observed returned the next morning on Wednesday for Jennifer Rubell’s 11th annual breakfast, which is presented every morning throughout the week, treats visitors to a small jar of fresh yogurt, to be ‘anointed’ with honey dripping from the ceiling.

Collecting dripping honey at Jennifer Rubell’s Incubation yogurt and honey breakfast.

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FIAC 2011 at the Grand Palais in Paris. All photos on site for Art Observed by Caroline Claisse.

FIAC 2011 (The Foire Internationale d’Art Contemporain) opens this weekend in Paris for its 38th year. The international art fair, which boasts an impressive array of 168 galleries from 21 countries, will show the work of some 2,800+ artists. Running October 20–23rd, the exposition comes at the tail end of Frieze Art Fair, drawing artists, collectors, gallerists, and enthusiasts eastward from London. While the focus of Frieze leans toward contemporary, FIAC includes both contemporary and modern, including works from Picasso, Calder, and Matisse. The fair has been building momentum since 2006; Jennifer Flay, appointed general director in 2010, credits this boost to the fair’s move to the Grand Palais, one of the city’s most cherished architectural gems. The fair also expands this year to the Jardin des Tuileries, the Jardin des Plantes, the Museum of Natural History, and other venues around the city. Another innovation, a mobile application (in French) is available through Windows Phone which enables visitors to book tickets directly from their phone, as well as receive realtime news updates from the fair, find exhibitors and artists, and access videos and photos of the show.

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Jay Jopling of White Cube, which is exhibiting Damien Hirst’s Where Will It End.

More on site coverage and images after the jump… (more…)