Global contemporary art events and news observed from New York City. Suggestion? Email us.

London – Sigmar Polke: “Pour Paintings on Paper” at Michael Werner Through March 4th, 2017

Thursday, February 23rd, 2017

Sigmar Polke, Untitled (1985), via Michael Werner
Sigmar Polke, Untitled (1985), via Michael Werner

Marking a timely overlap with the artist’s February 13th birthday, Michael Werner Gallery is currently showing a series of paintings from Sigmar Polke’s Pour series, delving into the artist’s relentlessly inventive and exploratory approach to the canvas.  Primarily focused around works from the later years of the artist’s career, particularly the late 1990’s, the gallery exhibition also welcomes a deeper engagement with time, offering several early works drawing on techniques that Polke would later expand on, underlining his expansive and often self-reflective inclinations towards his own body of work.

Sigmar Polke, Pour Paintings on Paper (Installation View), via Michael Werner
Sigmar Polke, Pour Paintings on Paper (Installation View), via Michael Werner

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Paris – “Olympia” Curated by Karma at Galerie Patrick Seguin Through November 26th, 2016

Sunday, November 20th, 2016

parrino
Steven Parrino, Untitled (1991), all images courtesy Patrick Seguin

On-view through November 26th, 2016, Galerie Patrick Seguin presents Olympia, in collaboration with New York-based gallery and bookstore Karma, one in a series of annual shows hosted by the gallery, entitled Carte Blanche, in which international galleries are invited to organize and curate exhibitions at the Paris space.  Drawing on a wide range of artists’ works on paper, the show features pieces by Wade Guyton, Sigmar Polke, Willem de Kooning, Louise Bourgeois, Pablo Picasso, and more. (more…)

David Zwirner to Represent Sigmar Polke Estate

Sunday, October 11th, 2015

David Zwirner has announced that it is now representing the estate of painter Sigmar Polke.  “Growing up in Cologne, I had the great fortune of meeting Sigmar and witnessing firsthand the enormous influence he exerted on his generation and the ones that followed,” Zwirner himself says.  “His creativity and curiosity knew no bounds, and his ability to innovate across different media is unparalleled.” (more…)

MoMA to Open Major Sigmar Polke Retrospective Next Year

Monday, July 22nd, 2013

The Museum of Modern Art has announced an expansive retrospective for artist Sigmar Polke, set to open on April 19th, 2014.  Pulling from the artist’s broad explorations in painting, film and performance, the exhibition will feature some of Polke’s largest paintings and digitally rendered works, requiring their exhibition on the second floor of the museum, which is generally reserved for special exhibitions.  “Some of the paintings are so big, they can only fit on the second floor,” says MoMA Associate Director Kathy Halbreich. “This is one of the largest shows MoMA has ever done.” (more…)

AO on site New York – Opening of Bruce High Quality Foundation’s ‘Brucennial 2012’ at 159 Bleecker Street through April 20, 2012

Thursday, March 1st, 2012


All photos by Art Observed by Aubrey Roemer

The “Third and a half” Brucennial opened last night in New York City, the 2012 edition titled, “Harderer. Betterer. Fasterer. Strongerer.” At 159 Bleecker Street, the high-ceilinged art-filled space reached its capacity of 15,000—with a line around the block—shortly after opening its doors at 6 PM. Organized by the anonymous Bruce High Quality Foundation and Vito Schnabel, a large main room, balcony, and basement, were covered with paintings, sculptures, video-works, and other installations by artists both established and less so. Running the gamut from friends of the Bruces to a Damien Hirst spot painting, exhibiting artists of note include Mike Kelley, Cindy ShermanDamien HirstSigmar PolkeJulian Schnabel, Anselm ReyleFrancesco Clemente, Aurel Schmidt, Dan ColenDavid Salle, George Condo, Rashid Johnson, Dash Snow,  Terence Koh,  Richard Prince, Joseph Beuys, Scott Campbell, Keith Haring, Jean-Michel Basquiat, Tom SachsAndy Warhol (collaboration), and Dustin Yellin.


Francesco Clemente

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AO on site photoset – London, Frieze Week: Opening night of the The Return of the House of the Nobleman, private viewing

Sunday, October 16th, 2011


Yves Klein all photos by Caroline Claisse for Art Observed

This year marked the 2nd iteration of the House of the Nobleman, a privately sponsored exhibition which took place at the Boswall House, 15,000sqft  mansion at 2 Cornwall Terrace, overlooking Regent’s Park and the Frieze 2011 Art Fair.  Art Observed was on site for the private viewing.  On view were works by Claude Monet, Auguste Rodin, Peter Paul Rubens, Edgar Degas, Max Ernst,  Damien Hirst, Marlene Dumas, Yves Klein, Lucio Fontana, Sigmar Polke, Christian Boltanski, Anish Kapoor, Nick Hornby, Matthew Day Jackson, Cecily Brown, Lucian Freud, Peter Fischli and David Weiss, Yayoi Kusama, Robert Longo, Alexander Calder, Eugenia Emets, Francesco Clemente, Salvador Dali,  Peter Doig,  Olafur Eliasson, George Condo, Takashi Murakami,  Hiroshi Sugimoto and Gerhard Richter.


Monet, Claude “ Chemin dans le brouillard”, (1879)

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Go See – New York: Sigmar Polke “Photoworks from 1964 to 2000” at Leo Koenig, Inc. through September 3rd, 2011

Thursday, August 18th, 2011


Sigmar Polke, Untitled (Palermo) (1976), all images via Leo Koenig, Inc.

“Sigmar Polke: Photoworks 1964-2000” is currently on view at Leo Koenig, Inc. in New York City through September 3rd, 2011.  Developed in collaboration with Winckler Fine Arts, Berlin, the exhibition displays a carefully curated slice of the thousands of photographs Sigmar Polke made throughout his lifetime.  The images chosen demonstrate his enthusiasm for photographic experimentation and the subjects captured range in tone from humorous to serious.  The exhibition reveals Polke’s chameleon-like aptitude and capriciousness.

More text and images after the jump… (more…)

AO Auction Results – London: Sotheby’s Contemporary Art Evening Sale Realizes $174M; Duerckheim Collection Brings in $97M

Wednesday, June 29th, 2011


Sigmar Polke, Dschungel (Jungle), 1967 (est. $5-6.5 million, realized $9.2 million), via Sothebys.com

Sotheby’s evening sale of Contemporary art on Wednesday night brought this round of summer sales to a close and removed any lingering doubt about the art market’s recovery. Eighty-one of 88 lots offered brought in $174 million against a high estimate of $168.5 million and set a record for any auction the company has staged in London. The results were boosted by the inclusion of thirty-four works belonging to Count Christian Duerckheim, a German industrialist who collected German art religiously and often befriended artists he patronized. The Duerckheim lots, which had the benefit not just of quality and freshness but also storied provenance, were all sold during the first portion of the auction and fetched $97 million against a high estimate of $74 million. Leading the collection was Sigmar Polke‘s dotted Dschungel of 1967 which sold for $9.2 million and set the artist’s auction record.


Francis Bacon, Crouching Nude, 1961 (est.$11-14 million, realized $13.7 million), via Sothebys.com

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AO Auction Preview – London: Phillips de Pury, Christie’s, and Sotheby’s to Hold Contemporary Art Sales June 27-29, 2011

Sunday, June 26th, 2011


Jean-Michel Basquiat, Self-Portrait, 1985 (est. $3.2-4.8 million), via Phillipsdepury.com

The summer sales continue in London this week as the major auction houses host their Contemporary art auctions. Phillips will offer 32-lots on Monday evening, followed by Christie’s 67-lot sale on Tuesday and capped with an 88-lot sale at Sotheby’s on Wednesday. The Phillips sale will take place at the company’s new exhibition space at Claridge’s London. Like the auction house’s move uptown to 450 Park Ave in New York last year, the new London location is closer than their Howick Place headquarters to competitors Sotheby’s and Christie’s. The night’s 32 lots are expected to fetch $16-23 million and are headlined by a Basquiat self portrait that is estimated to bring as much as $4.8 million.


Damien Hirst, Confession, 2008 (est. $958,000-1.3 million), via Phillipsdepury.com

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AO On Site at the 54th Venice Biennale 2011: Preview (with photoset) of François Pinault Foundation’s “In Praise of Doubt” at Punta della Dogana, through December 31, 2011

Monday, June 6th, 2011


All photos by Caroline Claisse for Art Observed.

“In Praise of Doubt” is the second half of two exhibitions currently staged by the Francois Pinault Foundation. It housed in the Punta della Dogana just a stone’s throw from Palazzo Grassi, where part one, “The World Belongs to You” can be found. The two exhibitions share a curator, Caroline Bourgeois, and both run in parallel with the Venice Biennale 2011.

The exhibition presents both historical pieces and new works, several of which are site-specific projects. The theme, as hinted by its title, is uncertainty, the questioning of identity, and revisiting intimate space in relation to the space of the artwork. The artists included are art world regulars Adel Abdesemed, Marcel Broodthaers, Maurizio Cattelan, Subodh Gupta, David Hammons, Roni Horn, Thomas Houseago, Donald Judd, Edward Keinholz, Jeff Koons, Paul McCarthy, Julie Mehretu, Bruce Nauman, Sigmar Polke, Thomas Schutte, Sturtevant, Tatiana Trouve, and Chen Zhen. Out of these twenty, a surprising half have never been exhibited before in an exhibition by the Francois Pinault Foundation.

More text and images after the jump… (more…)

Go See – Zurich: Sigmar Polke at Thomas Ammann Fine Art through September 30th, 2010

Saturday, July 17th, 2010


Liebespaar II
(1965) Sigmar Polke, via Thomas Ammann Gallery

Currently on view at Thomas Ammann Gallery is a selection of important works made by one of the masters of contemporary painting and photography, German artist Sigmar Polke (1941-2010). Renowned for his pictorial jest and vibrant layering of found images, the exhibition features some of the artist’s masterworks many of which probe the ghosts of Germany’s postwar years.

More text and related links after the jump….

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AO on site – Final installment and news summary – Art Basel, Switzerland, sets attendance records, sets very positive tone, concludes

Monday, June 21st, 2010


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Quilt by Alexandre da Cunha, and Six Billboards by Angus Fairhust, Art Basel.  Image via Art Daily, AP Photo/Keystone/Georgios Kefalas.

Yesterday marked the end of the most highly-attended Art Basel to date. The 41st annual contemporary art fair boasted 306 galleries from 36 countries, and AO was on site to peruse the work of some 2,5000 artists.  62,500 dealers, collectors, curators, high-profile shoppers, artists, and art appreciators navigated installations, browsed gallery booths, mingled, and enjoyed the city of Basel.  Artists, established and newcomers both, showcased works ranging from Polaroids to performance pieces, paintings to videos, sculptures to large-scale installations.  A social and teeming affair with an obvious commercial edge, Basel’s sales were optimistic.  Picasso, Warhol, Prince, Hirst, de Kooning, Pollock, and other similarly established artists reigned supreme as the focus of this year’s event.  Franck Giraud, a New York dealer, spoke to the New York Times about the lack of prominently featured up-and-comers: “Is it because that’s what the market wants, or is it because dealers didn’t want to take risks? I think it was a bit of both.” Nonetheless, certain galleries used Basel as a platform to introduce new artists and show off their latest signings.

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AO On Site – Art Basel, Switzerland: Art 41 Basel Preview, Buyers Active

Tuesday, June 15th, 2010


Art 41 Basel, entrance view. All images by Art Observed unless otherwise noted.

AO was on site yesterday at Art 41 Basel, Switzerland, to see the 56 installations exhibited by the eleventh Art Unlimited, a museum-like forum for sizable and high-priced pieces. Installations of established masters and up-and-comers alike are characteristically oversized this year, with six pieces taking up over 200 square meters.  Despite the diversity of work, galleries, and featured artists, a distinct tonal resonance pervades Art Unlimited.  The lustrous style favored by Art Unlimited’s formative years gives way to a bold, rustic minimalism.  Although an intellectual understatement saturates this year’s Art Basel, Art Unlimited is hardly a quaint affair.  Economists and art experts alike are predicting major acquisitions for the international art elite, with a Giacometti and a Bourgeois notably up for grabs.

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AO Breaking News: Sigmar Polke Dies at age 69 in Cologne

Friday, June 11th, 2010


Sigmar Polke in his studio, 2007.  Albrecht Fuchs for The New York Times.

Sigmar Polke, the founder of the Capitalist Realism (Kapitalistischen Realismus) movement in Germany in 1963,  passed away yesterday in Cologne, Germany. Polke was 69, and passed away due to complications of cancer, as his dealer Erhard Klein confirmed. Polke was a painter, photographer, and printmaker who created multi-layered works combining elements from American Pop art, abstraction, parodies of consumer society, and a subversive use of materials. Polke’s experimentation with technology, and his hybridization of artistic influences was highly influential for generations of German artists.

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Newslinks for Monday September 27th 2009

Monday, September 28th, 2009


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Installation view of Anish Kapoor’s work at the Royal Academy of Arts in London via BBC

Anish Kapoor, the first living artist to exhibit at the Royal Academy of Arts in London, installs a work that shoots red paint to the walls of the famed 18th century building [The Wall Street Journal]
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Jeff Koons to be the curator of the New Museum show of Dakis Joannou’s collection, including works by Maurizio Cattelan, Urs Fischer, Robert Gober, Chris Ofili, and Jeff Koons himself
[The New York Times]
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Russia’s biggest contemporary-art fair opened September 23, 2009 in Moscow to coincide with Third Moscow Biennale of Contemporary Art
[Bloomberg]
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Donald Fischer, founder of Gap and art collector, loses his battle to cancer at 81; his collection will be permanently housed at San Fransisco Museum of Modern Art
[San Francisco Chronicle]
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Artist Ed Ruscha stars in a film by video artist Doug Aitken to be projected as installation entitled “Frontier” on Tiberina island in Rome
[The Art Newspaper]
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Andreas Gursky, his works and Pop influences, mainly Warhol’s, as analyzed in the Economist conclude “99 cents II (Diptych)” as the artist’s most important piece
[Economist]


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Ryan McGinness via J. Crew

Last summer painter Alex Katz modeled clothes for J. Crew catalog; this year seven New York artists, including Ryan McGinness and Vito Acconci, are featured [J.Crew]
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Tate Modern to recreate a 1992 exhibition that took place in New York’s Leo Castelli and was criticized as racist; 15 years later Tate curators appropriate the show as a part of a bigger Pop Life: Art in a Material World exhibit and hope for a different reaction
[The Independent]
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A Sigmar Polke painting, Untitled – Oil on Drape (1969), stolen directly from the artist’s atelier, the police deliberates the thief could only be someone with access to the space
[Artforum]
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Frieze Art Fair 2009 announces the details of its sculpture park, in London’s Regent’s Park; “Henry Moore Bound to Fail” by American artist Paul McCarthy is to remain on display for six months
[Frieze Art Fair]


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Guggenheim Museum Art Award via The New York Times

Louise Bourgeois, Urs Fischer, Dan Graham and Mary Heilmann are among the select individuals nominated for the First Annual Art Awards Guggenheim Museum announced this week [The New York Times] In related, the Frieze Art Fair announced the call for entries to The Cartier Award 2010 [Art Review]     
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Results from Sotheby’s mid-season Contemporary Art Sale
details at Art Market Monitor [Sotheby’s]
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The British Arts Council and the London 2012 organization announce Anthony McCall as a finalist in their nationwide initiative to commission public art in celebration of the upcoming Olympics. McCall has proposed a 1,5 mile earth sculpture in the form of a simulated vertical cloud in Liverpool [ArtInfo]
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A detailed survey of Contemporary-Art Auction values in the midst of economic crises as influenced by several variables, show a significant decrease [Bloomberg]
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65 year old Jehuda Reinharz, President of Brandeis University- home to Rose Art Museum housing works by artists such as Warhol and De Kooning, is to resign [Los Angeles Times]


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Sophie Calle photographed by Yves Geant via Guardian UK

France’s conceptual artist Sophie Calle’s path to art world recognition as examined through a personal perspective: stripping, spying, sleeping, “seducing her father” all turned into artistic practice [Guardian UK]
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At Westminster Cathedral, British painter Peter Doig is to create a new installation to coincide with a concert from the British pianist Stephen Hough whom he met after a recital in London in 2008 [Art Review]
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Two new co-directors, both previously with Art Basel, promote this year’s Art Forum Berlin to attract some of the city’s big name art galleries, among which: Max Hetzler, Johann König, Klosterfelde and Neugerriemschneider [Financial Times] and here is some video of the event [Vernissage TV]
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60 Galleries are not returning to Art Basel Miami Beach, but 65 new ones are added, hence the fair grows in quantity [Lindsay Pollock]


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Picasso’s sketch to be auctioned via Guardian UK

Picasso’s sketch that must have taken seconds to produce is expected to sell for more than £20,000 at Duke’s auction [Guardian UK]
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Christie’s “First Open” Post-War and Contemporary Art sale brings in good results, appealing to many buyers while providing a wide range of pricing and themes [Art in America]
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Christie’s Frieze exhibitions and auctions dedicated to Post-War and Contemporary Art will include works by artists such as Lucio Fontana, Damien Hirst and Gerhard Richter [ArtDaily]
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Museum of Contemorary Art in Los Angeles raises $60 million since December 2008 when it had revealed its financial troubles
[Culture Monster]
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Annie Leibovitz and Damien Hirst to design for Louis Vuitton [Elle UK]

SILLINESS OF TODAY’S HORROR MOVIES INSPIRATION FOR WAYANS BROTHERS.(What’s Happening)

Seattle Post-Intelligencer July 14, 2000 Most fans just laugh at how silly horror movies have become. Three of filmdom’s Wayans brothers decided to parlay their reaction into real laughs in “Scary Movie.” “It’s like `Airplane,’ ” says director Keenan Ivory Wayans. “Those guys knew that the disaster genre had been beaten to death.

“In horror, you’ve had the Jason series, the Freddy series, the `Scream’ series. This genre’s been played to death. . . . Same thing with `Don’t Be a Menace . . . ‘ You had `Boyz N the Hood,’ `South Central.’ ” The makers of “Scary Movie,” which had a huge opening last weekend, are no strangers to parody. Wayans targeted blaxploitation films when he wrote, directed and starred in the 1988 comedy “I’m Gonna Git You Sucka.” He also acted in “Don’t Be a Menace to South Central While Drinking Your Juice in the Hood,” the 1996 comedy written by and starring younger brothers Shawn and Marlon Wayans. in our site horror movies 2010

“If you can find a genre’s that’s beaten itself to death and has sort of ingrained itself in popular culture, then it’s ripe for parody,” says Keenan, 42.

“Scary Movie” originated with Shawn, 29, and Marlon, who’ll turn 28 on July 23. “All they do all day is call me,” Keenan Wayans said in an interview. “They sit in the house, and they call me, like, four times a day, going, `Is there something in this?’ And I’ll go, `No, that’s ridiculous.’ “And then they called me and said, `Is there something in the idea of doing a parody of all these teen horror movies?’ And I said, `Yeah, there’s definitely something in that.’ ” The younger Wayanses got together with Buddy Johnson, who’d served as executive story editor on their WB sitcom “The Wayans Brothers,” and Phil Beauman, who co-wrote “Don’t Be a Menace” and wrote for “In Living Color,” the sketch-comedy show created by Keenan in the early ’90s, and wrote a script. in our site horror movies 2010

“And 10 drafts later . . . it got made,” says Keenan. (Two other writers who’d come up with a similar idea are also credited because Miramax bought their script to avoid legal hassles.) Inspiration for “Scary Movie” came from sitting in theaters, watching the recent horror films and seeing how ridiculous they were, Marlon Wayans says.

“The first `Scream’ was good,” he says. “Then they do the sequel and they do `I Know What You Still Did Last Summer’ and . . . `Urban Legend.’ ” “Scary Movie” goofs on all the usual suspects plus “The Usual Suspects,” “The Sixth Sense,” and “The Blair Witch Project.” Marlon and Shawn wrote parts for themselves, naturally, but neither of them is the main character.

While the “Scream” films satirize the horror genre, “they just heightened where you need to go in terms of showing comedy,” says Marlon Wayans. “They make commentary. We show.” “They had an actual, real killer,” says Shawn Wayans. “We had a killer, but we made fun of what was funny about the killer in those movies.” “Scary Movie” also follows in the footsteps of gross-out comedies such as “There’s Something About Mary” and “South Park: Bigger, Longer & Uncut.” “ `Something About Mary’ and `South Park’ kind of opened up the door,” says Marlon Wayans. “What you do is, you go, `OK, y’all like that? Well, wait till you get a load of this!’ “What we’re doing with the comedy, pushing the envelope like that, is making a parody statement itself. Like, `Look at all the crazy things that people are doing out there.’ And teens love it.” What the Wayanses love is working with each other. Even though they couldn’t come up with roles for brother Damon or sister Kim, “Scary Movie” was a family affair.

Marlon and Shawn expect to continue collaborating. “I like working with him,” says Marlon. “I slept in a bed with him for 16 years. I had his feet in my face my whole life, so this is my best friend.” As for having big brother direct, that was a no-brainer. “Keenan is great,” says Shawn. “I think he’s a genius, and we totally respect his work. He taught us everything we know about comedy and just about life, period.

“It’s kind of like he’s been the director of our life anyway.” Adds Marlon: “So to finally get paid to be bossed around, hey!”

Go See – Cologne, Germany: Sigmar Polke 'THE EDITIONS' at Museum Ludwig through September 27, 2009

Thursday, August 27th, 2009

From the Sigmar Polke show, “The Editions,” at  Museum Ludwig.

Through September 27, Cologne will be home to the humor, irreverence, painstaking technique and meticulous renderings of Sigmar Polke’s “Editions.”  Museum Ludwig is showing an exhibition of the collection, donated in large part by Cologne collectors Ulrich Reininghaus and Anna Friebe-Reininghaus in 2008.  Curated by Julia Friedrich, the show also includes rare prints and re-workings.

Related links:
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Museum Ludwig
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Sigmar Polke – Profile [artfacts]


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Sigmar Polke’s “Ohne Titel [Griffelkunst],” part of “The Editions,” at Museum Ludwig.

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Go See – New York: “Go Figure” group show at Gagosian Madison Avenue Through July 31, 2009

Tuesday, July 7th, 2009


Jeff Koons, “Pam” (2001) via Gagosian Gallery

An assortment of works, all centered on depictions of the human figure, is currently on display at Gagosian’s Madison Avenue gallery until July 31, 2009.  Gagosian has selected pieces from an all-male cast of seminal artists, each tackling the issue of bodily representation in a variety of media.  This relatively small exhibit constitutes an appealing means of considering how male artists have approached the portrayal of both men and women over the course of the twentieth century.

Related links:
Exhibition Page
[Gagosian Gallery]
Artists’ Info
[Gagosian Gallery]


Gerhard Richter, “Deck Chair II” (1965) via Gagosian Gallery

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GO SEE – NEW YORK: SIGMAR POLKE ‘LENS PAINTINGS’ AT MICHAEL WERNER GALLERY, THROUGH JUNE 19TH, 2009

Sunday, May 31st, 2009


Sigmar Polke ‘Lens Paintings’ via Michael Werner

Michael Werner Gallery on the Upper East Side is currently presenting artist Sigmar Polke’s:’Lens Paintings’.  The exhibition features new works by Polke.  Sigmar Polke’s career spans 40 years of radical innovation in painting.  Each of the twenty six paintings on display is one of a kind.  The conceptual frame work of these paintings is grounded in theories set forth by Johann Zahn in his 1685 book, ‘Telescope’.  According to Zahn, every luminous object in the universe varies in appearance depending on the viewers position.  This theme is reflected through the various interpretations of each of the images in this show.

Art in Review – Sigmar Polke [New York Times]
Overview-Solo show: Sigmar Polke
[Artfacts]
Lens Crafter: Critic’s Notebook [The New Yorker]
Michael Werner Gallery Exhibitions [Michael Werner]

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